One of Ours. Уилла Кэсер
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with decision, "you may put down Claude Wheeler."
This announcement was met with groans and laughter.
"You don't mean it, Mother," the oldest son protested. "Poor old Claude wouldn't know what it was all about—and one stick can spoil a dinner party."
Mrs. Erlich shook her finger at him with conviction. "You will see; your cousin Wilhelmina will be more interested in that boy than in any of the others!"
Julius thought if she were not too strongly opposed she might still yield her point. "For one thing, Mother, Claude hasn't any dinner clothes," he murmured. She nodded to him. "That has been attended to, Herr Julius. He is having some made. When I sounded him, he told me he could easily afford it."
The boys said if things had gone as far as that, they supposed they would have to make the best of it, and the eldest wrote down "Claude Wheeler" with a flourish.
If the Erlich boys were apprehensive, their anxiety was nothing to Claude's. He was to take Mrs. Erlich to Madame Schroeder-Schatz's recital, and on the evening of the concert, when he appeared at the door, the boys dragged him in to look him over. Otto turned on all the lights, and Mrs. Erlich, in her new black lace over white satin, fluttered into the parlour to see what figure her escort cut.
Claude pulled off his overcoat as he was bid, and presented himself in the sooty blackness of fresh broadcloth. Mrs. Erlich's eyes swept his long black legs, his smooth shoulders, and lastly his square red head, affectionately inclined toward her. She laughed and clapped her hands.
"Now all the girls will turn round in their seats to look, and wonder where I got him!"
Claude began to bestow her belongings in his overcoat pockets; opera glasses in one, fan in another. She put a lorgnette into her little bag, along with her powder-box, handkerchief and smelling salts—there was even a little silver box of peppermint drops, in case she might begin to cough. She drew on her long gloves, arranged a lace scarf over her hair, and at last was ready to have the evening cloak which Claude held wound about her. When she reached up and took his arm, bowing to her sons, they laughed and liked Claude better. His steady, protecting air was a frame for the gay little picture she made.
The dinner party came off the next evening. The guest of honour, Madame Wilhelmina Schroeder-Schatz, was some years younger than her cousin, Augusta Erlich. She was short, stalwart, with an enormous chest, a fine head, and a commanding presence. Her great contralto voice, which she used without much discretion, was a really superb organ and gave people a pleasure as substantial as food and drink. At dinner she sat on the right of the oldest son. Claude, beside Mrs. Erlich at the other end of the table, watched attentively the lady attired in green velvet and blazing rhinestones.
After dinner, as Madame Schroeder-Schatz swept out of the dining room, she dropped her cousin's arm and stopped before Claude, who stood at attention behind his chair.
"If Cousin Augusta can spare you, we must have a little talk together. We have been very far separated," she said.
She led Claude to one of the window seats in the living-room, at once complained of a draft, and sent him to hunt for her green scarf. He brought it and carefully put it about her shoulders; but after a few moments, she threw it off with a slightly annoyed air, as if she had never wanted it. Claude with solicitude reminded her about the draft.
"Draft?" she said lifting her chin, "there is no draft here."
She asked Claude where he lived, how much land his father owned, what crops they raised, and about their poultry and dairy. When she was a child she had lived on a farm in Bavaria, and she seemed to know a good deal about farming and live-stock. She was disapproving when Claude told her they rented half their land to other farmers. "If I were a young man, I would begin to acquire land, and I would not stop until I had a whole county," she declared. She said that when she met new people, she liked to find out the way they made their living; her own way was a hard one.
Later in the evening Madame Schroeder-Schatz graciously consented to sing for her cousins. When she sat down to the piano, she beckoned Claude and asked him to turn for her. He shook his head, smiling ruefully.
"I'm sorry I'm so stupid, but I don't know one note from another."
She tapped his sleeve. "Well, never mind. I may want the piano moved yet; you could do that for me, eh?"
When Madame Schroeder-Schatz was in Mrs. Erlich's bedroom, powdering her nose before she put on her wraps, she remarked, "What a pity, Augusta, that you have not a daughter now, to marry to Claude Melnotte. He would make you a perfect son-in-law."
"Ah, if I only had!" sighed Mrs. Erlich.
"Or," continued Madame Schroeder-Schatz, energetically pulling on her large carriage shoes, "if you were but a few years younger, it might not yet be too late. Oh, don't be a fool, Augusta! Such things have happened, and will happen again. However, better a widow than to be tied to a sick man—like a stone about my neck! What a husband to go home to! and I a woman in full vigour. Jas ist ein Kreuz ich trage!" She smote her bosom, on the left side.
Having put on first a velvet coat, then a fur mantle, Madame Schroeder-Schatz moved like a galleon out into the living room and kissed all her cousins, and Claude Wheeler, good-night.
XI
One warm afternoon in May Claude sat in his upstairs room at the Chapins', copying his thesis, which was to take the place of an examination in history. It was a criticism of the testimony of Jeanne d'Arc in her nine private examinations and the trial in ordinary. The Professor had assigned him the subject with a flash of humour. Although this evidence had been pawed over by so many hands since the fifteenth century, by the phlegmatic and the fiery, by rhapsodists and cynics, he felt sure that Wheeler would not dismiss the case lightly.
Indeed, Claude put a great deal of time and thought upon the matter, and for the time being it seemed quite the most important thing in his life. He worked from an English translation of the Proces, but he kept the French text at his elbow, and some of her replies haunted him in the language in which they were spoken. It seemed to him that they were like the speech of her saints, of whom Jeanne said, "the voice is beautiful, sweet and low, and it speaks in the French tongue." Claude flattered himself that he had kept all personal feeling out of the paper; that it was a cold estimate of the girl's motives and character as indicated by the consistency and inconsistency of her replies; and of the change wrought in her by imprisonment and by "the fear of the fire."
When he had copied the last page of his manuscript and sat contemplating the pile of written sheets, he felt that after all his conscientious study he really knew very little more about the Maid of Orleans than when he first heard of her from his mother, one day when he was a little boy. He had been shut up in the house with a cold, he remembered, and he found a picture of her in armour, in an old book, and took it down to the kitchen where his mother was making apple pies. She glanced at the picture, and while she went on rolling out the dough and fitting it to the pans, she told him the story. He had forgotten what she said—it must have been very fragmentary—but from that time on he knew the essential facts about Joan of Arc, and she was a living figure in his mind. She seemed to him then as clear as now, and now as miraculous as then.
It was a curious thing, he reflected, that a character could perpetuate itself thus; by a picture, a word, a phrase, it could renew itself in every generation and be born over and over again in the minds of children. At that time he had never seen a map of France, and had a very poor opinion of any place farther away than Chicago; yet he was perfectly prepared for the legend of Joan of Arc, and often thought about her when he was bringing in his cobs in the evening, or when he was sent to the windmill for water and stood shaking in the cold while the chilled pump brought it slowly up. He pictured her then very much as he did now; about her figure there gathered a luminous cloud, like dust, with soldiers in it … the banner with lilies … a great church … cities with walls.
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