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      When Joan returned to consciousness she was lying half outside the opening of the cabin and above her was a drift of blue gun-smoke, slowly floating upward. Almost as swiftly as perception of that smoke came a shuddering memory. She lay still, listening. She did not hear a sound except the tinkle and babble and gentle rush of the brook. Kells was dead, then. And overmastering the horror of her act was a relief, a freedom, a lifting of her soul out of the dark dread, a something that whispered justification of the fatal deed.

      She got up and, avoiding to look within the cabin, walked away. The sun was almost at the zenith. Where had the morning hours gone?

      "I must get away," she said, suddenly. The thought quickened her. Down the canon the horses were grazing. She hurried along the trail, trying to decide whether to follow this dim old trail or endeavor to get out the way she had been brought in. She decided upon the latter. If she traveled slowly, and watched for familiar landmarks, things she had seen once, and hunted carefully for the tracks, she believed she might be successful. She had the courage to try. Then she caught her pony and led him back to camp.

      "What shall I take?" she pondered. She decided upon very little—a blanket, a sack of bread and meat, and a canteen of water. She might need a weapon, also. There was only one, the gun with which she had killed Kells. It seemed utterly impossible to touch that hateful thing. But now that she had liberated herself, and at such cost, she must not yield to sentiment. Resolutely she started for the cabin, but when she reached it her steps were dragging. The long, dull-blue gun lay where she had dropped it. And out of the tail of averted eyes she saw a huddled shape along the wall. It was a sickening moment when she reached a shaking hand for the gun. And at that instant a low moan transfixed her.

      She seemed frozen rigid. Was the place already haunted? Her heart swelled in her throat and a dimness came before her eyes. But another moan brought a swift realization—Kells was alive. And the cold, clamping sickness, the strangle in her throat, all the feelings of terror, changed and were lost in a flood of instinctive joy. He was not dead. She had not killed him. She did not have blood on her hands. She was not a murderer.

      She whirled to look at him. There he lay, ghastly as a corpse. And all her woman's gladness fled. But there was compassion left to her, and, forgetting all else, she knelt beside him. He was as cold as stone. She felt no stir, no beat of pulse in temple or wrist. Then she placed her ear against his breast. His heart beat weakly.

      "He's alive," she whispered. "But—he's dying.... What shall I do?"

      Many thoughts flashed across her mind. She could not help him now; he would be dead soon; she did not need to wait there beside him; there was a risk of some of his comrades riding into that rendezvous. Suppose his back was not broken after all! Suppose she stopped the flow of blood, tended him, nursed him, saved his life? For if there were one chance of his living, which she doubted, it must be through her. Would he not be the same savage the hour he was well and strong again? What difference could she make in such a nature? The man was evil. He could not conquer evil. She had been witness to that. He had driven Roberts to draw and had killed him. No doubt he had deliberately and coldly murdered the two ruffians, Bill and Halloway, just so he could be free of their glances at her and be alone with her. He deserved to die there like a dog.

      What Joan Randle did was surely a woman's choice. Carefully she rolled Kells over. The back of his vest and shirt was wet with blood. She got up to find a knife, towel, and water. As she returned to the cabin he moaned again.

      Joan had dressed many a wound. She was not afraid of blood. The difference was that she had shed it. She felt sick, but her hands were firm as she cut open the vest and shirt, rolled them aside, and bathed his back. The big bullet had made a gaping wound, having apparently gone through the small of his back. The blood still flowed. She could not tell whether or not Kell's spine was broken, but she believed that the bullet had gone between bone and muscle, or had glanced. There was a blue welt just over his spine, in line with the course of the wound. She tore her scarf into strips and used it for compresses and bandages. Then she laid him back upon a saddle-blanket. She had done all that was possible for the present, and it gave her a strange sense of comfort. She even prayed for his life, and, if that must go, for his soul. Then she got up. He was unconscious, white, death-like. It seemed that his torture, his near approach to death, had robbed his face of ferocity, of ruthlessness, and of that strange amiable expression. But then, his eyes, those furnace-windows, were closed.

      Joan waited for the end to come. The afternoon passed and she did not leave the cabin. It was possible that he might come to and want water. She had once administered to a miner who had been fatally crushed in an avalanche; and never could forget his husky call for water and the gratitude in his eyes.

      Sunset, twilight, and night fell upon the canon. And she began to feel solitude as something tangible. Bringing saddle and blankets into the cabin, she made a bed just inside, and, facing the opening and the stars, she lay down to rest, if not to sleep. The darkness did not keep her from seeing the prostrate figure of Kells. He lay there as silent as if he were already dead. She was exhausted, weary for sleep, and unstrung. In the night her courage fled and she was frightened at shadows. The murmuring of insects seemed augmented into a roar; the mourn of wolf and scream of cougar made her start; the rising wind moaned like a lost spirit. Dark fancies beset her. Troop on troop of specters moved