My Friend Prospero. Harland Henry
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manner of dressing? The light colours and jaunty fashion of her gowns? Her laces, ruffles, embroideries? Her gay little bonnets? Her gems? Linda Baroness Blanchemain, of Fring Place, Sussex; Belmore Gardens, Kensington; and Villa Antonina, San Remo: big, merry, sociable, sentimental, worldly-wise, impetuous Linda Blanchemain: do you know her? If you do, I am sure you love her and rejoice in her; and enough is said. If you don't, I beg leave to present and to commend her.
I spoke, by the bye, of her "old" face, her "old" eyes. She is, to be sure, in so far as mere numbers of years tell, an old woman. But I once heard her throw out, in the heat of conversation, the phrase, "a young old thing like me;" and I thought she touched a truth.
III
Well, then, the footman, in his masterful way, pulled the bell-cord; Lady Blanchemain contemplated the landscape, and had her opinion of a generation that could liken it to the drop-scene of a theatre; and in due process of things the bell was answered.
It was answered by a man in a costume that struck my humorous old friend as pleasing: a sallow little man whose otherwise quite featureless suit of tweeds was embellished by scarlet worsted shoulder-knots. With lack-lustre eyes, from behind the plexus of the grille, he rather stolidly regarded the imposing British equipage, and waited to be addressed.
Lady Blanchemain addressed him in the language of Pistoja. Might one, she inquired, with her air of high affability, in her distinguished old voice, might one visit the castle?—a question purely of convention, for she had not come hither without an assurance from her guide-book.
Shoulder-knots, however—either to flaunt his attainments, or because indeed Pistoiese (what though the polyglot races of Italy have agreed upon it as a lingua franca) offered the greater difficulties to his Lombardian tongue—replied in French.
"I do not think so, Madame," was his reply, in a French sufficiently heavy and stiff-jointed, enforced by a dubious oscillation of the head.
Lady Blanchemain's black eyebrows shot upwards, marking her surprise; then drew together, marking her determination.
"But of course one can—it's in the guide-book," she insisted, and held up the red-bound volume.
The sceptic gave a shrug, as one who disclaimed responsibility and declined discussion.
"Me, I do not think so. But patience! I will go and ask," he said; and, turning his back, faded from sight in the depths of the dark tunnel-like porte-cochère.
Vexed, perplexed, Lady Blanchemain fidgeted a little. To have taken this long drive for nothing!—sweet though the weather was, fair though the valley: but she was not a person who could let the means excuse the end. She neither liked nor was accustomed to see her enterprises balked—to see doors remain closed in her face. Doors indeed had a habit of flying open at her approach. Besides, the fellow's manner—his initial stare and silence, his tone when he spoke, his shrug, his exhortation to patience, and something too in the conduct of his back as he departed—hadn't it lacked I don't know what of becoming deference? to satisfy her amour-propre, at any rate, that the mistake, if there was a mistake, sprang from no malapprehension of her own, she looked up chapter and verse. Yes, there the assurance stood, circumstantial, in all the convincingness of the sturdy, small black type:—
"From Roccadoro a charming excursion may be made, up the beautiful Val Rampio, to the mediæval village of Sant' Alessina (7 miles), with its magnificent castle, in fine grounds, formerly a seat of the Sforzas, now belonging to the Prince of Zelt-Neuminster, and containing the celebrated Zelt-Neuminster collection of paintings. Incorporated in the castle buildings, a noticeable peculiarity, are the parish church and presbytery. Accessible daily, except Monday, from 10 to 4; attendant 1 fr."
So then! To-day was Wednesday, the hour between two and three. So—! Her amour-propre triumphed, but I fancy her vexation mounted. …
IV
"I beg your pardon. It's disgraceful you should have been made to wait. The porter is an idiot. You wish, of course, to see the house—?"
The English words, on a key of spontaneous apology, with a very zealous inflection of concern—yet, at the same time, with a kind of entirely respectful and amiable abruptness, as of one hailing a familiar friend—were pronounced in a breath by a brisk, cheerful, unmistakably English voice.
Lady Blanchemain, whose attention had still been on the incriminated page, looked quickly up, and (English voice and spontaneous apology notwithstanding) I won't vouch that the answer at the tip of her impulsive tongue mightn't have proved a hasty one—but the speaker's appearance gave her pause: the appearance of the tall, smiling, unmistakably English young man, by whom Shoulder-knots had returned accompanied, and who now, having pushed the grille ajar and issued forth, stood, placing himself with a tentative obeisance at her service, beside the carriage: he was so clearly, first of all—what, if it hadn't been for her preoccupation, his voice, tone, accent would have warned her to expect—so visibly a gentleman; and then, with the even pink of his complexion, his yellowish hair and beard, his alert, friendly, very blue blue eyes—with his very blue blue flannels too, and his brick-red knitted tie—he was so vivid and so unusual.
His appearance gave her a pause; and in the result she in her turn almost apologized.
"This wretched book," she explained, pathetically bringing forward her pièce justificative, "said that it was open to the public."
The vivid young man hastened to put her in the right.
"It is—it is," he eagerly affirmed. "Only," he added, with a vaguely rueful modulation, and always with that amiable abruptness, as a man very much at his ease, while his blue eyes whimsically brightened, "only the blessed public never comes—we're so off the beaten path. And I suppose one mustn't expect a Scioccone"—his voice swelled on the word, and he cast sidelong a scathing glance at his summoner—"to cope with unprecedented situations. Will you allow me to help you out?"
"Ah," thought Lady Blanchemain, "Eton," his tone and accent now nicely appraised by an experienced ear. "Eton—yes; and probably—h'm? Probably Balliol," her experience led her further to surmise. But what—with her insatiable curiosity about people, she had of course immediately begun to wonder—what was an Eton and Balliol man doing, apparently in a position of authority, at this remote Italian castle?
V
He helped her out, very gracefully, very gallantly; and under his guidance she made the tour of the vast building: its greater court and lesser court; its cloisters, with their faded frescoes, and their marvellous outlook, northwards, upon the Alps; its immense rotunda, springing to the open dome, where the sky was like an inset plaque of turquoise; its "staircase of honour," guarded, in an ascending file, by statues of men in armour; and then, on the piano nobile, its endless chain of big, empty, silent, splendid state apartments, with their pavements of gleaming marble, in many-coloured patterns, their painted and gilded ceilings, tapestried walls, carved wood and moulded stucco, their pictures, pictures, pictures, and their atmosphere of stately desolation, their memories of another age, their reminders of the power and pomp of people who had long been ghosts.
He was tall (with that insatiable curiosity of hers, she was of course continuously studying him), tall and broad-shouldered, but not a bit rigid or inflexible—of a figure indeed conspicuously supple, suave in its quick movements, soft in its energetic lines, a figure that could with equal thoroughness be lazy in repose and vehement in action. His yellow hair was thick and fine, and if it hadn't been cropped so close would have curled a little.