Katherine Mansfield - Premium Collection: 160+ Short Stories & Poems. Katherine Mansfield
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for being warm in the old days. It’s not as if I was skinny—I’m just the same full figure that I used to be. No, it’s because I don’t have a good hot dinner in the evenings.”
A pageant of Good Hot Dinners passed across the ceiling, each of them accompanied by a bottle of Nourishing Stout. . . .
“Even if I were to get up now,” she thought, “and have a sensible substantial breakfast . . .” A pageant of Sensible Substantial Breakfasts followed the dinners across the ceiling, shepherded by an enormous, white, uncut ham. Miss Moss shuddered and disappeared under the bedclothes. Suddenly, in bounced the landlady.
“There’s a letter for you, Miss Moss.”
“Oh,” said Miss Moss, far too friendly, “thank you very much, Mrs. Pine. It’s very good of you, I’m sure, to take the trouble.”
“No trouble at all,” said the landlady. “I thought perhaps it was the letter you’d been expecting.”
“Why,” said Miss Moss brightly, “yes, perhaps it is.” She put her head on one side and smiled vaguely at the letter. “I shouldn’t be surprised.”
The landlady’s eyes popped. “Well, I should, Miss Moss,” said she, “and that’s how it is. And I’ll trouble you to open it, if you please. Many is the lady in my place as would have done it for you and have been within her rights. For things can’t go on like this, Miss Moss, no indeed they can’t. What with week in week out and first you’ve got it and then you haven’t, and then it’s another letter lost in the post or another manager down at Brighton but will be back on Tuesday for certain—I’m fair sick and tired and I won’t stand it no more. Why should I, Miss Moss, I ask you, at a time like this, with prices flying up in the air and my poor dear lad in France? My sister Eliza was only saying to me yesterday—‘Minnie,’ she says, ‘you’re too soft-hearted. You could have let that room time and time again,’ says she, ‘and if people won’t look after themselves in times like these, nobody else will,’ she says. ‘She may have had a College eddication and sung in West End concerts,’ says she, ‘but if your Lizzie says what’s true,’ she says, ‘and she’s washing her own wovens and drying them on the towel rail, it’s easy to see where the finger’s pointing. And it’s high time you had done with it,’ says she.”
Miss Moss gave no sign of having heard this. She sat up in bed, tore open her letter and read:
“Dear Madam,
Yours to hand. Am not producing at present, but have filed photo for future ref.
Yours truly,
BACKWASH FILM CO.”
This letter seemed to afford her peculiar satisfaction; she read it through twice before replying to the landlady.
“Well, Mrs. Pine, I think you’ll be sorry for what you said. This is from a manager, asking me to be there with evening dress at ten o’clock next Saturday morning.”
But the landlady was too quick for her. She pounced, secured the letter.
“Oh, is it! Is it indeed!” she cried.
“Give me back that letter. Give it back to me at once, you bad, wicked woman,” cried Miss Moss, who could not get out of bed because her nightdress was slit down the back. “Give me back my private letter.” The landlady began slowly backing out of the room, holding the letter to her buttoned bodice.
“So it’s come to this, has it?” said she. “Well, Miss Moss, if I don’t get my rent at eight o’clock to-night, we’ll see who’s a bad, wicked woman—that’s all.” Here she nodded, mysteriously. “And I’ll keep this letter.” Here her voice rose. “It will be a pretty little bit of evidence!” And here it fell, sepulchral, “My lady.”
The door banged and Miss Moss was alone. She flung off the bed clothes, and sitting by the side of the bed, furious and shivering, she stared at her fat white legs with their great knots of greeny-blue veins.
“Cockroach! That’s what she is. She’s a cockroach!” said Miss Moss. “I could have her up for snatching my letter—I’m sure I could.” Still keeping on her nightdress she began to drag on her clothes.
“Oh, if I could only pay that woman, I’d give her a piece of my mind that she wouldn’t forget. I’d tell her off proper.” She went over to the chest of drawers for a safety-pin, and seeing herself in the glass she gave a vague smile and shook her head. “Well, old girl,” she murmured, “you’re up against it this time, and no mistake.” But the person in the glass made an ugly face at her.
“You silly thing,” scolded Miss Moss. “Now what’s the good of crying: you’ll only make your nose red. No, you get dressed and go out and try your luck—that’s what you’ve got to do.”
She unhooked her vanity bag from the bedpost, rooted in it, shook it, turned it inside out.
“I’ll have a nice cup of tea at an A B C to settle me before I go anywhere,” she decided. “I’ve got one and thrippence—yes, just one and three.”
Ten minutes later, a stout lady in blue serge, with a bunch of artificial “parmas” at her bosom, a black hat covered with purple pansies, white gloves, boots with white uppers, and a vanity bag containing one and three, sang in a low contralto voice:
Sweet-heart, remember when days are forlorn
It al-ways is dar-kest before the dawn.
But the person in the glass made a face at her, and Miss Moss went out. There were grey crabs all the way down the street slopping water over grey stone steps. With his strange, hawking cry and the jangle of the cans the milk boy went his rounds. Outside Brittweiler’s Swiss House he made a splash, and an old brown cat without a tail appeared from nowhere, and began greedily and silently drinking up the spill. It gave Miss Moss a queer feeling to watch—a sinking—as you might say.
But when she came to the A B C she found the door propped open; a man went in and out carrying trays of rolls, and there was nobody inside except a waitress doing her hair and the cashier unlocking cash-boxes. She stood in the middle of the floor but neither of them saw her.
“My boy came home last night,” sang the waitress.
“Oh, I say—how topping for you!” gurgled the cashier.
“Yes, wasn’t it,” sang the waitress. “He brought me a sweet little brooch. Look, it’s got ‘Dieppe’ written on it.”
The cashier ran across to look and put her arm round the waitress’ neck.
“Oh, I say—how topping for you.”
“Yes, isn’t it,” said the waitress. “O-oh, he is brahn. ‘Hullo,’ I said, ‘hullo, old mahogany.’”
“Oh, I say,” gurgled the cashier, running back into her cage and nearly bumping into Miss Moss on the way. “You are a treat!” Then the man with the rolls came in again, swerving past her.
“Can I have a cup of tea, Miss?” she asked.
But the waitress went on doing her hair. “Oh,” she sang, “we’re not open yet.” She turned round and waved her comb at the cashier.
“Are we, dear?”
“Oh, no,” said the cashier. Miss Moss went out.
“I’ll go to Charing Cross. Yes, that’s what I’ll do,” she decided. “But I won’t have a cup of tea. No, I’ll have a coffee. There’s more of a tonic in coffee. . . . Cheeky, those girls are! Her boy came home last night; he brought her a brooch with ‘Dieppe’ written on it.” She began to cross the road. . . .
“Look out, Fattie; don’t go to sleep!” yelled a taxi driver. She pretended not to hear.
“No, I won’t go to Charing Cross,” she decided. “I’ll go straight to Kig and Kadgit. They’re open at nine. If I get