The Celebrated Short Stories of Guy de Maupassant: 100+ Classic Tales in One Edition. Guy de Maupassant

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The Celebrated Short Stories of Guy de Maupassant: 100+ Classic Tales in One Edition - Guy de Maupassant


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As for the young man, he was astonished at the consideration which they suddenly seemed to show toward him; above all, he failed to comprehend the marked attentions, the manifest favor, and the species of mute gratitude which the mistress of the house bestowed on him.

      It appears, however, that he eventually found out.

      At what moment, in what place, was the revelation made to him? Nobody could tell; but, when he again presented himself at the reception, he had a preoccupied air, almost a shamefaced look, and he cast around him a glance of uneasiness.

      The bell rang for tea. The manservant appeared. Madame Anserre, with a smile, seized the dish, casting a look about her for her young friend; but he had fled so precipitately that no trace of him could be seen any longer. Then, she went looking everywhere for him, and ere long she discovered him in the Salon of the Agriculturists. With his arm locked in that of the husband, he was consulting that gentleman as to the means employed for destroying phylloxera.

      “My dear Monsieur,” she said to him, “will you be so kind as to cut this cake for me?”

      He reddened to the roots of his hair, and hanging down his head, stammered out some excuses. Thereupon M. Anserre took pity on him, and turning toward his wife, said:

      “My dear, you might have the goodness not to disturb us. We are talking about agriculture. So get your cake cut by Baptiste.”

      And since that day nobody has ever cut Madame Anserre’s cake.

      Table of Contents

      Admiral de la Vallee, who seemed to be half asleep in his armchair, said in a voice which sounded like an old woman’s:

      “I had a very singular little love adventure once; would you like to hear it?”

      He spoke from the depths of his great chair, with that everlasting dry, wrinkled smile on his lips, that smile à la Voltaire, which made people take him for a terrible skeptic.

      Table of Contents

      I was thirty years of age and first lieutenant in the navy, when I was intrusted with an astronomical expedition to Central India. The English Government provided me with all the necessary means for carrying out my enterprise, and I was soon busied with a few followers in that strange, surprising, prodigious country.

      It would take me ten volumes to relate that journey. I went through wonderfully magnificent regions, and was received by strangely handsome princes, who entertained me with incredible magnificence. For two months it seemed to me as if I were walking in a poem, and that I was going about in a fairy kingdom, on the back of imaginary elephants. In the midst of wild forests I discovered extraordinary ruins, delicate and chiseled like jewels, fine as lace and enormous as mountains, those fabulous, divine monuments which are so graceful that one falls in love with their form like one falls in love with a woman, and that one feels a physical and sensual pleasure in looking at them. As Victor Hugo says, “Whilst wideawake, I was walking in a dream.”

      Towards the end of my journey I reached Ganhard, which was formerly one of the most prosperous towns in Central India, but is now much decayed and governed by a wealthy, arbitrary, violent, generous, and cruel prince. His name is Rajah Maddan, a true Oriental potentate, delicate and barbarous, affable and sanguinary, combining feminine grace with pitiless ferocity.

      The city lies at the bottom of a valley, on the banks of a little lake which is surrounded by pagodas, which bathe their walls in the water.

      At a distance the city looks like a white spot which grows larger as one approaches it, and by degrees one discovers the domes and spires, all the slender and graceful summits of Indian monuments.

      At about an hour’s distance from the gates, I met a superbly caparisoned elephant, surrounded by a guard of honor which the sovereign had sent me, and I was conducted to the palace with great ceremony.

      I should have liked to have taken the time to put on my gala uniform, but royal impatience would not admit of it. He was anxious to make my acquaintance, to know what he might expect from me, and then he would see.

      I was introduced into a great hall surrounded by galleries, in the midst of bronze-colored soldiers in splendid uniforms, while all about were standing men dressed in striking robes studded with precious stones.

      I saw a shining mass, a kind of sitting sun reposing on a bench like our garden benches, without a back; it was the rajah who was waiting for me, motionless, in a robe of the purest canary color. He had some ten or fifteen million francs worth of diamonds on him, and by itself, on his forehead glistened the famous star of Delhi, which has always belonged to the illustrious dynasty of the Pariharas of Mundore, from whom my host was descended.

      He was a man of about five-and-twenty, who seemed to have some negro blood in his veins, although he belonged to the purest Hindoo race. He had large, almost motionless, rather vague eyes, fat lips, a curly beard, low forehead, and dazzling sharp white teeth, which he frequently showed with a mechanical smile. He got up and gave me his hand in the English fashion, and then made me sit down beside him on a bench which was so high that my feet hardly touched the ground, and I was very uncomfortable on it.

      He immediately proposed a tiger hunt for the next day; war and hunting were his chief occupations, and he could hardly understand how one could care for anything else. He was evidently fully persuaded that I had only come all that distance to amuse him a little, and to be the companion of his pleasures.

      As I stood greatly in need of his assistance, I tried to flatter his tastes, and he was so pleased with me that he immediately wished to show me how his trained boxers fought, and he led the way into a kind of arena situated within the palace.

      At his command two naked men appeared, their hands covered with steel claws. They immediately began to attack each other, trying to strike one another with this sharp weapon, which left long cuts, from which the blood flowed freely down their dark skin.

      It lasted for a long time, till their bodies were a mass of wounds, and the combatants were tearing each other’s flesh with this sort of rake made of pointed blades. One of them had his jaw smashed, while the ear of the other was split into three pieces.

      The prince looked on with ferocious pleasure, uttered grunts of delight, and imitated all their movements with careless gestures, crying out constantly:

      “Strike, strike hard!”

      One fell down unconscious, and had to be carried out of the arena, covered with blood, while the rajah uttered a sigh of regret because it was over so soon.

      He turned to me to know my opinion; I was disgusted, but I congratulated him loudly. He then gave orders that I was to be conducted to Couch-Mahal (the palace of pleasure), where I was to be lodged.

      This bijou palace was situated at the extremity of the royal park, and one of its walls was built into the sacred lake of Vihara. It was square, with three rows of galleries with colonnades of most beautiful workmanship. At each angle there were light, lofty or low towers, standing either singly or in pairs: no two were alike, and they looked like flowers growing out of that graceful plant of Oriental architecture. All were surmounted by fantastic roofs, like coquettish ladies’ caps.

      In the middle of the edifice a large dome raised its round cupola like a large white woman’s breast, beside a beautiful clock-tower.

      The whole building was covered with sculpture from top to bottom, with those exquisite arabesques which delight the eye, of motionless processions of delicate figures whose attitudes and gestures in stone told the story of Indian manners and customs.

      The rooms were lighted by windows with dentelated arches, looking on to the gardens. On the marble floor were designs of graceful bouquets in onyx, lapis-lazuli,


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