Regency Rogues and Rakes: Silk is for Seduction / Scandal Wears Satin / Vixen in Velvet / Seven Nights in a Rogue's Bed / A Rake's Midnight Kiss / What a Duke Dares. Loretta Chase
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“Your girls,” he said. “You—you’re a philanthropist?” He laughed.
She longed to throw something at him.
A chair. Herself.
But that was her shallow Noirot heart speaking. He was beautiful. Watching him move made her mouth go dry. It wasn’t fair that she couldn’t have him without complications. In bed—or on a carriage seat or against a wall—it wouldn’t matter that he was idle and arrogant and oblivious. If only she could simply use him and discard him, the way men used and discarded women.
But she couldn’t. And she’d used him already, though not in that way. She’d used him in a more important way. She’d got what she’d wanted.
A maid entered, and Marcelline spent a moment directing her. When she went out again with a heap of clothing, Marcelline did not take up the conversation where it had stopped. She did not take up the conversation at all.
She wouldn’t let him disturb her in any way. She was very, very happy. She’d achieved her goals.
“Which set of unfortunate women is it?” he said. “I’ll tell my secretary to make a donation. If they can make anything of those dresses, they’ll have earned it.”
“The Milliners’ Society for the Education of Indigent Females.” She could have added that she and her sisters had founded it last year. They’d learned at an early age more than they wanted to know about indigence and the difficulties of earning a living.
But her past was a secret under lock and key. “Some of our girls have gone on to become ladies’ maids,” she said. “The majority find places as seamstresses, for which there’s always need, particularly during mourning periods.” Luckily for them, the court was frequently in mourning, thanks to the British royal family’s penchant for marrying their Continental cousins.
The butler entered, followed by a footman carrying a tray of refreshments to sustain his grace during the wait for her ladyship.
Marcelline was famished. She’d been waiting on Lady Clara since this morning, and had not been offered a bite to eat or anything to drink. But mere tradesmen did not merit feeding.
Oh, would the girl never be dressed? How long did it take to tie on a bonnet and throw a shawl about one’s shoulders? One would think, given her anxieties about Marcelline ruining his life, Lady Clara would not leave them alone together for above half a minute.
But they were hardly alone, with servants going to and fro. Not that Lady Clara had anything to worry about, servants or no servants.
The only designs Marcelline had were upon her lady-ship’s statuesque person—and her father’s and future husband’s purses.
That was all.
She was very, very happy.
The silence stretched out, broken only by the servants’ comings and goings.
Then, at last, at long last, Lady Clara reappeared.
Marcelline stopped sorting for long enough to make an adjustment to her ladyship’s bonnet—it was not tilted precisely as it ought to be—and to twitch her cashmere shawl into a more enticing arrangement. Her shawls were very fine. One could not fault her there.
Having arranged Lady Clara to her satisfaction, Marcelline stepped away, made a proper curtsey, and returned to her work.
She was aware of Clevedon’s big frame passing not far from her. She was aware of the muffled sound of his boots on the carpet. she heard the low murmur, his voice mingling with Lady Clara’s, and the latter’s soft laughter.
Marcelline kept busy with her work and did not watch them go.
And when they were gone, she told herself she’d done a fine job, and she’d done nobody any great wrong—a miracle, considering her bloodline—and she had every reason to be glad.
That evening
The gown Mrs. Whitwood had returned lay on the counter. the enraged customer had come and gone while Marcelline was dancing attendance upon Lady Clara Fairfax at Warford House.
Sophy had soothed Mrs. Whitwood. Sophy could soothe Attila the Hun. The dress would be remade. The cost was mainly in labor, the smallest cost of making a dress. Still, it cost time—time that Marcelline, her sisters, and her seamstresses could be spending on other orders.
If this kept up, they’d be ruined. It wasn’t simply that they couldn’t afford to keep remaking dresses. They couldn’t afford the damage to their reputation.
Marcelline was studying the dress, deciding what to change. “Who worked on it?” she asked Pritchett, her senior seamstress.
“Madame, if there is a fault with the workmanship it must be mine,” Pritchett said. “I supervised every stitch of this dress. But madame can see for herself. It is precisely as madame ordered.”
“Indeed, and the details, as you know, are of my own design,” Marcelline said. “It’s very strange that another dress should appear, bearing these same details. The angle and width of the pleats of the bodice was my own invention. How curious that another dressmaker should have precisely the same idea, in the same style of dress.”
“Most unfortunate, madame,” Pritchett said. “Yet some would think it a miracle we haven’t had this problem before, when you consider that we take in all sorts of girls, from the streets, practically. One doesn’t wish to be uncharitable. Some of them don’t know any better, I daresay. Never taught right from wrong, you know. I shall be happy to work late—as late as needed—to make the dress over, if madame wishes.”
“No, I’ll want you fresh tomorrow,” Marcelline said. “Lady Clara Fairfax’s ball dress must be ready to deliver at seven o’clock sharp in the evening. I shall want all my seamstresses well rested and alert. Better to come in early. Let us say eight o’clock in the morning.” She glanced at her pendant watch. “It’s nearly eight. Send them all home now, Pritchett. Tell them we want them here at precisely eight o’clock tomorrow morning, ready for a very busy day.”
She rarely kept her seamstresses past nine o’clock, even when the shop was frantically busy, as it had been when Dr. Farquar’s daughter had needed to be married in a hurry—or when Mrs. Whitwood, having quarreled with Dowdy, had come to Maison Noirot to have herself and her five daughters fitted out in mourning for a very rich aunt.
Marcelline’s personal experience had taught her that one did better work early in the day. By nightfall, spirits flagged and eyesight failed. The workroom had a skylight, but that was no use after sunset.
“Yes, Madame, but we have not quite completed Mrs. Plumley’s redingote.”
“It isn’t wanted until Thursday,” Marcelline said. “Everybody is to go home, and prepare for a long, hard day tomorrow.”
“Yes, Madame.”
Marcelline watched her go out of the showroom.
The trap she and her sisters had set yesterday morning was simple enough.
Before they went home at the end of the workday, the seamstresses were required to put everything away. The workroom was to be left neat and tidy. No stray bits of thread or ribbon, buttons or thimbles should remain on the worktable, the chairs, the floor, or anywhere else. The room had been perfectly neat early yesterday morning when Marcelline deliberately dropped a sketch of a dress for Mrs. Sharp on the floor.
The first seamstress arriving in the morning—and that was usually Pritchett—should have noticed the sketch, and turned it over to Marcelline, Sophy, or Leonie. But when Sophy went in, shortly after the girls’ workday began, the sketch was gone and nobody said a word about it. It didn’t turn up until this morning. Selina Jeffreys found it under her chair when she came to work.