The Night Mark. Tiffany Reisz
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made it to Beaufort by dinnertime. Needing to conserve her money, Faye had rented a room in Beaufort. Just one room in someone else’s home. She wouldn’t have a private bathroom, a situation Hagen would have found an unacceptable affront to his dignity, but Faye found she didn’t mind, not at all. Now that she didn’t have to think of anyone’s needs but her own, she’d discovered just how little she needed.
The house was on Church Street, a faded Southern Gothic Revival river cottage, a revival someone had forgotten to revive. White paint in need of power washing, three tiers of verandas missing a baluster or five, Spanish moss and ivy competing for ownership of the trees... Faye liked it immediately. It was owned by Miss Lizzie, a woman who rented the rooms out mostly to college kids attending the University of South Carolina’s Beaufort campus. So few students attended classes in the summer, however, that Faye had ended up with what Miss Lizzie said was the best room in the house.
Faye’s hopes were not high, but Miss Lizzie, an older black woman with a spray of pure white hair around her head like an icon’s nimbus, welcomed her into the house with a wide smile that seemed genuine. Faye did her best to match it. The third-floor room she’d been given surpassed Faye’s low expectations by a large margin.
“Here you go,” Miss Lizzie said. “I keep this as my guest room. No kids up here. I’d hate to put a grown woman like you in the same hall as my college boys. They get a little rowdy. You’ll like it up here if you don’t mind the stairs. My sister stays here when she visits but she’s not coming round again until October. Too hot for her.”
“It’s beautiful,” Faye said, wearing a smile she didn’t have to fake. She hadn’t been impressed by anything in a long time, but this room spoke to her in its spareness. The floors were hardwood, a deep cherry stain polished to a high shine so that in the evening sunlight she could see every last rut and groove on the floor, elegant as an artist’s brushstrokes. The wounds gave it character and beauty. The bed was a four-poster, narrow, like something she’d seen in preserved historic homes. It bore an ivory canopy on top and ivory bed curtains; an ivory bedspread with a double-wedding-ring Amish quilt in a shade of dark and light blue was folded at the bottom. In case she got cold, Miss Lizzie said. South Carolina in June and July? Faye was fairly certain she wouldn’t have to worry about catching a chill.
“Closet over there,” Miss Lizzie said, pointing at a buttercream-yellow door. “Dresser there. These doors lead to the balcony,” she said, indicating a set of French doors. “No screen doors, so try not to let the mosquitoes in.”
“Are you Catholic?” Faye asked.
“Of course not. I go to Grace Chapel. It’s AME.” The tone of denial Miss Lizzie employed made it sound as if Faye had asked her if she were a government spy hiding out on foreign soil. Then again, that was what many people once thought of Catholics in the United States.
“I saw the prie-dieu.” Faye pointed at the carved wooden kneeler by the bed. A ceramic gray tabby cat sat on top of it next to a lamp. “That’s why I ask.”
“The what? I thought that was some kind of step stool or side table.”
“It’s for praying. Private prayer. You kneel on this bottom step here and maybe rest your prayer book on the top part.”
“You’re of the Catholic faith?” Miss Lizzie asked, touching her chest as if to clutch at nonexistent pearls.
“No, but I’m a photographer. I did a photo shoot of Catholic churches for a book once.”
“I see. You here to photograph things?”
“For a calendar. A fund-raiser.”
“Well, that’s nice, then. Who doesn’t need funds these days?”
Faye laughed. “Anyway, it’s very pretty.” Faye touched the prie-dieu. It was simply carved but sturdy stained rosewood. The wood was lighter where the knee would go on the bottom board as if someone had prayed on it many times. Were his prayers answered? Why did Faye assume it was a he?
“It’s from the lighthouse, the old one,” Miss Lizzie said.
“Lighthouse? The one on Hunting Island?”
She shook her head. “Not that one. North of Hunting Island, there’s another island. Bride Island.”
“Bride Island? That wasn’t in my guidebook.”
“Only locals call it that. And it wouldn’t be in the guidebook. It’s private. Rich black lady owns it,” Miss Lizzie said with quiet pride. “Paris Shelby.”
“Any idea if Ms. Shelby allows visitors on the island?”
It sounded promising, an old lighthouse on a private island. Maybe it hadn’t already been photographed to death. Perfect subject for a preservation society calendar.
“I wouldn’t know. And Mrs. Shelby hasn’t been around much this summer.”
“Thank you anyway. Maybe I can find a way out there.”
“Here’s your key,” Miss Lizzie said, handing her a silver key on a brass ring. “Now, you remember this isn’t a hotel. I won’t be changing your sheets or bringing you breakfast. That’s your job.”
“I don’t need much of anything, I promise.”
“You can use the kitchen. We let the kids use it as long as they clean it up, so you can use it, too. The top shelf in the fridge is yours. I cleaned it off.”
“I appreciate it. I’m only here to work this summer. I’ll stay out of your hair.”
“My hair thanks you kindly,” Miss Lizzie said with a debutante’s coy smile. “There’s not much left of it to get into anyway.” She patted the wispy curls back into place and left Faye alone in her new home.
Faye set her suitcase on the luggage rack and her equipment case on the bed. A fine room. Perfect for her needs. She’d live the simple life this summer—no television, no movies, no surround-sound speakers and five remote controls only Hagen knew how to work. She’d sleep and she’d eat and she’d work, and when she wasn’t working she would walk or read or do nothing at all.
She lay on the bed, staring up at the canopy and planning her itinerary for tomorrow. A drive around the islands to scout locations and maybe a few pictures if the light was right. No time to waste. She was no one’s wife anymore. If she didn’t work, she didn’t eat. She should have been afraid, but she wasn’t. Supposedly she’d lost “everything” in the divorce and had been left with almost nothing. Turned out almost nothing was exactly what she wanted.
With help from a sleeping pill, Faye slept well that first night in her new room. In the early dawn hours, when the sun had just begun to peek into the room, she woke up and felt the strangest sensation, a sensation she hadn’t felt in more than four years.
Hope.
Hope for what, she didn’t know, but she knew it was hope because it got her out of bed before six o’clock. She knew there was something out there she wanted and something told her if she chased it, she just might catch it. She put on her bathrobe and opened the French doors, but froze when she saw the visitor perched on the wooden railing of the little balcony.
She wasn’t sure what it was—a heron or a crane or an egret—but it was a big damn bird, that was for certain. Two feet tall, white body, blue-black head and a long bill, sharp as a knife. Faye considered retreating but stayed riveted in place, staring.
“Have we met before?” she asked the bird. Its only reply was to turn its head rapidly toward the sun. She wasn’t sure if that was a yes or a no.
“Wait a second... I remember you.”
Faye recalled a cold morning on the Newport pier, a morning she would never forget, though she might want to. She’d gone at sunrise, early so no one would see her and try to stop her. On that winter morning, she’d found herself the sole visitor on that lonely pier, a sorrowful sight in her gray trench