The Guerilla Chief, and Other Tales. Майн Рид
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I changed my weapon, dropping the sword at my feet, and drawing my revolver from its holster in my belt.
To cock the pistol, take aim, and pull the trigger, were three actions in one, the result being a crack, a flash, a cloud of smoke, a cry of commingled rage and pain; and succeeding to these sounds, a loud breaking among the bushes on the opposite side of the opening, as if some individual was making his way through the thicket, without staying to seek for a path, and with no other thought than to put space between himself and the form still recumbent upon the sward!
The latter I knew to be Carlos, or Calros, in the patois of his con-paisano. The fugitive was the salteador so lately threatening his life.
Had the murderer succeeded in his design? I saw his blade brandished aloft, as I drew my pistol from its holster. I had not seen the downward thrust; but, for all that, it might have been made.
With a heart brimful of anxiety, I ran across the glade. I say brimful of anxiety: for something, I could not tell what, had excited my sympathy for Calros Vergara.
Partly may it have been from hearing that speech off sombre but significant import—“Soy moriendo! Lola!—Lolita! a ver te nunca mas en este mundo!” and partly from admiration for a noble nature, that preferred even death to the disclosing of some secret, which might compromise the welfare of his beloved Dolores.
I thought no more of the robber, or his efforts to escape. My whole attention became devoted to the man whom he had marked out for his victim; and I made all haste to ascertain whether I had been successful in hindering his fell intent.
In a score of seconds I was standing by the side of the prostrate Jarocho, bending over his body. I held the pistol in my hand, my finger still pressing upon the trigger, just as after firing the shot that had disembarrassed him of his enemy.
“Are you safe?” I inquired, in the best Mexican-Spanish I could command. “He has not succeeded in—?”
“Strike, villain! through my heart, if you will. Ah! Dolores! Better my death, and yours—better far be in your grave than in the embrace of Ramon Rayas! O Santissima Madre!—I die—I die! Mother of God protect—Lola!—Lolita! quer-i-da herm …”
The last phrase was pronounced in a whisper, gradually growing so indistinct that I could not make certain of the final words, though with my ear close to the lips of the speaker.
His voice was no longer heard even in whispers.
I raised my head, and looked down upon the face of Calros Vergara. His lips moved no more. His eyes still open, and glistening under the light of the moon, seemed no longer to see, no more to mistake me for his enemy. He appeared to be dead.
Story 1, Chapter IV.
An Angel Voice.
For some seconds I hung over what I supposed to be an inanimate form; it was that of a mere youth, and fair to behold, as was also the face, which was conspicuously upturned to the light of the moon. Notwithstanding its deathly pallor, it exhibited a fine type of manly beauty. The features were regular, the complexion brown, the cheek soft and smooth, the upper lip darkly bedecked with the young growth of virility, the eye rotund and of noble expression, the forehead framed in a garland of glossy black hair, whose luxuriant curls drooped down upon each side of the full rounded throat—all these I saw at a single glance. I saw also a faultless figure, habited in the costume of a peasant rather than of a soldier, but a peasant of a peculiar people, the Jarochos. In the words lately proceeding from the lips of the unfortunate youth, I had recognised the patois of this people, and was not surprised at seeing a richly-embroidered shirt of the finest linen, neatly fitting over the young man’s breast, a sash of China crape around the waist, calzoneros of velveteen, with rows of bell-buttons, and boots with spurs attached, apparently of silver.
Striking and rich as was the costume, it was still only that of the Mexican peasant. A few peculiarities, such at; the hat of palm-sinnet, and the checked kerchief, that had covered the back part of the head, both lying near, denoted their ci-devant wearer to be a denizen of the coast lands—in short, a “Jarocho.”
These observations did not detain me, or only for a second of time, as I bent down over the prostrate form. My whole design was to examine the wound which I supposed to have been given by the robber, and which I really believed to have caused the Jarocho’s death.
To my astonishment, I could discover no wound, at least none that was fresh. There was a blotch of coagulated blood on the left thigh, darker in the centre as seen through the torn calzoneros; but this was from the wound received in battle.
Where was that just given by the sword of the Salteador? Certainly I saw stains of blood recently spilt. There were several spots upon the white linen shirt, besprinkling the plaits upon the bosom, and others upon the sleeves; also the cheeks of the youth showed a drop or two on their pallid ground.
Whence had these blood-drops proceeded?
I could not guess. I could discover no recent stab on the Jarocho’s body, not a scratch to account for them!
Had the robber, after all, failed in his fatal thrust? Had the death of his intended victim been caused by the shot-wound in the thigh, hastened by the terror of that horrid threat?
While thus conjecturing, my eye fell upon an object glancing through the grass. I stooped down and took it up. It was a macheté—half sword, half hunting-knife—to be met with in every Mexican house, or seen hanging on the hip of every Mexican cavallero.
Was it the weapon of the wounded man, or that I had lately seen in the hand of his enemy?
I took it up to examine it. The blade was bright: not a speck appeared on its polished surface!
Between my fingers, as they grasped the hilt of riveted horn, I felt something wet. Was it dew from the grass?
No. The moonlight fell upon something darker than dew. Both the haft of the weapon and my fingers encircling it were red as rubies. It was blood, and fresh from the veins of a human being!
As it could not be the blood of Calros, I concluded it must be that of Ramon Rayas. My bullet must have been true to its aim.
While thus occupied with conjectures, a new voice fell upon my ear, as different from either of those lately listened to as music from the rudest noise.
“Calros! dear Calros!” called the voice, “was it you I heard? Speak, Calros! valga me Dios! That shot! Surely it was not for him? No—no—I heard him speaking after it. Calros! Answer me, if you are near. It is I who call—I, your own Lola!”
Had it been the voice of an angel coming out of the chapparal, or from the sky above it could not have sounded sweeter, nor thrilled me with a stranger impulse.
For some seconds I remained irresolute as to what answer should be made to the pathetic appeal. I hesitated to apprise the speaker of the presence of Calros. Only his body was present; his spirit was not there!
What a sad spectacle for the eye of the loved Dolores—the loving Dolores—how could I doubt it? Looking upon the handsome Jarocho—graceful even in the attitude of death—I could not wonder at the earnestness of that feminine voice, pronouncing him her “querido Calros.”
Once more it fell upon my ear, continuing the passionate appeal.
“Calros! O Calros! Why do you not answer me? It is Lola—your own Lola!”
“Lola!” I responded, yielding to an irresistible emotion, “this way; come this way! Calros is here.”
An exclamatory phrase, expressing gratitude to the “Mother of God,” was heard in response; and quickly following the words, a female form, fair