Murder At Granite Falls. Roxanne Rustand
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well did you know Sheryl?”
“We ran into each other on Main Street now and then, and she came out for a couple of float trips. Once with her boy, then she came again alone. That’s it. End of story. We were just casual acquaintances. And on both raft trips there was a full load of passengers—tourists from all over the country, so neither trip included the intimate interlude that the prosecutor implied.”
“You were the guide?”
“Just by chance, both times. Tina hadn’t finished her training and safety certification yet.”
“So…what was Sheryl like?”
“As I said, she was a nice lady. Quiet. I don’t think she asked a single question during either trip. In fact, she seemed a little scared of the water. And when we beached the raft at our midway point for a riverside lunch, the other passengers took a hike up to Badger Peak rather than take time to eat. She was the only one who stayed behind, and she read a book the whole time. Said she didn’t like heights.”
“I suppose the other passengers were questioned, and said you two had…plenty of time alone together.”
“Right. The prosecutor tried to prove it was the start of an ongoing affair, if that’s what you’re getting at it.” Logan snorted. “So given the supposed affair, she later committed suicide? Or I killed her in a jealous rage because she wouldn’t leave her husband? None of that makes sense.”
“And if there was no proof—”
“Oh, there was ‘proof’ all right. An imprint of a Chaco sandal near where she fell off the cliff. In my size…as if most outdoors enthusiasts around here don’t wear that kind of sandal.”
“That’s it?”
“A scout troop saw me in the area earlier, while they were out working on a hiking badge.” He heaved a sigh. “I was out hiking myself. And since I was up in the mountains alone most of the day, I had no alibi for the hours in question. A witness claimed Sheryl said she’d been seeing me on the sly. There was more, but none of it was true.”
Carrie had watched enough old Law & Order reruns to know that some serial killers possessed enough charm to gain their victims’ confidence. But if Logan was lying about this, he was incredibly good at it. Even with her gaze riveted on his face she hadn’t seen so much as a flicker of guilt or deceit.
“I guess…I just don’t know what to say,” she said finally.
“All I know is that I’m innocent, and that I’m not going to stop searching until I find the guy who did kill her.” A corner of his mouth lifted wryly. “Though there’s a saying about how there are no guilty prisoners on death row, so I guess you’ll have to decide for yourself just what you want to believe.”
Before talking to Logan on Saturday, Carrie would’ve automatically believed the sheriff’s department over a claim of innocence by a man she barely knew.
Yet she’d already seen Logan’s gentleness with the local kids and his teasing banter with Penny. His wry, self-deprecating humor and quiet sense of honor. She’d been drawn to him for those very reasons, and that feeling had grown with every passing day.
Those surely couldn’t be traits of a killer.
All day Sunday she’d been able to think of nothing else. Wavering from one hour to the next as to whether or not she’d be wise to just leave. Praying for guidance.
And then, in the evening, she’d happened to look down from her apartment window to find Logan sitting on the open tailgate of the company pickup with his head bowed, one arm draped around the dog sitting at his side. Penny was there, too, her hand on his shoulder and her own head bowed.
Carrie had no delusions about the fact that even the worst of sinners might pray for forgiveness. And should. Yet the closeness of that scene, and the obvious love Penny had for her brother, touched Carrie’s heart in a way all of the logical thinking in the world had not.
If Logan had been shunned by this town for something he hadn’t done, how could she do the same?
She jerked her attention back to her classroom, hit the off button on the TV remote, and popped the DVD out of the player. It was her favorite—a depiction of the American cowboy as portrayed in paintings and sculpture by Remington.
“So,” she said with a smile, “how did Remington’s subjects differ from the ranches and cowboys we see today?”
Seven pairs of eyes stared blankly at her, quiet and obedient, while in one corner of the room, Noah Colwell silently stared down at the top of his desk, his thin shoulders hunched. In the other back corner, the Nelson twins looked at each other and rolled their eyes.
“Austin?”
That earned a guilty glance from the twin who seemed quieter, and snickers from his brother—who was her most likely candidate as creator of the violent drawings left on her desk on Monday, and again today.
“Dylan?”
His snickers died as Dylan silently lifted his chin in subtle defiance.
“Does anyone here live on a ranch?” She scanned the room. Two girls raised tentative hands. There were at least four others, out of the twelve students in her class, but no one else volunteered a hand. “Well, I’ll bet all of you have seen ranchers and cowhands come into town. Are their hats just the same now as they were back in the days of the Wild West? How about their chaps, and their saddles?”
The students seemed to collectively slide down in their chairs and avoid meeting her eyes. Not unexpected, she realized with an inward smile. Middle school was such a tender time for being easily mortified by unwanted attention or, worse, saying something that might make classmates scoff.
“Well, our next project will be creating either a watercolor or acrylic painting in the style of Remington, but with the cowboys wearing modern-day apparel and using present-day equipment. So think hard on it overnight, and we’ll see you here tomorrow.” All twelve students scrambled to their feet and bolted for freedom.
One, a beautiful Latina with shimmering hair that swung down her back to her waist, hesitated when she reached the door. “I won’t be in class the rest of the week,” she said with a shy duck of her head. “Can I do a makeup assignment for anything I miss?”
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