Self-Confidence. Шарль Пепен
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only a few minutes, before it starts to gambol. And we should have self-confidence?
We compensate for this natural deficiency through culture – family, mutual assistance, and education. Thanks to the artistry of human relations, we eventually finish the work that nature left in draft form, and we acquire the confidence that nature withheld from us.
Little by little, children gain confidence in themselves, thanks to the ties they have developed with others, the care that has been lavished on them, the attention focused on them, the unconditional love they receive. Small children don’t feel that this love is given to them for the things they attempt or succeed at. They are loved for what they are and not for what they do. This is the most solid base for the self-confidence they will later acquire. Being loved and looked at in this way gives us strength throughout our life.
Our struggle to achieve self-confidence starts by overcoming what Freud called infantile anxiety. When an adolescent is eager to go out and discover the big wide world, when an adult is confident and manages to get his or her projects up and running, it’s primarily because they were lucky enough to develop early on, in the course of what Boris Cyrulnik calls their ‘precocious interactions’, the inner sense of security that psychologists have determined is so important.
While self-esteem is based on our assessment of our own value, self-confidence is tied to our capacity for action, our ability to venture forth despite our doubts, to take risks in a complex world. To find the courage to adventure into the outside world, you have to have an inner assurance.
In his masterly essay on the ‘mirror stage’, Jacques Lacan describes the moment at which a child first becomes conscious of himself. When children are still at the toddler stage – the average age is between six and eighteen months – they recognise themselves in the mirror. But what exactly happens that first time? The child is in the arms of an adult, who holds him up to the mirror. No sooner has the child recognised himself than he turns toward the adult and asks him with searching eyes, Is this me? Is it really me? The adult answers with a smile, a look, or a few soothing words. The adult reassures the child: Yes, that’s really you. The philosophical implications of this first encounter are enormous – the other is there from the outset between me and myself. I am conscious of myself only through that other person. The child has confidence in what he sees in the mirror only because he has confidence in the other. It’s in the eyes of others that he seeks this inner reassurance; it’s in the eyes of others that he seeks himself.
The same experiment has been tried with rhesus monkeys, which are closely related to us genetically. Their intelligence is apparent in that they quickly start using the mirror to inspect parts of their bodies they can’t see otherwise, like their backs and buttocks. But on first encountering a mirror, they don’t turn toward other rhesus monkeys in the room; they don’t look questioningly at each other. Rhesus monkeys are undoubtedly social animals and learn much from each other, but during their developmental phase they are not as dependent on the bonds between them as humans are; they are not relationship-based creatures to the same extent. Without others, we could not develop our humanity; without others, we could not become what we are.
Look at feral children, those children who have been abandoned at birth and raised by animals (bears, wolves, pigs …), only to be found and reintroduced into human society at a later stage. As François Truffaut’s The Wild Child dramatises (in a film based on real events), these children’s lack of attachment to other humans obstructs their development. They are as frightened as hunted animals, unable to learn human speech, seemingly irrecoverable to humanity. In the very best cases, using great patience and gentleness, the professionals who look after these children have managed to nurture fragile bonds with them and guide them toward limited progress. But their self-confidence always remains precarious, vanishing at the slightest obstacle. In the language of modern psychology, these wild children suffer from a lack of ‘attachment’ to other humans. They never bonded with others during their early childhood. They had no one to protect them, reassure them, speak to them, look at them. Deprived of the inner sense of security that comes from these attachments, they are unable to muster the minimal confidence they would need in order to see the world and other people as anything but hostile.
According to such psychiatrists as John Bowlby and Boris Cyrulnik, if a little boy of two is able to say hello to a stranger who comes into his house, smile at him, approach him, and address or touch him, it’s because his sense of inner security is strong enough to deal with this unfamiliar situation. The people he has attached to have given him enough confidence for him to move away from them and approach the stranger.
The education process has been successful when the ‘student’ no longer needs his teachers, when he has enough self-assurance to leave his teachers behind. By taking a few steps toward the stranger who enters his house, the little boy is already starting to learn to be on his own. Others have shown him confidence, and it’s now his turn to act and show he merits it. In order to set off on his own, he draws on the love and attention given him by his family and those around him.
The first years are decisive, but luckily we can build relationships that give us confidence at any age. If we did not have the good fortune to grow up in a nurturing emotional environment, it’s never too late to form the bonds that we lacked early on. But it does require knowing oneself well enough to realise that these bonds are missing and need to be compensated for.
Madonna Louise Ciccone was at first a shy child who lacked self-confidence. She lost her mother to breast cancer at the age of five and resented that her father remarried almost immediately and had a new set of children. She had trouble finding her place in the family circle. She studied piano and ballet from a young age but felt she wasn’t much good at either, that she had to work hard for modest results. But in adolescence, after her stepmother enrolled her in a Catholic school in Detroit, she met Christopher Flynn, a dance teacher who changed her life. While she was rehearsing for the end-of-year show, he said something to her that no one had ever said before, or at least not in so many words: that she was beautiful and talented, and that she had enormous charisma. Years later, Madonna explained that these words changed her life. Before, she hadn’t believed in herself. Now, she could see herself as a dancer in New York; she felt herself being born as an individual. At the end-of-year production, she surprised everyone – her teacher most of all – by dancing with extraordinary energy, and half naked! Madonna was born. Before Christopher Flynn, she’d had other piano and dance teachers. They had taught her many things, given her insight into movement and technique. But none had ever given her the gift of confidence.
I remember a concert that Madonna gave in Nice, France, when I was not yet eighteen. I was fascinated by her stage presence, her way of singing and dancing, her freedom. I remember the giant screen and her face in close-up when she sang ‘Like a Prayer’. Drops of sweat dripped into her eyes. In the look she gave the audience, in her smile, there seemed to be enormous gratitude. Naturally, Madonna was a highly skilled and experienced performer. The woman striding across the stage in every direction already had years of concerts behind her. But charisma can’t be attributed entirely to skill. There’s something more, an element of grace that the charismatic person must have. It’s in the eyes of others that the charismatic person seeks her own truth; she relates to others through constant reinvention. At the time, I didn’t understand very well what I was seeing on that giant screen. Today when I think back to Madonna’s vibrant smile, I believe she was finding in the audience’s response, in their energy, in their love even, that same confidence she had seen long before in the eyes of her dance teacher.
Madonna didn’t grow up in an environment that gave her security, but she found a way to compensate for it later.
If we have had the good fortune, in our early years, to experience warm and nurturing personal ties, later encounters that reinforce our confidence will still be important. But they will be experienced in a different way: through them we will relive, at decisive moments, the grace of someone’s early confidence in us.
Yannick Noah, the great French tennis star, was greatly loved by his parents, Zacharie and Marie-Claire. Deeply in love with each other, they lavished affection on their son. When Yannick