The Collected Novels of Algernon Blackwood (11 Titles in One Edition). Algernon Blackwood
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dark night of his forgetfulness and was lost in mist.
"You mustn't judge by these silly clothes," he laughed. "I shall change them as soon as I get—as soon as I can find——" He stopped short. No words came. A feeling of utter loneliness and despair swept suddenly over him, drenching him from head to foot. He felt lost and friendless, naked, homeless, cold. He was ever on the brink of regaining a whole lot of knowledge and experience that he had known once long ago, ever so long ago, but it always kept just out of his reach. He glanced at Miss Lake, feeling that she was his only possible comfort in a terrible situation. She met his look and drew him tenderly towards her.
"Now, listen to me," she said gently, "I've something to tell you—about myself."
He was all attention in a minute.
"I am a discharged governess," she began, holding her breath when once the words were out.
"Discharged!" he repeated vaguely. "What's that? What for?"
"For frightening a child. I told a little boy awful stories that weren't true. They terrified him so much that I was sent away. That's why I'm here now. It's my punishment. I am a prisoner here until I can find him—and help him to escape——"
"Oh, I say!" he exclaimed quickly, as though remembering something. But it passed, and he looked up at her half-bored, half-politely. "Escape from what?" he asked.
"From here. This is the Empty House I told the stories about; and you are the little boy I frightened. Now, at last, I've found you, and am going to save you." She paused, watching him with eyes that never left his face for an instant.
Jimbo was delighted to hear he was going to be rescued, but he felt no interest at all in her story of having frightened a little boy, who was himself. He thought it was very nice of her to take so much trouble, and he told her so, and when he went up and kissed her and thanked her, he saw to his surprise that she was crying. For the life of him he could not understand why a discharged governess whom he met, apparently, for the first time in the Empty House, should weep over him and show him so much affection. But he could think of nothing to say, so he just waited till she had finished.
"You see, if I can save you," she said between her sobs, "it will be all right again, and I shall be forgiven, and shall be able to escape with you. I want you to escape, so that you can get back to life again."
"Oh, then I'm dead, am I?"
"Not exactly dead," she said, drying her eyes with the corner of her black hood. "You've had a funny accident, you know. If your body gets all right, so that you can go back and live in it again, then you're not dead. But if it's so badly injured that you can't work in it any more, then you are dead, and will have to stay dead. You're still joined to the body in a fashion, you see."
He stared and listened, not understanding much. It all bored him. She talked without explaining, he thought. An immense sponge had passed over the slate of the past and wiped it clean beyond recall. He was utterly perplexed.
"How funny you are!" he said vaguely, thinking more of her tears than her explanations.
"Water won't stay in a cracked bottle," she went on, "and you can't stay in a broken body. But they're trying to mend it now, and if we can escape in time you can be an ordinary, happy little boy in the world again."
"Then are you dead, too?" he asked, "or nearly dead?"
"I am out of my body, like you," she answered evasively, after a moment's pause.
He was still looking at her in a dazed sort of way, when she suddenly sprang to her feet and let the hood drop back over her face.
"Hush!" she whispered, "he's listening again."
At the same moment a sound came from beneath the floor on the other side of the room, and Jimbo saw the trap-door being slowly raised above the level of the floor.
"Your number is 102," said a voice that sounded like the rushing of a river.
Instantly the trap-door dropped again, and he heard heavy steps rumbling away into the interior of the house. He looked at his companion and saw her terrified face as she lifted her hood.
"He always blunders along like that," she whispered, bending her head on one side to listen. "He can't see properly in the daylight. He hates sunshine, and usually only goes out after dark." She was white and trembling.
"Is that the person who brought me in here this morning at such a frightful pace?" he asked, bewildered.
She nodded. "He wanted to get in before it was light, so that you couldn't see his face."
"Is he such a fright?" asked the boy, beginning to share her evident feeling of horror.
"He is Fright!" she said in an awed whisper. "But never talk about him again unless you can't help it; he always knows when he's being talked about, and he likes it, because it gives him more power."
Jimbo only stared at her without comprehending. Then his mind jumped to something else he wanted badly to have explained, and he asked her about his number, and why he was called No. 102.
"Oh, that's easier," she said, "102 is your number among the Frightened Children; there are 101 of them, and you are the last arrival. Haven't you seen them yet? It is also the temperature of your broken little body lying on the bed in the night nursery at home," she added, though he hardly caught her words, so low were they spoken.
Jimbo then described how the children had sung and danced to him, and went on to ask a hundred questions about them. But Miss Lake would give him very little information, and said he would not have very much to do with them. Most of them had been in the House for years and years—so long that they could probably never escape at all.
"They are all frightened children," she said. "Little ones scared out of their wits by silly people who meant to amuse them with stories, or to frighten them into being well behaved—nursery-maids, elder sisters, and even governesses!"
"And they can never escape?"
"Not unless the people who frightened them come to their rescue and run the risk of being caught themselves."
As she spoke there rose from the depths of the house the sound of muffled voices, children's voices singing faintly together; it rose and fell exactly like the wind, and with as little tune; it was weird and magical, but so utterly mournful that the boy felt the tears start to his eyes. It drifted away, too, just as the wind does over the tops of the trees, dying into the distance; and all became still again.
"It's just like the wind," he said, "and I do love the wind. It makes me feel so sad and so happy. Why is it?"
The governess did not answer.
"How old am I really?" he went on. "How can I be so old and so ignorant? I've forgotten such an awful lot of knowledge."
"The fact is—well, perhaps, you won't quite understand—but you're really two ages at once. Sometimes you feel as old as your body, and sometimes as old as your soul. You're still connected with your body; so you get the sensations of both mixed up."
"Then is the body younger than the soul?"
"The soul—that is yourself," she answered, "is, oh, so old, awfully old, as old as the stars, and older. But the body is no older than itself—of course, how could it be?"
"Of course," repeated the boy, who was not listening to a word she said. "How could it be?"
"But it doesn't matter how old you are or how young you feel, as long as you don't hate me for having frightened you," she said after a pause. "That's the chief thing."
He was very, very puzzled. He could not help feeling it had been rather unkind of her to frighten him so badly that he had literally been frightened out of his skin; but he couldn't remember anything about it, and she was taking so much trouble to save him now that he quite forgave her. He nestled up against her, and said of course he liked her, and she stroked his curly head and mumbled a lot of things to herself that he couldn't understand a bit.
But