The Essential Max Brand - 29 Westerns in One Edition. Max Brand
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said Buck Daniels, "you look square, and I need you in square game; but there ain't any questions that go with it. Twenty iron men for one day's riding and one day's silence."
"M'frien'," murmured Peters. "In my day I've gone three months without speakin' to anything in boots; and I wasn't hired for it, neither."
"You know them people up the line," said Daniels. "Do they know you?"
"I'll tell a man they do! Know Gary Peters?"
"Partner, this is what I want. I want you to leave Brownsville inside of ten minutes and start riding for Elkhead. I want you to ride, and I want you to ride like hell. Every ten miles, or so, I want you to stop at some place where you can get a fresh hoss. Get your fresh hoss and leave the one you've got off, and tell them to have the hoss you leave ready for me any time to-night. It'll take you clear till to-morrow night to reach Elkhead, even with relayin' your hosses?"
"Round about that, if I ride like hell. What do I take with me?"
"Nothing. Nothing but the coin I give you to hire someone at every stop to have that hoss you've left ready for me. Better still, if you can have 'em, get a fresh hoss. Would they trust you with hosses that way, Gary?"
"Gimme the coin and where they won't trust me I'll pay cash."
"I can do it. It'll about bust me, but I can do it."
"You going to try for a record between Brownsville and Elkhead, eh? Got a bet up, eh?"
"The biggest bet you ever heard of," said Daniels grimly. "You can tell the boys along the road that I'm tryin' for time. Have you got a fast hoss to start with?"
"Got a red mare that ain't much for runnin' cattle, but she's greased lightnin' for a short bust."
"Then get her out. Saddle her up, and be on your way. Here's my stake—I'll keep back one twenty for accidents. First gimme a list of the places you'll stop for the relays."
He produced an old envelope and a stub of soft pencil with which he jotted down Gary Peters' directions.
"And every second," said Buck Daniels in parting, "that you can cut off your own time will be a second cut off'n mine. Because I'm liable to be on your heels when you ride into Elkhead."
Gary Peters lifted his eyebrows and then restored his pipe. He spoke through his teeth.
"You ain't got a piece of money to bet on that, partner?" he queried softly.
"Ten extra if you get to Elkhead before me."
"They's limits to hoss-flesh," remarked Peters. "What time you ridin' against?"
"Against a cross between a bullet and a nor'easter, Gary. I'm going back to drink to your luck."
A promise which Buck Daniels fulfilled, for he had need of even borrowed strength. He drank steadily until a rattle of hoofs down the street entered the saloon, and then someone came in to say that Gary Peters had started out of town to "beat all hell, on his red mare."
After that, Buck started out to find Dan Barry. His quarry was not in the barn nor in the corral behind the barn. There stood Satan and Black Bart, but their owner was not in sight. But a thought came to Buck while he looked, rather mournfully, at the stallion's promise of limitless speed. "If I can hold him up jest half a minute," murmured Buck to himself, "jest half a minute till I get a start, I've got a rabbit's chance of livin' out the night!"
From the door of the first shed he took a heavy chain with the key in the padlock. This chain he looped about the post and the main timber of the gate, snapped the padlock, and threw the key into the distance. Then he stepped back and surveyed his work with satisfaction. It would be a pretty job to file through that chain, or to knock down those ponderous rails of the fence and make a gap. A smile of satisfaction came on the face of Buck Daniels, then, hitching at his belt, and pulling his sombrero lower over his eyes, he started once more to find Dan Barry.
He was more in haste now, for the sun was dipping behind the mountains of the west and the long shadows moved along the ground with a perceptible speed. When he reached the street he found a steady drift of people towards O'Brien's barroom. They came by ones and twos and idled in front of the swinging doors or slyly peeked through them and then whispered one to the other. Buck accosted one of those by the door and asked what was wrong.
"He's in there," said the other, with a broad and excited grin. "He's in there—waitin'!"
And when Buck threw the doors wide he saw, at the farther end of the deserted barroom, Dan Barry, seated at a table braiding a small horsehair chain. His hat was pushed far back on his head; he had his back to the door. Certainly he must be quite unaware that all Brownsville was waiting, breathless, for his destruction. Behind the bar stood O'Brien, pale under his bristles, and his eyes never leaving the slender figure at the end of his room; but seeing Buck he called with sudden loudness: "Come in, stranger. Come in and have one on the house. There ain't nothing but silence around this place and it's getting on my nerves."
Buck Daniels obeyed the invitation at once, and behind him, stepping softly, some of them entering with their hats in their hands and on tiptoe, came a score of the inhabitants of Brownsville. They lined the bar up and down its length; not a word was spoken; but every head turned as at a given signal towards the quiet man at the end of the room.
XVI. THE COMING OF NIGHT
It was not yet full dusk, for the shadows were still swinging out from the mountains and a ghost of colour lingered in the west, but midnight lay in the open eyes of Jerry Strann. There had been no struggle, no outcry, no lifting of head or hand. One instant his eyes were closed, and then, indeed, he looked like death; the next instant the eyes open, he smiled, the wind stirred in his bright hair. He had never seemed so happily alive as in the moment of his death. Fatty Matthews held the mirror close to the faintly parted lips, examined it, and then drew slowly back towards the door, his eyes steady upon Mac Strann.
"Mac," he said, "it's come. I got just this to say: whatever you do, for God's sake stay inside the law!"
And he slipped through the door and was gone.
But Mac Strann did not raise his head or cast a glance after the marshal. He sat turning the limp hand of Jerry back and forth in his own, and his eyes wandered vaguely through the window and down to the roofs of the village.
Night thickened perceptibly every moment, yet still while the eastern slope of every roof was jet black, the western slopes were bright, and here and there at the distance the light turned and waned on upper windows. Sleep was coming over the world, and eternal sleep had come for Jerry Strann.
It did not seem possible.
Some night at sea, when clouds hurtled before the wind across the sky and when the waves leaped up mast-high; when some good ship staggered with the storm, when hundreds were shrieking and yelling in fear or defiance of death; there would have been a death-scene for Jerry Strann.
Or in the battle, when hundreds rush to the attack with one man in front like the edge before the knife—there would have been a death-scene for Jerry Strann. Or while he rode singing, a bolt of lightning that slew and obliterated at once—such would have been a death for Jerry Strann.
It was not possible that he could die like this, with a smile. There was something incompleted. The fury of the death-struggle which had been omitted must take place, and the full rage of wrath and destruction must be vented. Can a bomb explode and make no sound and do no injury?
Yet Jerry Strann was dead and all the world lived on. Someone cantered his horse down the street and called gayly to an acquaintance, and afterwards the dust rose, invisible, and blew through the open window and stung the nostrils of Mac Strann. A child cried, faintly, in the distance, and then was hushed by the voice of the mother, making a sound like a cackling hen. This was all!
There should have been wailing