End Day. James Axler
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publisher, cigar-smoking entrepreneur and renowned tightwad who was her boss. It was a strategy that put the opposition at an immediate disadvantage.
If she had chosen to, she could have listed many reasons why Mr. Levinson didn’t deserve more book contracts, let alone a raise in pay. He never turned in his assignments on time. Despite the advance outlines to the contrary, he wrote the same story over and over. Clanker aways ran short on energy at a crucial moment in the plot and broke up some chairs or bookshelves to burn in his brass firebox, thus saving the day. Levinson cannibalized action and sex scenes word for word from his own books. He never researched or fact-checked his work. He never read books by the other ghosts in the series, which created conflicts with canon. None of these issues set him apart from the rest of the stable—to one degree or another, all the writers were guilty of the same offenses. So why should he get more money?
Prentiss had an answer for that.
“Remember,” the agent said, “Kyle’s been on this series from the start. He helped build its current global audience.”
“I’m the one who invented ol’ Clanky’s catch phrase, ‘Stoke me!’”
That was hardly something Veronica could forget. Levinson used that tag line at least fifty times in every book, and she had to go through the manuscript and personally remove forty-five of them. Truth be told, “his” catch phrase for Clanker was stolen from “Stalk me!”—the catch phrase from another of the company’s series, Slaughter Realms. Which in turn had been lifted from “Stake me!”—the catch phrase of the house’s vampire line, Blood City.
Sometimes in the middle of an excruciating edit of one of his Clankers, she caught herself wishing he’d write “Choke me!” so she could strangle him with a clear conscience.
“We have come up with some numbers we’d like to run by you,” Prentiss said, holding out a slip of paper.
Veronica took it and put it in her purse without looking at it. “A decision like this has to come from the top,” she said. “I’m sure you understand...”
“Of course,” Prentiss said. “I understand completely. Now, how about a little something sweet?”
Levinson was already scanning the dessert menu with keen interest.
Half an hour later Veronica was starting to feel hungry. She’d had only sparkling water to drink, a seafood risotto and an undressed green salad. Not wanting to prolong the ordeal by ordering more food, she paid the tab with a company credit card and left agent and client happily nursing their third brandies. She knew her boss wouldn’t grouse about the bill. A $300 lunch was peanuts compared to actually giving Levinson a raise. Effective stalling cost money but paid off big time down the road when the writer became desperate. And sooner or later, writers always became desperate.
Outside the restaurant, the January temperature was in the high thirties; it felt colder because it was so damp. She thought about walking the five blocks back to the office but changed her mind. She had a big pile of manuscripts to edit at home, and she wanted to get out of her high heels and into a pair of comfy slippers. After hailing a passing taxi and getting in, she gave the driver the address of her apartment in the East Village.
Her thoughts returned to the Levinson problem.
That there were always worse writers out there had been pounded into her by painful experience. “Better the bad writer you know” was the company’s longstanding philosophy. To overcome the failings of the stable, failings all too apparent to readers of the various series, and to keep her job, she’d had to master the relevant facts and skills herself. She had learned about weapons, tactics, martial arts, survival, engineering, astrophysics; the list went on and on. Despite the fact that she was only twenty-six, she was a mother figure to the writers she herded—a dispenser of sustenance, corrector of embarrassing mistakes, protector and defender. They were babies, all of them. Some white-haired or hairless, some toothless with age, but still helpless, whining babies.
The cab pulled up in front of her brownstone on a street lined wall-to-wall with similar narrow, multistory houses, all of the same, roughly 1850, vintage. Sickly, leafless trees grew out of spike-ringed holes in the sidewalk.
After paying the cabbie, she climbed the steep front stairs, unlocked the door and stepped into the small foyer. As she started up to her second-floor apartment, she considered blowing off work, putting her feet up and reading a good book for a change. A rumble from the floor above startled her. It sounded like a stampede of elephants. Looking up, she saw huge, dark figures lumbering down from the landing. They were as wide bodied as NFL players. The marble staircase shook under their combined weight. She flattened her back against the wall to keep from being trampled.
As they poured past, she saw there were eight or nine of them, all dressed in a kind of uniform: royal-purple satin hoodies and black satin jogging pants. She couldn’t get a clear look at their faces because of the hoods and because they were moving so fast. She did see and recognize the skeletonized buttstocks of AKS-74U “Krinkovs,” some of them slung under the hoodies, the abbreviated autorifles looking like children’s toys. In the middle of the pack, apparently being guarded by the others, was a spindly, frail individual.
Was that Bob Dylan? she thought, turning to look as they crossed the foyer below and trooped out the front door. A rumor had started going around the block that morning that the famous balladeer had bought the brownstone next to this one, but no one had actually seen him yet. What was Bob Dylan doing in her building? The odd smell left in their wake made her wrinkle her nose.
When she peered over the second-floor landing, her heart sank. Her apartment door was standing wide open. Without thinking, she crossed the hall and rushed inside. The place had been trashed—furniture overturned, lamps broken, pictures knocked off the walls as if a whirlwind had struck. The television, stereo and computer were untouched. It smelled like a meth lab.
“Talu, Petey!” she called. “Lucy!”
The cats didn’t come.
She found all three hiding, wide-eyed, in a corner under the bed. Much to her relief, they were unhurt.
Nothing seemed to be missing from the bedroom; everything was just as she had left it. The autographed black-and-white photo of a bearded, smiling Robertson Davies sat atop her dresser.
Oh crap, the Eagle! She jumped up and tore open her closet door. Behind cartons of neatly packed summer clothes on the top shelf, the lock box was still there. She opened it with the keypad and looked down with relief at the Bengal tiger–striped .44 Magnum Desert Eagle snug in its fitted foam case. It had been a strange gift from an even stranger man—restraining-order strange.
Robert Marx, in addition to being bipolar and a con man, had authored a few books for the company’s Western soft-core-porn line, Ramrod—that series’ catch phrase was both obvious and literal. Veronica had never dated Marx, never saw him once outside the company offices, but he had become so enamored of her that out of the blue, he’d given her this $2,500, illegal-in-NYC pistol—the world’s most powerful handgun, in fact. Something Marx thought incredibly funny.
Primarily to defend herself against him—and people like him—Veronica had learned at a range in Connecticut to shoot the monstrous thing. She’d initially had serious problems with muzzle control because of the weapon’s weight—four-and-a-half pounds, fully loaded—and its tremendous recoil. To master it, she’d had to strengthen her wrists and forearms with dumbbell finger curls.
A loud, sudden noise from the living room made her stiffen. It sounded like something heavy had fallen. Maybe one of her floor-to-ceiling bookshelves had crashed to the floor.
They’re back! was her only thought.
Veronica kicked off her heels. With the ease of much practice—and without chipping a nail—she slapped home the pistol’s loaded magazine and chambered the first fat wadcutter round in the stack. Snatching the custom-molded earplugs from the case, she thumbed them into place as she moved to the bedroom door. When she burst into the living room with the autopistol in a two-handed grip, ready