Black Oxen (Unabridged). Gertrude Atherton
Читать онлайн книгу.
rose slowly to her feet, turned her back to the stage, raised her opera glasses and leisurely surveyed the audience.
"I knew it!" Clavering's tongue clicked. "European. No American woman ever did that—unless, to be sure, she has lived too long abroad to remember our customs."
He gazed at her eagerly, and felt a slight sensation of annoyance that the entire house was following his example. The opera glasses concealed her eyes, but they rested upon the bridge of an indubitably straight nose. Her forehead was perhaps too high, but it was full, and the thick hair was brushed back from a sharp point. Her eyebrows, thank Heaven, were many shades darker than her hair. They were also narrow and glossy. Decidedly they received attention. Possibly they were plucked and darkened—life had made him skeptical of "points." However, Clavering was no lover of unamended nature, holding nature, except in rare moments of inspiration, a bungler of the first water.
In spite of its smooth white skin and rounded contours above an undamaged throat, it was, subtly, not a young face. The mouth, rather large, although fresh and red (possibly they had lip sticks in Europe that approximated nature) had none of the girl's soft flexibility. It was full in the center and the red of the underlip was more than a visible line, but it was straight at the corners, ending in an almost abrupt sternness. Once she smiled, but it was little more than an amused flicker; the mouth did not relax. The shape of the face bore out the promise of the head, but deflected from its oval at the chin, which was almost square, and indented. The figure was very slight, but as subtly mature as the face, possibly because she held it uncompromisingly erect; apparently she had made no concession to the democratic absence of "carriage," the indifferent almost apologetic mien that had succeeded the limp curves of a few years ago.
She wore a dress of white jet made with the long lines of the present fashion—in dress she was evidently a stickler. The neck was cut in a low square, showing the rise of the bust. Her own lines were long, the arms and hands very slender in the long white gloves. Probably she was the only woman in the house who wore gloves. Life was freer since the war. She wore a triple string of pearls.
He waited eagerly until she should drop her glasses.… He heard two girls gasping and muttering behind him.… There was a titter across the house.
She lowered the opera glasses and glanced over the rows of upturned faces immediately before her, scrutinizing them casually, as if they were fish in an aquarium. She had dropped her lids slightly before her eyes came to rest on Clavering. He was leaning forward, his eyes hard and focal, doing his best to compel her notice. Her glance did linger on his for a moment before it moved on indifferently, but in that brief interval he experienced a curious ripple along his nerves … almost a note of warning.… They were very dark gray eyes, Greek in the curve of the lid, and inconceivably wise, cold, disillusioned. She did not look a day over twenty-eight. There were no marks of dissipation on her face. But for its cold regularity she would have looked younger—with her eyes closed. The eyes seemed to gaze down out of an infinitely remote past.
Suddenly she seemed to sense the concentrated attention of the audience. She swept it with a hasty glance, evidently appreciated the fact that she alone was standing and facing it, colored slightly and sat down. But her repose was absolute. She made no little embarrassed gestures as another woman would have done. She did not even affect to read her program.
II
Clavering left his chair and wandered up the aisle. He felt none of his usual impatience for the beneficent cigarette. Was he hit? Hardly. Inquisitive, certainly. But he had seen so many provocative shells. Vile trick of nature, that—poverty-stricken unoriginal creature that she was.
He glanced over the rows of people as he passed. It was not the play that was animating them. The woman was a godsend.
His gaze paused abruptly on the face of Mr. Charles Dinwiddie. Clavering's grand-aunt had married Mr. Dinwiddie's father and the two men, so far apart in years, were more or less intimate; the older man's inexhaustible gossip of New York Society amused Clavering, who in turn had initiated Mr. Dinwiddie into new and strange pleasures, including literary parties and first nights—ignored by the world of fashion.
All New York men of the old régime, no matter what their individuality may have been twenty years earlier, look so much alike as they approach sixty, and more particularly after they have passed it, that they might be brothers in blood as in caste. Their moustaches and what little hair they have left turns the same shade of well-bred white. Their fine old Nordic faces are generally lean and flat of cheek, their expression calm, assured, not always smug. They are impeccably groomed and erect. Stout they may be, but seldom fat, and if not always handsome, they are polished, distinguished, aloof. They no longer wear side-whiskers and look younger than their fathers did at the same age.
Mr. Dinwiddie's countenance as a rule was as formal and politely expressionless as became his dignified status, but tonight it was not. It was pallid. The rather prominent eyes were staring, the mouth was relaxed. He was seated next the aisle and Clavering hastened toward him in alarm.
"Ill, old chap?" he asked. "Better come out."
Mr. Dinwiddie focussed his eyes, then stumbled to his feet and caught Clavering by the arm. "Yes," he muttered. "Get me out of this and take me where I can get a drink. Seen a ghost."
Clavering guided him up the aisle, then out of a side exit into an alley and produced a flask from his hip-pocket. Mr. Dinwiddie without ceremony raised it to his lips and swallowed twice, gasping a little. He had reached the age of the mild whiskey and soda. Then he stood erect and passed his hand over the shining curve of his head.
"Ever seen a ghost, Lee?" he asked. "That woman was there, wasn't she?"
"She was there, all right." Clavering's face was no longer cynical and mysterious; it was alive with curiosity. "D'you know who she is?"
"Thirty-odd years ago any one of us old chaps would have told you she was Mary Ogden, and like as not raised his hat. She was the beauty and the belle of her day. But she married a Hungarian diplomat, Count Zattiany, when she was twenty-four, and deserted us. Never been in the country since. I never wanted to see her again. Too hard hit. But I caught a glimpse of her at the opera in Paris about ten years ago—faded! Always striking of course with that style, but withered, changed, skinny where she had been slim, her throat concealed by a dog collar a yard long—her expression sad and apathetic—the dethroned idol of men. God! Mary Ogden! I left the house."
"It is her daughter, of course——"
"Never had a child—positive of it. Zattiany title went to a nephew who was killed in the war.… No … it must be … must be …" His eyes began to glitter. Clavering knew the symptom. His relative was about to impart interesting gossip.
"Well?" he asked impatiently.
"There were many stories about Mary Ogden—Mary Zattiany—always a notable figure in the capitals of Europe. Her husband was in the diplomatic service until he died—some years before I saw her in Paris. She was far too clever—damnably clever, Mary Ogden, and had a reputation for it in European Society as well as for beauty—to get herself compromised. But there were stories—that must be it! She had a daughter and stowed her away somewhere. No two women could be as alike as that except mother and daughter—don't see it too often at that. Why, the very way she carries her head—her style … wonder where she kept her? That girl has been educated and has all the air of the best society. Must have got friends to adopt her. Gad! What a secret chapter. But why on earth does she let the girl run round loose?"
"I shouldn't say she was a day under twenty-eight. No doubt she looked younger from where you were sitting."
"Twenty-eight! Mary must have begun sooner than we heard. But—well, we never felt that we knew Mary—that was one of her charms. She kept us guessing, as you young fellows say, and she had the devil's own light in her eyes sometimes." His own orb lit up again. "Wonder if Mary is here? No doubt she's come over to get her property