The Damned (A Horror Classic). Algernon Blackwood

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The Damned (A Horror Classic) - Algernon  Blackwood


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visit; arriving late on Saturday, we had left after an early breakfast on Monday morning. Ascribing my sister’s dislike to a natural jealousy at losing her old friend, I said merely that he displeased me. Yet we both knew that the real emotion lay much deeper. Frances, loyal, honourable creature, had kept silence; and beyond saying that house and grounds—he altered one and laid out the other—distressed her as an expression of his personality somehow (“distressed” was the word she used), no further explanation had passed her lips.

      Our dislike of his personality was easily accounted for—up to a point, since both of us shared the artist’s point of view that a creed, cut to measure and carefully dried, was an ugly thing, and that a dogma to which believers must subscribe or perish everlastingly was a barbarism resting upon cruelty. But while my own dislike was purely due to an abstract worship of Beauty, my sister’s had another twist in it, for with her ‘new’ tendencies, she believed that all religions were an aspect of truth and that no one, even the lowest wretch, could escape ‘heaven’ in the long run.

      Samuel Franklyn, the rich banker, was a man universally respected and admired, and the marriage, though Mabel was fifteen years his junior, won general applause; his bride was an heiress in her own right—breweries—and the story of her conversion at a revivalist meeting where Samuel Franklyn had spoken fervidly of heaven, and terrifyingly of sin, hell and damnation, even contained a touch of genuine romance. She was a brand snatched from the burning; his detailed eloquence had frightened her into heaven; salvation came in the nick of time; his words had plucked her from the edge of that lake of fire and brimstone where their worm dieth not and the fire is not quenched. She regarded him as a hero, sighed her relief upon his saintly shoulder, and accepted the peace he offered her with a grateful resignation.

      For her husband was a ‘religious man’ who successfully combined great riches with the glamour of winning souls. He was a portly figure, though tall, with masterful, big hands, the fingers rather thick and red; and his dignity, that just escaped being pompous, held in it something that was implacable. A convinced assurance, almost remorseless, gleamed in his eyes when he preached especially, and his threats of hell fire must have scared souls stronger than the timid, receptive Mabel whom he married. He clad himself in long frock-coats that buttoned unevenly, big square boots, and trousers that invariably bagged at the knee and were a little short; he wore low collars, spats occasionally, and a tall black hat that was not of silk. His voice was alternately hard and unctuous; and he regarded theatres, ball-rooms and race-courses as the vestibule of that brimstone lake of whose geography he was as positive as of his great banking offices in the City. A philanthropist up to the hilt, however, no one ever doubted his complete sincerity; his convictions were ingrained, his faith borne out by his life—as witness his name upon so many admirable Societies, as treasurer, patron, or heading the donation list. He bulked large in the world of doing good, a broad and stately stone in the rampart against evil. And his heart was genuinely kind and soft for others—who believed as he did.

      Yet, in spite of this true sympathy with suffering and his desire to help, he was narrow as a telegraph wire and unbending as a church pillar; he was intensely selfish; intolerant as an officer of the Inquisition, his bourgeois soul constructed a revolting scheme of heaven that was reproduced in miniature in all he did and planned. Faith was the sine qua non of salvation, and by ‘faith’ he meant belief in his own particular view of things—‘which faith, except every one do keep whole and undefiled, without doubt he shall perish everlastingly.’ All the world but his own small, exclusive sect must be damned eternally—a pity, but alas, inevitable. He was right.

      Yet he prayed without ceasing, and gave heavily to the poor—the only thing he could not give being big ideas to his provincial and suburban deity. Pettier than an insect, and more obstinate than a mule, he had also the superior, sleek humility of a ‘chosen one.’ He was churchwarden too. He read the Lessons in a ‘place of worship,’ either chilly or overheated, where neither organ, vestments, nor lighted candles were permitted, but where the odour of hair-wash on the boys’ heads in the back rows pervaded the entire building.

      This portrait of the banker, who accumulated riches both on earth and in heaven, may possibly be overdrawn, however, because Frances and I were ‘artistic temperaments’ that viewed the type with a dislike and distrust amounting to contempt. The majority considered Samuel Franklyn a worthy man and a good citizen. The majority, doubtless, held the saner view. A few years more, and he certainly would have been made a baronet. He relieved much suffering in the world, as assuredly as he caused many souls the agonies of torturing fear by his emphasis upon damnation. Had there been one point of beauty in him, we might have been more lenient; only we found it not, and, I admit, took little pains to search. I shall never forget the look of dour forgiveness with which he heard our excuses for missing Morning Prayers that Sunday morning of our single visit to The Towers. My sister learned that a change was made soon afterwards, prayers being ‘conducted’ after breakfast instead of before.

      The Towers stood solemnly upon a Sussex hill amid park-like modern grounds, but the house cannot better be described—it would be so wearisome for one thing—than by saying that it was a cross between an overgrown, pretentious Norwood villa and one of those saturnine Institutes for cripples the train passes as it slinks ashamed through South London into Surrey. It was ‘wealthily’ furnished and at first sight imposing, but on closer acquaintance revealed a meagre personality, barren and austere. One looked for Rules and Regulations on the walls, all signed By Order. The place was a prison that shut out ‘the world.’ There was, of course, no billiard-room, no smoking-room, no room for play of any kind, and the great hall at the back, once a chapel which might have been used for dancing, theatricals, or other innocent amusements, was consecrated in his day to meetings of various kinds, chiefly brigades, temperance or missionary societies. There was a harmonium at one end—on the level floor—a raised dais or platform at the other, and a gallery above for the servants, gardeners and coachmen. It was heated with hot-water pipes, and hung with Doré’s pictures, though these latter were soon removed and stored out of sight in the attics as being too unspiritual. In polished, shiny wood, it was a representation in miniature of that poky exclusive Heaven he took about with him, externalising it in all he did and planned, even in the grounds about the house.

      Changes in The Towers, Frances told me, had been made during Mabel’s year of widowhood abroad—an organ put into the big hall, the library made liveable and recatalogued—when it was permissible to suppose she had found her soul again and returned to her normal, healthy views of life, which included enjoyment and play, literature, music and the arts, without, however, a touch of that trivial thoughtlessness usually termed worldliness. Mrs. Franklyn, as I remembered her, was a quiet little woman, shallow, perhaps, and easily influenced, but sincere as a dog and thorough in her faithful friendships. Her tastes at heart were catholic, and that heart was simple and unimaginative. That she took up with the various movements of the day was sign merely that she was searching in her limited way for a belief that should bring her peace. She was, in fact, a very ordinary woman, her calibre a little less than that of Frances. I knew they used to discuss all kinds of theories together, but as these discussions never resulted in action, I had come to regard her as harmless. Still, I was not sorry when she married, and I did not welcome now a renewal of the former intimacy. The philanthropist had given her no children, or she would have made a good and sensible mother. No doubt she would marry again.

      ‘Mabel mentions that she’s been alone at The Towers since the end of August,’ Frances told me at tea-time; ‘and I’m sure she feels out of it and lonely. It would be a kindness to go. Besides, I always liked her.’

      I agreed. I had recovered from my attack of selfishness. I expressed my pleasure.

      ‘You’ve written to accept,’ I said, half statement and half question.

      Frances nodded. ‘I thanked for you,’ she added quietly, ‘explaining that you were not free at the moment, but that later, if not inconvenient, you might come down for a bit and join me.’

      I stared. Frances sometimes had this independent way of deciding things. I was convicted, and punished into the bargain.

      Of course there followed argument and explanation, as between brother and sister who were affectionate, but the recording


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