Masters of Prose - Virginia Woolf. Virginia Woolf
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to be 'sheets for a double bed'.
'Sheets for a double bed,' she said to a man at a counter and, by a dispensation of Providence, it was sheets that the man at that particular counter happened to sell. For Grimsditch, no, Grimsditch was dead; Bartholomew, no, Bartholomew was dead; Louise then—Louise had come to her in a great taking the other day, for she had found a hole in the bottom of the sheet in the royal bed. Many kings and queens had slept there—Elizabeth; James; Charles; George; Victoria; Edward; no wonder the sheet had a hole in it. But Louise was positive she knew who had done it. It was the Prince Consort.
'Sale bosch!' she said (for there had been another war; this time against the Germans).
'Sheets for a double bed,' Orlando repeated dreamily, for a double bed with a silver counterpane in a room fitted in a taste which she now thought perhaps a little vulgar—all in silver; but she had furnished it when she had a passion for that metal. While the man went to get sheets for a double bed, she took out a little looking-glass and a powder puff. Women were not nearly as roundabout in their ways, she thought, powdering herself with the greatest unconcern, as they had been when she herself first turned woman and lay on the deck of the "Enamoured Lady". She gave her nose the right tint deliberately. She never touched her cheeks. Honestly, though she was now thirty-six, she scarcely looked a day older. She looked just as pouting, as sulky, as handsome, as rosy (like a million-candled Christmas tree, Sasha had said) as she had done that day on the ice, when the Thames was frozen and they had gone skating—
'The best Irish linen, Ma'am,' said the shopman, spreading the sheets on the counter,—and they had met an old woman picking up sticks. Here, as she was fingering the linen abstractedly, one of the swing-doors between the departments opened and let through, perhaps from the fancy-goods department, a whiff of scent, waxen, tinted as if from pink candles, and the scent curved like a shell round a figure—was it a boy's or was it a girl's—young, slender, seductive—a girl, by God! furred, pearled, in Russian trousers; but faithless, faithless!
'Faithless!' cried Orlando (the man had gone) and all the shop seemed to pitch and toss with yellow water and far off she saw the masts of the Russian ship standing out to sea, and then, miraculously (perhaps the door opened again) the conch which the scent had made became a platform, a dais, off which stepped a fat, furred woman, marvellously well preserved, seductive, diademed, a Grand Duke's mistress; she who, leaning over the banks of the Volga, eating sandwiches, had watched men drown; and began walking down the shop towards her.
'Oh Sasha!' Orlando cried. Really, she was shocked that she should have come to this; she had grown so fat; so lethargic; and she bowed her head over the linen so that this apparition of a grey woman in fur, and a girl in Russian trousers, with all these smells of wax candles, white flowers, and old ships that it brought with it might pass behind her back unseen.
'Any napkins, towels, dusters today, Ma'am?' the shopman persisted. And it is enormously to the credit of the shopping list, which Orlando now consulted, that she was able to reply with every appearance of composure, that there was only one thing in the world she wanted and that was bath salts; which was in another department.
But descending in the lift again—so insidious is the repetition of any scene—she was again sunk far beneath the present moment; and thought when the lift bumped on the ground, that she heard a pot broken against a river bank. As for finding the right department, whatever it might be, she stood engrossed among the handbags, deaf to the suggestions of all the polite, black, combed, sprightly shop assistants, who descending as they did equally and some of them, perhaps, as proudly, even from such depths of the past as she did, chose to let down the impervious screen of the present so that today they appeared shop assistants in Marshall & Snelgrove's merely. Orlando stood there hesitating. Through the great glass doors she could see the traffic in Oxford Street. Omnibus seemed to pile itself upon omnibus and then to jerk itself apart. So the ice blocks had pitched and tossed that day on the Thames. An old nobleman—in furred slippers had sat astride one of them. There he went—she could see him now—calling down maledictions upon the Irish rebels. He had sunk there, where her car stood.
'Time has passed over me,' she thought, trying to collect herself; 'this is the oncome of middle age. How strange it is! Nothing is any longer one thing. I take up a handbag and I think of an old bumboat woman frozen in the ice. Someone lights a pink candle and I see a girl in Russian trousers. When I step out of doors—as I do now,' here she stepped on to the pavement of Oxford Street, 'what is it that I taste? Little herbs. I hear goat bells. I see mountains. Turkey? India? Persia?' Her eyes filled with tears.
That Orlando had gone a little too far from the present moment will, perhaps, strike the reader who sees her now preparing to get into her motor-car with her eyes full of tears and visions of Persian mountains. And indeed, it cannot be denied that the most successful practitioners of the art of life, often unknown people by the way, somehow contrive to synchronize the sixty or seventy different times which beat simultaneously in every normal human system so that when eleven strikes, all the rest chime in unison, and the present is neither a violent disruption nor completely forgotten in the past. Of them we can justly say that they live precisely the sixty-eight or seventy-two years allotted them on the tombstone. Of the rest some we know to be dead though they walk among us; some are not yet born though they go through the forms of life; others are hundreds of years old though they call themselves thirty-six. The true length of a person's life, whatever the "Dictionary of National Biography" may say, is always a matter of dispute. For it is a difficult business—this time-keeping; nothing more quickly disorders it than contact with any of the arts; and it may have been her love of poetry that was to blame for making Orlando lose her shopping list and start home without the sardines, the bath salts, or the boots. Now as she stood with her hand on the door of her motor-car, the present again struck her on the head. Eleven times she was violently assaulted.
'Confound it all!' she cried, for it is a great shock to the nervous system, hearing a clock strike—so much so that for some time now there is nothing to be said of her save that she frowned slightly, changed her gears admirably, and cried out, as before, 'Look where you're going!' 'Don't you know your own mind?' 'Why didn't you say so then?' while the motor-car shot, swung, squeezed, and slid, for she was an expert driver, down Regent Street, down Haymarket, down Northumberland Avenue, over Westminster Bridge, to the left, straight on, to the right, straight on again...
The Old Kent Road was very crowded on Thursday, the eleventh of October 1928. People spilt off the pavement. There were women with shopping bags. Children ran out. There were sales at drapers' shops. Streets widened and narrowed. Long vistas steadily shrunk together. Here was a market. Here a funeral. Here a procession with banners upon which was written 'Ra—Un', but what else? Meat was very red. Butchers stood at the door. Women almost had their heels sliced off. Amor Vin—that was over a porch. A woman looked out of a bedroom window, profoundly contemplative, and very still. Applejohn and Applebed, Undert—. Nothing could be seen whole or read from start to finish. What was seen begun—like two friends starting to meet each other across the street—was never seen ended. After twenty minutes the body and mind were like scraps of torn paper tumbling from a sack and, indeed, the process of motoring fast out of London so much resembles the chopping up small of identity which precedes unconsciousness and perhaps death itself that it is an open question in what sense Orlando can be said to have existed at the present moment. Indeed we should have given her over for a person entirely disassembled were it not that here, at last, one green screen was held out on the right, against which the little bits of paper fell more slowly; and then another was held out on the left so that one could see the separate scraps now turning over by themselves in the air; and then green screens were held continuously on either side, so that her mind regained the illusion of holding things within itself and she saw a cottage, a farmyard and four cows, all precisely life-size.
When this happened, Orlando heaved a sigh of relief, lit a cigarette, and puffed for a minute or two in silence. Then she called hesitatingly, as if the person she wanted might not be there, 'Orlando? For if there are (at a venture) seventy-six different times all ticking in the mind at once, how many different people are there not—Heaven help us—all having lodgment at one time or another in the human spirit? Some say two thousand and fifty-two. So that it is the most usual thing in the world for a person