Royal Edinburgh: Her Saints, Kings, Prophets and Poets. Mrs. Oliphant
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familiar, Mr. Jonathan Oldbuck, once, as we all know, made his way to the North; but these are modern reflections such as have nothing to do with that primitive morning, fresh no doubt as to-day with sun and dew, when Malcolm's messengers came hurrying down to see what were these intruders, and what their purpose, and whether anything was to be apprehended from a visit apparently so unusual. The eager and curious emissaries had apparently no warrant to board the strangers, but gazed and wondered at the big ship and all its equipments, so unlike their own rude galleys; then hastened back again with an excited and exciting description of the greatness of the passengers on board and all their splendid array. Malcolm, cautious yet excited too, sent forth, as we are told in the Scotichronicon, "his wisest councillors" to make further inquiries. They too were astonished by the splendour of all they saw, and especially by the mien of a certain lady among these strangers, "whom, by her incomparable beauty, and the pleasantness of her jocund speech, I imagined to be the chief of the family," said the spokesman; "nor was it wonderful," adds the chronicler, "that they should believe her to be the chief who was destined to be Queen of Scotland and also heir of England." Perhaps it was the after light of these events that conveyed that high appreciation of Margaret's qualities into the story, for she must have been quite young, and it is very unlikely that in presence of her mother, and the brother whom they all considered as the King of England, a young girl, however gifted, would have taken upon her the chief place.
The report he received, however, had so much effect upon King Malcolm that he went himself to visit the strangers in their ship. He was not a mere barbaric prince, to be dazzled by the sight of these great persons, but no doubt had many a lingering recollection in his mind of Siward's great house in Northumberland, where he had taken refuge after his father's murder. It is curious and bewildering to go back in that dawn of national life to familiar Shaksperian regions, and to think that this primitive King who had so much in him of the savage, along with all his love and gentleness, was the son of that gracious Duncan who addressed his hostess like a kingly gentleman though her hospitality was to be so fatal. King Malcolm came down, no doubt with such state as he could muster, to see the wandering foreign princes. He was not unlearned, but knew Latin and the English tongue, though he could not read, as we are afterwards told. He had already reigned for fourteen years, after about as long a period of exile, so that he could not now be in his first youth, although he was still unmarried. He came down with his suite to the shore amid all the stir of the inquiring country folk, gathered about to see this strange thing—the ship with its unusual equipments, and the group of noble persons in their fine clothes who were to be seen upon the deck. The Athelings were carrying back with them to Hungary all the gifts with which the Emperor, Henry III, had loaded their father when he went to England, and had jewels and vessels of gold and many fine things unknown to the Scots. And Margaret, even though not so prominent as the chroniclers say, was evidently by the consent of all a most gracious and courteous young lady, with unusual grace and vivacity of speech. The grave middle-aged King, with his recollections of a society more advanced than his own, which probably had made him long for something better than his rude courtiers could supply, would seem at once to have fallen under the spell of the wandering princess. She was such a mate as a poor Scots King, badgered by turbulent clans, could scarcely have hoped to find—rich and fair and young, and of the best blood in Christendom. Whether the wooing was as short as the record we have no means of knowing, but in the same year, 1070, Margaret was brought with great rejoicing to Dunfermline, and there married to her King, amid the general joy.
The royal house at Dunfermline, according to the chronicle, was surrounded by a dense forest and guarded by immense cliffs. The latter particular, however, it is difficult to accept, for the dell in which the ruins of the mediæval palace (a building much more recent, it is needless to say, than that of Malcolm) still stand, though picturesque in its acclivities and precipices, is as far as possible from including any cliffs that could be called immense. The young Queen made a great change in the internal arrangements of what was no doubt a grim stronghold enough, soft as was the country around. Probably the absence of decoration and ornament struck her painfully, accustomed as she was to palaces of a very different kind—for almost the first thing we hear in the contemporary history written by her confessor Theodoric, afterwards a monk at Durham, is of the workshops and rooms for embroidery and all the arts which were established in Dunfermline, presumably in the palace itself under Margaret's own eye, for the beautifying of the great church which she founded there, and also no doubt for her own house. Certain women of good birth were judged worthy to share the Queen's work, and lived with her, it would seem, in a kind of seclusion, seeing only such chosen visitors as Margaret brought with her to cheer their labours, and forswearing all idle talk and frivolity. The Queen had such austerity mingled with her graciousness and such grace with her severity, says her monkish biographer, loving an antithesis, that all feared and respected her presence. "Her life was full of moderation and gentleness, her speech contained the very salt of wisdom; even her silence was full of good thoughts."
This biographer—according to the conscientious and painstaking investigations of the Bollandist Fathers, who examine in their careful way all the guarantees and traditions of the manuscript with a jealousy worthy of the most enlightened historians—is not Turgot, who is usually credited with it, but Theodoric, a monk of Durham, who must have shared with Turgot, at some period of his life, the office of spiritual director and confidant to the Queen. It is curious that both these writers should have passed from the northern Court to the community at Durham, of which Turgot was prior and Theodoric a simple brother; yet not so strange either, for Durham was largely patronised and enriched by Margaret and her husband, their kingdom at this period reaching as far south. Of Turgot's Life, which was presumably written in the vernacular, there seems nothing existing; but that of Theodoric is very full, and contains many details which set before us the life of the simple Court, with its many labours and charities: the King full of reverence and tender surprise and admiration of all his wife's perfections; the young saint herself, sweet and bright in modest gravity amid a tumultuous world little respectful of women, full of the excessive charity of the age and of her race, and of those impulses of decoration and embellishment which were slow to develop among the ruder difficulties of the north. Theodoric himself must have been more or less of an artist, for in speaking of the "golden vases" and ornaments for the altars of her new church which Margaret devised, "I myself carried out the work," he says. These must have been busy days in Malcolm's primitive palace while the workmen were busy with the great cathedral close by, the mason with his mallet, the homely sculptor with his chisel, carving those interlaced and embossed arches which still stand, worn and gray, but little injured, in the wonderful permanency of stone, in the nave of the old Abbey of Dunfermline: while the Queen's rooms opened into the hall where her ladies sat over their embroidery, among all the primitive dyes that art had caught from herbs and traditional mixtures, on one hand—and on the other into noisier workshops, where workmen with skilful delicate hammers were beating out the shining gold and silver into sacred vessels and symbols of piety. Margaret along with her stores of more vulgar wealth, and the ingots which were consecrated to the manufacture of crucifix and chalice, had brought many holy relics: and no doubt the cases and shrines in which these were enclosed afforded models for the new, over which Father Theodoric, with his monkish cape and cowl laid aside, and his shaven crown shining in the glow of the furnace, was so busy. What a pleasant stir of occupation and progress, the best and most trustworthy evidences of growing civilisation, must have arisen within the shelter of the woods which framed that centre of development and new life: the new abbey rising day by day, a white and splendid reality in the clearing among the trees; the bells, symbols of peace and pleasantness, sounding out over the half-savage country; the chants and songs of divine worship swelling upward to the skies. Margaret's royal manufactory of beautiful things, her tapestries and metal work, her adaptation of all the possibilities of ornament latent in every primitive community, with the conviction, always ennobling to art, that by these means of sacred adornment she and her assistants and coadjutors were serving and pleasing God, no doubt consoled her ardent and active spirit for the loss of many comforts and graces with which