CHAPTER III. MR. MACKWAYTE MEETS AN OLD FRIEND

       Table of Contents

      That night Nur-el-Din kept the stage waiting for five minutes. It was a climax of a long series of similar unpardonable crimes in the music-hall code. The result was that Mr. Mackwayte, after taking four enthusiastic "curtains," stepped off the stage into a perfect pandemonium.

      He found Fletcher, the stage manager, livid with rage, surrounded by the greater part of the large suite with which the dancer traveled. There was Madame's maid, a trim Frenchwoman, Madame's business manager, a fat, voluble Italian, Madame's secretary, an olive-skinned South American youth in an evening coat with velvet collar, and Madame's principal male dancer in a scanty Egyptian dress with grotesquely painted face. They were all talking at the same time, and at intervals Fletcher muttered hotly: "This time she leaves the bill or I walk out of the theatre!"

      Then a clear voice cried:

      "Me voila!" and a dainty apparition in an ermine wrap tripped into the centre of the group, tapped the manager lightly on the shoulder and said:

      "Allons! I am ready!"

      Mr. Mackwayte's face creased its mask of paint into a thousand wrinkles. For, on seeing him, the dancer's face lighted up, and, running to him with hands outstretched, she cried:

      "Tiens! Monsieur Arthur!" while he ejaculated:

      "Why, it's little Marcelle!"

      But now the stage manager interposed. He whisked Madame's wrap off her with one hand and with the other, firmly propelled her on to the stage. She let him have his way with a merry smile, dark eyes and white teeth flashing, but as she went she said to Mr. Mackwayte:

      "My friend, wait for me! Et puis nous causerons! We will 'ave a talk, nest-ce pas?"

      "A very old friend of mine, my dear," Mr. Mackwayte said to Barbara when, dressed in his street clothes, he rejoined her in the wings where she stood watching Nur-el-Din dancing. "She was an acrobat in the Seven Duponts, a turn that earned big money in the old days. It must be … let's see … getting on for twenty years since I last set eyes on her. She was a pretty kid in those days! God bless my soul! Little Marcelle a big star! It's really most amazing!"

      Directly she was off the stage, Nur-el-Din came straight to Mr. Mackwayte, pushing aside her maid who was waiting with her wrap.

      "My friend," she cooed in her pretty broken English, "I am so glad, so glad to see you. And this is your girl … ah! she 'as your eyes, Monsieur Arthur, your nice English gray eyes! Such a big girl … ah! but she make me feel old!"

      She laughed, a pretty gurgling laugh, throwing back her head so that the diamond collar she was wearing heaved and flashed.

      "But you will come to my room, hein?" she went on. "Marie, my wrap!" and she led the way to the lift.

      Nur-el-Din's spacious dressing-room seemed to be full of people and flowers. All her little court was assembled amid a perfect bower of hot-house blooms and plants. Head and shoulders above everybody else in the room towered the figure of an officer in uniform, with him another palpable Englishman in evening dress.

      Desmond Okewood thought he had never seen anything in his life more charming than the picture the dancer made as she came into the room. Her wrap had fallen open and beneath the broad bars of her cloth-of-silver dress her bosom yet rose and fell after the exertions of her dance. A jet black curl had strayed out from beneath her lofty silver head-dress, and she thrust it back in its place with one little brown bejeweled hand whilst she extended the other to Strangwise.

      "Tiens, mon capitaine!" she said. Desmond was watching her closely, fascinated by her beauty, but noticed an unwilling, almost a hostile tone, in her voice.

      Strangwise was speaking in his deep voice.

      "Marcelle," he said, "I've brought a friend who is anxious to meet you. Major Desmond Okewood! He and I soldiered together in France!" The dancer turned her big black eyes full on Desmond as she held out her hand to him.

      "Old friends, new friends," she cried, clapping, her hands like a child, "I love friends. Captaine, here is a very old friend," she said to Strangwise as Mr. Mackwayte and Barbara came into the rooms, "Monsieur Arthur Mackwayte and 'is daughter. I 'ave know Monsieur Arthur almos' all my life. And, Mademoiselle, permit me? I introduce le Captaine Strangwise and 'is friend … what is the name? Ah, Major Okewood!"

      Nur-el-Din sank into a bergere chair beside her great mirror.

      "There are too many in this room," she cried, "there is no air! Lazarro, Ramiro, all of you, go outside, my friends!"

      As Madame's entourage surged out, Strangwise said:

      "I hear you are leaving the Palaceum, Marcelle!"

      He spoke so low that Mr. Mackwayte and Barbara, who were talking to Desmond, did not hear. Marcelle, taking off her heavy head-dress, answered quickly:

      "Who told you that?"

      "Never mind," replied Strangwise. "But you never told me you were going. Why didn't you?"

      His voice was stern and hard now, very different from his usual quiet and mellow tones. But he was smiling.

      Marcelle cast a glance over her shoulder. Barbara was looking round the room and caught the reflection of the dancer's face in a mirror hanging on the wall. To her intense astonishment, she saw a look of despair, almost of terror, in Nur-el-Din's dark eyes. It was like the frightened stare of some hunted beast. Barbara was so much taken aback that she instinctively glanced over her shoulder at the door, thinking that the dancer had seen something there to frighten her. But the door was shut. When Barbara looked into the mirror again, she saw only the reflection of Nur-el-Din's pretty neck and shoulders. The dancer was talking again in low tones to Strangwise.

      But Barbara swiftly forgot that glimpse of the dancer's face in the glass. For she was very happy. Happiness, like high spirits, is eminently contagious, and the two men at her side were supremely content.

      Her father's eyes were shining with his little success of the evening: on the way upstairs Fletcher had held out hopes to him of a long engagement at the Palaceum while as for the other, he was radiant with the excitement of his first night in town after long months of campaigning.

      He was thinking that his leave had started most propitiously. After a man has been isolated for months amongst muddy masculinity, the homeliest woman will find favor in his eyes. And to neither of these women, in whose presence he so unexpectedly found himself within a few hours of landing in England, could the epithet "homely" be applied. Each represented a distinct type of beauty in herself, and Desmond, as he chatted with Barbara, was mentally contrasting the two women. Barbara, tall and slim and very healthy, with her braided brown hair, creamy complexion and gray eyes, was essentially English. She was the typical woman of England, of England of the broad green valleys and rolling downs and snuggling hamlets, of England of the white cliffs gnawed by the restless ocean. The other was equally essentially a woman of the South. Her dark eyes, her upper lip just baring her firm white teeth, spoke of hot Latin or gypsy blood surging in her veins. Hers was the beauty of the East, sensuous, arresting, conjuring up pictures of warm, perfumed nights, the thrumming of guitars, a great yellow moon hanging low behind the palms.

      "Barbara!" called Nur-el-Din from the dressing table. Mr. Mackwayte had joined her there and was chatting to Strangwise.

      "You will stay and talk to me while I change n'est-ce pas? Your papa and these gentlemen are going to drink a whiskey-soda with that animal Fletcher … quel