The Complete Short Stories of Mark Twain (Illustrated). Mark Twain
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Cardiff Giant. I can have no rest, no peace, till they have given that poor body burial again. Now what was the most natural thing for me to do, to make men satisfy this wish? Terrify them into it!— haunt the place where the body lay! So I haunted the museum night after night. I even got other spirits to help me. But it did no good, for nobody ever came to the museum at midnight. Then it occurred to me to come over the way and haunt this place a little. I felt that if I ever got a hearing I must succeed, for I had the most efficient company that perdition could furnish. Night after night we have shivered around through these mildewed halls, dragging chains, groaning, whispering, tramping up and down stairs, till, to tell you the truth, I am almost worn out. But when I saw a light in your room to-night I roused my energies again and went at it with a deal of the old freshness. But I am tired out—entirely fagged out. Give me, I beseech you, give me some hope!"
I lit off my perch in a burst of excitement, and exclaimed:
"This transcends everything! everything that ever did occur! Why you poor blundering old fossil, you have had all your trouble for nothing—you have been haunting a plaster cast of yourself—the real Cardiff Giant is in Albany!—(A fact. The original fraud was ingeniously and fraudfully duplicated, and exhibited in New York as the "only genuine" Cardiff Giant (to the unspeakable disgust of the owners of the real colossus) at the very same time that the latter was drawing crowds at a museum in Albany,)—Confound it, don't you know your own remains?"
I never saw such an eloquent look of shame, of pitiable humiliation, overspread a countenance before.
The Petrified Man rose slowly to his feet, and said:
"Honestly, is that true?"
"As true as I am sitting here."
He took the pipe from his mouth and laid it on the mantel, then stood irresolute a moment (unconsciously, from old habit, thrusting his hands where his pantaloons pockets should have been, and meditatively dropping his chin on his breast) and finally said:
"Well—I never felt so absurd before. The Petrified Man has sold everybody else, and now the mean fraud has ended by selling its own ghost! My son, if there is any charity left in your heart for a poor friendless phantom like me, don't let this get out. Think how you would feel if you had made such an ass of yourself."
I heard his stately tramp die away, step by step down the stairs and out into the deserted street, and felt sorry that he was gone, poor fellow—and sorrier still that he had carried off my red blanket and my bath-tub.
The Capitoline Venus
Chapter I.
Scene-An Artist's Studio in Rome.
"Oh, George, I do love you!"
"Bless your dear heart, Mary, I know that—why is your father so obdurate?"
"George, he means well, but art is folly to him—he only understands groceries. He thinks you would starve me."
"Confound his wisdom—it savors of inspiration. Why am I not a money-making bowelless grocer, instead of a divinely gifted sculptor with nothing to eat?"
"Do not despond, Georgy, dear—all his prejudices will fade away as soon as you shall have acquired fifty thousand dol—"
"Fifty thousand demons! Child, I am in arrears for my board!"
Chapter II.
Scene-A Dwelling in Rome.
"My dear sir, it is useless to talk. I haven't anything against you, but I can't let my daughter marry a hash of love, art, and starvation—I believe you have nothing else to offer."
"Sir, I am poor, I grant you. But is fame nothing? The Hon. Bellamy Foodle of Arkansas says that my new statue of America is a clever piece of sculpture, and he is satisfied that my name will one day be famous."
"Bosh! What does that Arkansas ass know about it? Fame's nothing—the market price of your marble scarecrow is the thing to look at. It took you six months to chisel it, and you can't sell it for a hundred dollars. No, sir! Show me fifty thousand dollars and you can have my daughter—otherwise she marries young Simper. You have just six months to raise the money in. Good morning, sir."
"Alas! Woe is me!"
Chapter III.
Scene-The Studio.
"Oh, John, friend of my boyhood, I am the unhappiest of men."
"You're a simpleton!"
"I have nothing left to love but my poor statue of America—and see, even she has no sympathy for me in her cold marble countenance—so beautiful and so heartless!"
"You're a dummy!"
"Oh, John!"
"Oh, fudge! Didn't you say you had six months to raise the money in?"
"Don't deride my agony, John. If I had six centuries what good would it do? How could it help a poor wretch without name, capital, or friends?"
"Idiot! Coward! Baby! Six months to raise the money in—and five will do!"
"Are you insane?"
"Six months—an abundance. Leave it to me. I'll raise it."
"What do you mean, John? How on earth can you raise such a monstrous sum for me?"
"Will you let that be my business, and not meddle? Will you leave the thing in my hands? Will you swear to submit to whatever I do? Will you pledge me to find no fault with my actions?"
"I am dizzy—bewildered—but I swear."
John took up a hammer and deliberately smashed the nose of America! He made another pass and two of her fingers fell to the floor—another, and part of an ear came away—another, and a row of toes was mangled and dismembered—another, and the left leg, from the knee down, lay a fragmentary ruin!
John put on his hat and departed.
George gazed speechless upon the battered and grotesque nightmare before him for the space of thirty seconds, and then wilted to the floor and went into convulsions.
John returned presently with a carriage, got the broken-hearted artist and the broken-legged statue aboard, and drove off, whistling low and tranquilly.
He left the artist at his lodgings, and drove off and disappeared down the Via Quirinalis with the statue.
Chapter IV.
Scene—The Studio.
"The six months will be up at two o'clock to-day! Oh, agony! My life is blighted. I would that I were dead. I had no supper yesterday. I have had no breakfast to-day. I dare not enter an eating-house. And hungry? —don't mention it! My bootmaker duns me to death—my tailor duns me—my landlord haunts me. I am miserable. I haven't seen John since that awful day. She smiles on me tenderly when we meet in the great thoroughfares, but her old flint of a father makes her look in the other direction in short order. Now who is knocking at that door? Who is come to persecute me? That malignant