The Celebrated Short Stories of Guy de Maupassant: 100+ Classic Tales in One Edition. Guy de Maupassant
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his guests until the next day, but he did not succeed, for she never joked when there was business on hand, and as soon as they had had their coffee she ordered her girls to make haste and get ready, and then, turning to her brother, she said:
“You must put in the horse immediately,” and she herself went to finish her last preparations.
When she came down again, her sister-in-law was waiting to speak to her about the child, and a long conversation took place, in which, however, nothing was settled. The carpenter’s wife was artful and pretended to be very much affected, and Madame Tellier, who was holding the girl on her knee, would not pledge herself to anything definite, but merely gave vague promises — she would not forget her, there was plenty of time, and besides, they would meet again.
But the conveyance did not come to the door and the women did not come downstairs. Upstairs they even heard loud laughter, romping, little screams, and much clapping of hands, and so, while the carpenter’s wife went to the stable to see whether the cart was ready, madame went upstairs.
Rivet, who was very drunk, was plaguing Rosa, who was half choking with laughter. Louise and Flora were holding him by the arms and trying to calm him, as they were shocked at his levity after that morning’s ceremony; but Raphaele and Fernande were urging him on, writhing and holding their sides with laughter, and they uttered shrill cries at every rebuff the drunken fellow received.
The man was furious, his face was red, and he was trying to shake off the two women who were clinging to him, while he was pulling Rosa’s skirt with all his might and stammering incoherently.
But Madame Tellier, who was very indignant, went up to her brother, seized him by the shoulders, and threw him out of the room with such violence that he fell against the wall in the passage, and a minute afterward they heard him pumping water on his head in the yard, and when he reappeared with the cart he was quite calm.
They started off in the same way as they had come the day before, and the little white horse started off with his quick, dancing trot. Under the hot sun, their fun, which had been checked during dinner, broke out again. The girls now were amused at the jolting of the cart, pushed their neighbors’ chairs, and burst out laughing every moment.
There was a glare of light over the country, which dazzled their eyes, and the wheels raised two trails of dust along the highroad. Presently, Fernande, who was fond of music, asked Rosa to sing something, and she boldly struck up the “Gros Cure de Meudon,” but Madame Tellier made her stop immediately, as she thought it a very unsuitable song for such a day, and she added:
“Sing us something of Beranger’s.” And so, after a moment’s hesitation, Rosa began Beranger’s song “The Grandmother” in her worn-out voice, and all the girls, and even Madame Tellier herself, joined in the chorus:
“How I regret
My dimpled arms,
My nimble legs,
And vanished charms.”
“That is first rate,” Rivet declared, carried away by the rhythm, and they shouted the refrain to every verse, while Rivet beat time on the shaft with his foot, and with the reins on the back of the horse, who, as if he himself were carried away by the rhythm, broke into a wild gallop, and threw all the women in a heap, one on top of the other, on the bottom of the conveyance.
They got up, laughing as if they were mad, and the Gong went on, shouted at the top of their voices, beneath the burning sky, among the ripening grain, to the rapid gallop of the little horse, who set off every time the refrain was sung, and galloped a hundred yards, to their great delight, while occasionally a stone-breaker by the roadside sat up and looked at the load of shouting females through his wire spectacles.
When they got out at the station, the carpenter said:
“I am sorry you are going; we might have had some good times together.” But Madame Tellier replied very sensibly: “Everything has its right time, and we cannot always be enjoying ourselves.” And then he had a sudden inspiration:
“Look here, I will come and see you at Fecamp next month.” And he gave Rosa a roguish and knowing look.
“Come,” his sister replied, “you must be sensible; you may come if you like, but you are not to be up to any of your tricks.”
He did not reply, and as they heard the whistle of the train, he immediately began to kiss them all. When it came to Rosa’s turn, he tried to get to her mouth, which she, however, smiling with her lips closed, turned away from him each time by a rapid movement of her head to one side. He held her in his arms, but he could not attain his object, as his large whip, which he was holding in his hand and waving behind the girl’s back in desperation, interfered with his movements.
“Passengers for Rouen, take your seats!” a guard cried, and they got in. There was a slight whistle, followed by a loud whistle from the engine, which noisily puffed cut its first jet of steam, while the wheels began to turn a little with a visible effort, and Rivet left the station and ran along by the track to get another look at Rosa, and as the carriage passed him, he began to crack his whip and to jump, while he sang at the top of his voice:
“How I regret
My dimpled arms,
My nimble legs,
And vanished charms.”
And then he watched a white pocket-handkerchief, which somebody was waving, as it disappeared in the distance.
PART III
They slept the peaceful sleep of a quiet conscience, until they got to Rouen, and when they returned to the house, refreshed and rested, Madame Tellier could not help saying:
“It was all very well, but I was longing to get home.”
They hurried over their supper, and then, when they had put on their usual evening costume, waited for their regular customers, and the little colored lamp outside the door told the passersby that Madame Tellier had returned, and in a moment the news spread, nobody knew how or through whom.
Monsieur Philippe, the banker’s son, even carried his friendliness so far as to send a special messenger to Monsieur Tournevau, who was in the bosom of his family.
The fish curer had several cousins to dinner every Sunday, and they were having coffee, when a man came in with a letter in his hand. Monsieur Tournevau was much excited; he opened the envelope and grew pale; it contained only these words in pencil:
“The cargo of cod has been found; the ship has come into port; good business for you. Come immediately.”
He felt in his pockets, gave the messenger two sons, and suddenly blushing to his ears, he said: “I must go out.” He handed his wife the laconic and mysterious note, rang the bell, and when the servant came in, he asked her to bring him has hat and overcoat immediately. As soon as he was in the street, he began to hurry, and the way seemed to him to be twice as long as usual, in consequence of his impatience.
Madame Tellier’s establishment had put on quite a holiday look. On the ground floor, a number of sailors were making a deafening noise, and Louise and Flora drank with one and the other, and were being called for in every direction at once.
The upstairs room was full by nine o’clock. Monsieur Vasse, the Judge of the Tribunal of Commerce, Madame Tellier’s regular but Platonic wooer, was talking to her in a corner in a low voice, and they were both smiling, as if they were about to come to an understanding.
Monsieur Poulin, the ex-mayor, was talking to Rosa, and she was running her hands through the old gentleman’s white whiskers.
Tall Fernande was on the sofa, her feet on the coat of Monsieur Pinipesse, the tax collector, and leaning back against young Monsieur Philippe, her right arm around his neck, while she held a cigarette in her left hand.