The Essential Max Brand - 29 Westerns in One Edition. Max Brand
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kind of guess at it! But comin' back to you and Dan, Kate—"
It was in vain she plied the marshal with edibles. His tongue wagged upon roller-bearings and knew no stopping. Moreover, the marshal had spent some portion of his life in a boarding house and had mastered the boarding-house art of talking while he ate.
"Comin' back to you and Dan, we was all of us sayin' that you and Dan kind of had an eye for each other. I s'pose we was all wrong. You see, that was back in the days before Dan busted loose. When he was about the range most usually he was the quietest man I ever sat opposite to barrin' one—and that was a feller that went west with a bum heart at the chuck table! Ha, ha, ha!" The marshal's laughter boomed through the big room as he recalled this delightful anecdote. He went on: "But after that Jim Silent play we all changed our minds, some. D'you know, doc, I was in Elkhead the night that Dan got our Lee Haines?"
"I've never heard of the episode," murmured the doctor.
"You ain't? Well, I be damned!—askin' your pardon, Kate—But you sure ain't lived in these parts long! Which you wouldn't think one man could ride into a whole town, go to the jail, knock out two guards that was proved men, take the keys, unlock the irons off'n the man he wanted, saddle a hoss, and ride through a whole town—full of folks that was shootin' at him. Now, would you think that was possible?"
"Certainly not."
"And it ain't possible, I'm here to state. But they was something different about Dan Barry. D'you ever notice it, Kate?"
She was far past speech.
"No, I guess you never would have noticed it. You was livin' too close to him all the time to see how different he was from other fellers. Anyway, he done it. They say he got plugged while he was ridin' through the lines and he bled all the way home, and he got there unconscious. Is that right, Kate?"
He waited an instant and then accepted the silence as an affirmative.
"Funny thing about that, too. The place where he come to was Buck Daniels' house. Well, Buck was one of Jim Silent's men, and they say Buck had tried to plug Dan before that. But Dan let him go that time, and when Buck seen Dan ride in all covered with blood he remembered that favour and he kept Dan safe from Jim Silent and safe from the law until Dan was well. I seen Buck this morning over to Rafferty's place, and—"
Here the marshal noted a singular look in the eyes of Kate Cumberland, a look so singular that he turned in his chair to follow it. He saw Dan Barry in the act of closing the door behind him, and Marshal Calkins turned a deep and violent red, varied instantly by a blotchy yellow which in turn faded to something as near white as his tan permitted.
"Dan Barry!" gasped the marshal, rising, and he reached automatically towards his hip before he remembered that he had laid his belt and guns aside before he entered the dining-room, as etiquette is in the mountain-desert. For it is held that shooting at the table disturbs the appetite.
"Good evenin'," said Dan quietly. "Was it Buck Daniels that you seen at Rafferty's place, Marshal Calkins?"
"Him," nodded the marshal, hoarsely. "Yep, Buck Daniels."
And then he sank into his chair, silent for the first time. His eyes followed Barry as though hypnotized.
"I'm kind of glad to know where I can find him," said Barry, and took his place at the table.
The silence continued for a while, with all eyes focused on the new-comer. It was the doctor who had to speak first.
"You've talked things over with Mr. Cumberland?" he asked.
"We had a long talk," nodded Dan. "You was wrong about him, doc. He thinks he can do without me."
"What?" cried Kate.
"He thinks he can do without me," said Dan Barry. "We talked it all over."
The silence fell again. Kate Cumberland was staring blankly down at her plate, seeing nothing; and Doctor Byrne looked straight before him and felt the pulse drumming in his throat. His chance, then, was to come. By this time the marshal had recovered his breath.
He said to Dan: "Seems like you been away some time, Dan. Where you been hangin' out?"
"I been ridin' about," answered Dan vaguely.
"Well," chuckled the marshal, "I'm glad they ain't no more Jim Silents about these parts—not while you're here and while I'm here. You kept things kind of busy for Glasgow, Dan."
He turned to Kate, who had pushed back her chair.
"What's the matter, Kate?" he boomed. "You ain't lookin' any too tip-top. Sick?"
"I may be back in a moment," said the girl, "but don't delay supper for me."
She went out of the room with a step poised well enough, but the moment the door closed behind her she fairly staggered to the nearest chair and sank into it, her head fallen back, her eyes dim, and all the strength gone from her body and her will. Several minutes passed before she roused herself, and then it was to drag herself slowly up the stairs to the door of her father's room. She opened it without knocking, and then closed it and stood with her back against it, in the shadow.
XXX. THE VOICE OF BLACK BART
Her father lay propped high with pillows among which his head lolled back. The only light in the room was near the bed and it cast a glow upon the face of Joe Cumberland and on the white linen, the white hair, the white, pointed beard. All the rest of the room swam in darkness. The chairs were blotches, indistinct, uncertain; even the foot of the bed trailed off to nothingness. It was like one of those impressionistic, very modern paintings, where the artist centres upon one point and throws the rest of his canvas into dull oblivion. The focus here was the face of the old cattleman. The bedclothes, never stirred, lay in folds sharply cut out with black shadows, and they had a solid seeming, as the mort-cloth rendered in marble over the effigy. That suggested weight exaggerated the frailty of the body beneath the clothes. Exhausted by that burden, the old man lay in the arms of a deadly languor, so that there was a kinship of more than blood between him and Kate at this moment. She stepped to the side of the bed and stood staring down at him, and there was little gentleness in her expression. So cold was that settled gaze that her father stirred, at length, shivered, and without opening his eyes, fumbled at the bed-spread and drew it a little more closely about his shoulders. Even that did not give him rest; and presently the wrinkled eyelids opened and he looked up at his daughter. A film of weariness heavier than sleep at first obscured his sight, but this in turn cleared away; he frowned a little to clear his vision, and then wagged his head slowly from side to side.
"Kate," he said feebly, "I done my best. It simply wasn't good enough."
She answered in a voice as low as his, but steadier: "What could have happened? Dad, what happened to make you give up every hold on Dan? What was it? You were the last power that could keep him here. You knew it. Why did you tell him he could go?"
The monotone was more deadly than any emphasis of a raised word.
"If you'd been here," pleaded Joe Cumberland, "you'd have done what I done. I couldn't help it. There he sat on the foot of the bed—see where them covers still kind of sag down—after he told me that he had something to do away from the ranch and that he wanted to go now that Black Bart was well enough to travel in short spells. He asked me if I still needed him."
"And you told him no?" she cried. "Oh Dad, you know it means everything to me—but you told him no?" He raised a shaking hand to ward off the outburst and stop it.
"Not at first, honey. Gimme a chance to talk, Kate. At first I told him that I needed him—and God knows that I do need him. I dunno why—not even Doc Byrne knows what there is about Dan that helps me. I told Dan all them things. And he didn't say nothin', but jest sat still on the foot of the bed and looked at me.
"It ain't easy to bear his eyes,