A Manual of American Literature. Various
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there were many specimens produced in the colonial epoch. But it is a singular fact that, in literary quality, the biographies written in colonial New England are far inferior to its histories.
Pulpit Literature in New England.—In our progress over the various fields of literature in New England during the colonial time, we encounter not one form of writing in which we are permitted to lose sight of the clergy of New England—their tireless and versatile activity, their learning, their force of brain, their force of character. The immigrant clergy of New England—the founders of this noble and brilliant order—were, in nearly all qualities of personal worth and greatness, among the greatest and the worthiest of their time, in the mother-country—mighty scholars, orators, sages, saints. And by far the most wonderful thing about these men is, that they were able to convey across the Atlantic, into a naked wilderness, all the essential elements of that ancient civilisation out of which they came; and, at once, to raise up and educate, in the New World, a line of mighty successors in their sacred office, without the least break in the sequence, without the slightest diminution in scholarship, in eloquence, in intellectual energy, in moral power.
Jonathan Edwards.—Jonathan Edwards, the most original and acute thinker yet produced in America, was born in 1703; in 1758 he was installed as president of the College of New Jersey, and died a few weeks afterward. Both by his father and by his mother, he came of the gentlest and most intellectual stock in New England. In early childhood, he began to manifest those powerful, lofty, and beautiful endowments, of mind and of character, that afterward distinguished him—spirituality, conscientiousness, meekness, simplicity, disinterestedness, and a marvellous capacity for the acquisition of knowledge and for the prosecution of independent thought. It is, perhaps, impossible to name any department of intellectual exertion, in which, with suitable outward facilities, he might not have achieved supreme distinction. Certainly, he did enough to show that had he given himself to mathematics, or to physical science, or to languages, or to literature—especially the literature of imagination and of wit—he would have become one of the world’s masters. The traditions of his family, the circumstances of his life, the impulses derived from his education and from the models of personal greatness before his eyes, all led him to give himself to mental science and divinity; and in mental science and divinity, his achievements will be remembered to the end of time.
III. GENERAL LITERARY FORCES IN THE COLONIAL TIME
Colonial Isolation.—The study of American literature in the colonial time is the study of a literature produced, in isolated portions, at the several local seats of English civilisation in America. Before the year 1765, we find in this country, not one American people, but many American peoples. At the various centres of our colonial life—Georgia, the Carolinas, Virginia, Maryland, Pennsylvania, New York, Connecticut, Rhode Island, Massachusetts—there were, indeed, populations of the same English stock; but these populations differed widely in personal and social peculiarities—in spirit, in opinion, in custom. The germs of a future nation were here, only they were far apart, unsympathetic, at times even unfriendly. No cohesive principle prevailed, no centralising life; each little nation was working out its own destiny in its own fashion. In general, the characteristic note of American literature in the colonial time is, for New England, scholarly, logical, speculative, unworldly, rugged, sombre; and as one passes southward along the coast, across other spiritual zones, this literary note changes rapidly toward lightness and brightness, until it reaches the sensuous mirth, the satire, the persiflage, the gentlemanly grace, the amenity, the jocular coarseness, of literature in Maryland, Virginia, and the farther South.
Colonial Fellowship.—On the other hand, the fact must not be overlooked that, while the tendency toward colonial isolation had its way, throughout the entire colonial age, there was also an opposite tendency—a tendency toward colonial fellowship—that asserted itself even from the first, and yet at the first faintly, but afterward with steadily increasing power as time went on; until at last, in 1765, aided by a fortunate blunder in the statesmanship of England, this tendency became suddenly dominant, and led to that united and great national life, without which a united and great national literature here would have been for ever impossible. This august fact of fellowship between the several English populations in America—a fellowship maintained and even strengthened after the original occasion of it had ceased—has perhaps saved the English language in America from finally breaking up into a multitude of mutually repellent dialects; it has certainly saved American literature from the pettiness of permanent local distinctions, from fitfulness in its development, and from disheartening limitations in its audience. Besides these general causes leading toward colonial union—kinship, religion, commerce, dependence on the same sovereign, peril from the same enemies—there were three other causes that may be described as purely intellectual—the rise of journalism, the founding of colleges, and the study of physical science. They worked strongly for the development of that intercolonial fellowship without which no national literature would ever have been born here, and, also, were in themselves literary forces of extraordinary importance.
Early American Journalism.—The first newspaper ever published in America appeared in Boston in 1690, and was named Public Occurrences. For the crime of uttering “reflections of a very high nature,” it was immediately extinguished by the authorities of Massachusetts—not even attaining the dignity of a second number. Under this rough blow, the real birth of American journalism hesitated for fourteen years. On April 4, 1704, was published in Boston the first number of an American newspaper that lived. It was called The Boston News-Letter. For fifteen years, it continued to be the only newspaper in America. At last, on December 21, 1719, a rival newspaper was started, named The Boston Gazette; and on the twenty-second day of the same month, in the same year, there appeared in Philadelphia the first newspaper published in this country outside of Boston. This was called The American Weekly Mercury. From that time onward, the fashion of having newspapers spread rapidly. Nearly all of these newspapers were issued once each week; many of them were on diminutive sheets; and for a long time all of them clung to the prudent plan of publishing only news and advertisements, abstaining entirely from the audacity of an editorial opinion, or disguising that dangerous luxury under pretended letters from correspondents. News from Europe—when it was to be had—and especially news from England, occupied a prominent place in these little papers; but, necessarily, for each one, the affairs of its own colony, and next, the affairs of the other colonies, furnished the principal items of interest. Thus it was that early American journalism, even though feeble, sluggish, and timid, began to lift the people of each colony to a plane somewhat higher than its own boundaries, and to enable them, by looking abroad, this way and that, upon the proceedings of other people in this country, and upon other interests as precious as their own, to correct the pettiness and the selfishness of mere localism in thought. Colonial journalism was a necessary and a great factor in the slow process of colonial union. Besides this, our colonial journalism soon became, in itself, a really important literary force. It could not remain for ever a mere disseminator of public gossip, or a placard for the display of advertisements. The instinct of critical and brave debate was strong even among those puny editors, and it kept struggling for expression. Moreover, each editor was surrounded by a coterie of friends, with active brains and a propensity to utterance; and these constituted a sort of unpaid staff of editorial contributors, who, in various forms—letters, essays, anecdotes, epigrams, poems, lampoons—helped to give vivacity and even literary value to the paper.
Our early journalism, likewise, included publications of a more explicit literary intention than the newspapers; publications in which the original work was done with far greater care, and in which far more space was surrendered to literary news and literary criticism, and to the exercise of many sorts of literary talent. The generic name for these publications is the magazine; and the first one issued in this country was by Benjamin Franklin, at Philadelphia, in 1741. By far the most admirable example of our literary periodicals in the colonial time was The American Magazine, published at Philadelphia from October, 1757, to October, 1758, and conducted, according to its own announcement, “by a society of gentlemen.”
Early American Colleges.—No