Essential Western Novels - Volume 3. Edgar Rice Burroughs
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fighter, with Banjo, of vigilante fame, as the means of his downfall—physical, mental and spiritual. Dunk might, in time, have forgiven the crippled ankle, and the consequent appropriation of his room, but never would he forgive the merciless detail of that sketch.
“I'll carry easel and all into the parlor, and leave the door open so you can hear what they all say,” said the Little Doctor, cheerfully. “I wish Cecil could be here to-day. I always miss Cecil when there's anything especial going on in the way of fun.”
“Yes?” answered Chip, and made himself another cigarette. He would be glad when he could hobble out to some lonely spot and empty his soul of the profane language stored away opposite the name of Dr. Cecil Granthum. There is so little comfort in swearing all inside, when one feels deeply upon a subject.
“It's a wonder you wouldn't send for him if you miss him that bad,” he remarked, after a minute, hoping the Little Doctor would not find anything amiss with his tone, which he meant should be cordial and interested—and which evinced plenty of interest, of a kind, but was curiously lacking in cordiality.
“I did beg, and tease, and entreat—but Cecil's in a hospital—as a physician, you understand, not as a patient, and can't get off just yet. In a month or two, perhaps—”
Dinner, called shrilly by the Countess, interrupted her, and she flitted out of the room looking as little like a lovelorn maiden as she did like a doctor—which was little indeed.
“She begged, and teased, and entreated,” repeated Chip, savagely to himself when the door closed upon her, and fell into gloomy meditation, which left him feeling that there was no good thing in this wicked world—no, not one—that was not appropriated by some one with not sense enough to understand and appreciate his blessing.
After dinner the Little Doctor spoke to the unsuspecting critics.
“That picture which I started a couple of weeks ago is finished at last, and I want you good people to come and tell me what you think of it. I want you all—you, Slim, and Louise, you are to come and give your opinion.”
“Well, I don't know the first thing about paintin',” remonstrated the Countess, coming in from the kitchen.
The Old Man lighted his pipe and followed her into the parlor with the others, and Slim rolled a cigarette to hide his embarrassment, for the role of art critic was new to him.
There was some nervousness in the Little Doctor's manner as she set the easel to her liking and drew aside the curtain. She did not mean to be theatrical about it, but Chip, watching through the open door, fancied so, and let his lip curl a trifle. He was not in a happy frame of mind just then.
A silence fell upon the group. The Old Man took his pipe from his mouth and stared.
The cheeks of the Little Doctor paled and grew pink again. She laughed a bit, as though she would much rather cry.
“Say something, somebody, quick!” she cried, when her nerves would bear no more.
“Well, I do think it's awfully good, Dell,” began the Countess.
“By golly, I don't see how you done that without seein' it happen,” exclaimed Slim, looking very dazed and mystified.
“That's a Diamond Bar cow,” remarked J. G., abstractedly. “That outfit never does git half their calves. I remember the last time I rode through there last winter, that cow—doggone it, Dell, how the dickens did you get that cow an' calf in? You must a had a photograph t' work from.”
“By golly, that's right,” chimed in Slim. “That there's the cow I had sech a time chasin' out uh the bunch down on the bottom. I run her till I was plum sick, an' so was she, by golly. I'd know her among a thousand. Yuh got her complete—all but the beller, an', by golly, yuh come blame near gittin' that, too!” Slim, always slow and very much in earnest, gradually became infused with the spirit of the scene. “Jest look at that ole gray sinner with his nose r'ared straight up in the air over there! By golly, he's callin' all his wife's relations t' come an' help 'em out. He's thinkin' the ole Diamon' Bar's goin' t' be one too many fer 'em. She shore looks fighty, with 'er head down an' 'er eyes rollin' all ways t' oncet, ready fer the first darn cuss that makes a crooked move! An' they know it, too, by golly, er they wouldn't hang back like they're a-doin'. I'd shore like t' be cached behind that ole pine stub with a thirty—thirty an' a fist full uh shells—I'd shore make a scatteration among 'em! A feller could easy—”
“But, Slim, they're nothing but paint!” The Little Doctor's eyes were shining.
Slim turned red and grinned sheepishly at the others.
“I kinda fergot it wasn't nothin' but a pitcher,” he stammered, apologetically.
“That is the gist of the whole matter,” said Dunk. “You couldn't ask for a greater compliment, or higher praise, than that, Miss Della. One forgets that it is a picture. One only feels a deep longing for a good rifle. You must let me take it with me to Butte. That picture will make you famous among cattlemen, at least. That is to say, out West, here. And if you will sell it I am positive I can get you a high price for it.”
The eyes of the Little Doctor involuntarily sought the Morris chair in the next room; but Chip was looking out across the coulee, as he had a habit of doing lately, and seemed not to hear what was going on in the parlor. He was indifference personified, if one might judge from his outward appearance. The Little Doctor turned her glance resentfully to her brother's partner.
“Do you mean all that?” she demanded of him.
“I certainly do. It is great, Miss Della. I admit that it is not quite like your other work; the treatment seems different, in places, and—er—stronger. It is the best picture of the kind that I have ever seen, I think. It holds one, in a way—”
“By golly, I bet Chip took a pitcher uh that!” exclaimed Slim, who had been doing some hard thinking. “He was tellin' us last winter about ridin' up on that ole Diamon' Bar cow with a pack uh wolves around her, an' her a-standin' 'em off, an' he shot two uh the wolves. Yes, sir; Chip jest about got a snap shot of 'em.”
“Well, doggone it! what if he did?” The Old Man turned jealously upon him. “It ain't everyone that kin paint like that, with nothin' but a little kodak picture t' go by. Doggone it! I don't care if Dell had a hull apurn full uh kodak pictures that Chip took—it's a rattlin' good piece uh work, all the same.”
“I ain't sayin' anything agin' the pitcher,” retorted Slim. “I was jest wonderin' how she happened t' git that cow down s' fine, brand 'n all, without some kind uh pattern t' go by. S' fur 's the pitcher goes, it's about as good 's kin be did with paint, I guess. I ain't ever seen anything in the pitcher line that looked any natcherler.”
“Well, I do think it's just splendid!” gurgled the Countess. “It's every bit as good 's the one Mary got with a year's subscription t' the Household Treasure fer fifty cents. That one's got some hounds chasin' a deer and a man hidin' in 'the bushes, sost yuh kin jest see his head. It's an awful purty pitcher, but this one's jest as good. I do b'lieve it's a little bit better, if anything. Mary's has got some awful nice, green grass, an' the sky's an awful purty blue—jest about the color uh my blue silk waist. But yuh can't expect t' have grass an' sky like that in the winter, an' this is more of a winter pitcher. It looks awful cold an' lonesome, somehow, an' it makes yuh want t' cry, if yuh look at it long enough.”
The critics stampeded, as they always did when the Countess began to talk.
“You better let Dunk take it with him, Dell,” was the parting advice of the Old Man.
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XIV
Convalescence
“You don't mind, do you?” The Little Doctor was visibly uneasy.