My Lord Duke. E. W. Hornung
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lady who had never heard of him; and my Lords and Ladies (whose carriages half-filled the Square) with the very least of these. It was wonderful to see them together; it was a solemn thought, but yet a fact, that their heavenly behaviour was due simply and entirely to the administrative genius of Lady Caroline Sellwood.
The Home Secretary hated the Wednesdays; he was the one person who did; and he only hated them because they were Wednesdays—and from the period of his elderly infatuation for golf. It was his great day for a round; and Lady Caroline had to make his excuses every week when it was fine. This was another thing which her Ladyship did beautifully. She would say, with a voice full of sympathy, equally divided between those mutual losers, her guest and her husband, that poor dear George had to address such and such a tiresome deputation; when, as a matter of fact, he was "addressing" his golf-hall on Wimbledon Common, and enjoying himself exceedingly. Now, among other Wednesdays, the Home Secretary was down at Wimbledon (with a prominent member of the Opposition) on the afternoon following the arrival in London of the ninth Duke of St. Osmund's; and Mr. Sellwood never knew whether to pity his wife, or to congratulate himself, on his absence from her side on that occasion.
One of their constant ornaments, Claude Lafont, had been forced to eschew these Wednesdays of late weeks. Lady Caroline Sellwood had never been quite the same to him since the Easter Recess. She had treated him from that time with a studied coolness quite inexplicable to his simple mind; and finally, at Lady Darlingford's, she had been positively rude. Claude, of course, had gone there expressly to prepare Lady Caroline for the new Duke. This he conceived to be his immediate duty, and he attempted to perform it, in the kindliest spirit imaginable, with all the tact at his command. Lady Caroline declined to hear him out. She chose to put a sinister construction upon his well-meant words, and to interrupt them with the announcement that she intended, with Claude's permission, to judge the Duke for herself. Was he married? Ha! then where was he to be found? Claude told her, was coldly thanked, and went home to writhe all that Tuesday night under the mortification of his kinswoman's snub.
Yet, on the Wednesday afternoon, Claude Lafont not only went to the Sellwoods' as though nothing had happened, but he was there before the time. And Lady Caroline was not only amazed, but (for the first time since Easter) really pleased to see him: for already she had been given cause to regret her insolent disregard of him overnight at Lady Darlingford's. She was even composing an apology when the whiteness of Claude's face brought her thoughts to a standstill.
"Have you seen him?" he cried, as they met.
"The Duke?"
"Yes—haven't you seen him this morning?"
"No, indeed! Haven't you?"
Claude sat down with a groan, shaking his head, and never seeing the glittering, plump, outstretched hand.
"Haven't you?" repeated Lady Caroline, sitting down herself.
"Not this morning. I made sure he would come here!"
"So he ought to have done. I asked him to lunch. The note was written and posted the instant we came in from the Darlingfords'. Claude, I wasn't nice to you there! Can you forgive me? I thought you were prejudiced. My dreadful temper rose in arms on the side of the absent man; it always was my great weakness rightly or wrongly to take the part of those who aren't there to stick up for themselves!"
Her great weakness was of quite another character, but Claude bowed. He was barely listening.
"I've lost him," he said, looking at Lady Caroline, with a rolling eye. "He's disappeared."
"Never!"
"This morning," said Claude. "I did so hope he was here!"
"He sent no answer, not one word, and he never came. Who saw him last?"
"The hotel people, early this morning. It seems he ordered a horse for seven o'clock, shortly after I left him last night. So they got him one, and off he went before breakfast in the flannel collar and the outrageous bush wideawake in which he landed. And he's never come back."
A change came over Lady Caroline Sellwood. She drew her chair a little nearer, and she favoured Claude Lafont with a kindlier glance than he had had from her since Easter.
"Something may have happened," whispered Lady Caroline hopefully.
"That's just it. Something must have happened."
"But something dreadful! Only last season there was a man killed in the Row! Was he—a very rough diamond, Claude?"
"Very."
Lady Caroline sighed complacently.
"But you can't help liking him," hastily added Claude, "and I hope to goodness nothing serious is the matter!"
"Of course, so do I. That goes without saying."
"Nor is he at all a likely man to be thrown. He has lived his life in the saddle. By the way, he brought his own old bush-saddle with him, and it appears that he insisted on riding out in that too."
"You see, Claude, it's a pity you didn't leave him in the bush; he's evidently devoted to it still."
"He is—that's the trouble; he has already spoken of bolting back there. My fear is that he may even now be suiting the action to the word."
"Don't tell me that," said Lady Caroline, whose head was still full of her first theory.
"It's what I fear; he's just the sort of fellow to go back by the first boat, if the panic took him. He showed signs of a panic last night. You see, he's only just beginning to realise what his position here will mean. And it frightens him; it may have frightened him out of our sight once and for all."
Lady Caroline shook her head.
"My fear is that he has broken his neck! And if he has, depend upon it, sad as it would be, it would still be for the best. That's what I always say: everything is for the best," repeated Lady Caroline, pensively gazing at Claude's handsome head. "However," she added, as the door opened, "here's Olivia; go and ask her what she thinks. I am prepared for the worst. And pray stop, dear Claude, and let us talk the matter over after the others have gone. We may know the worst by that time. And we have seen nothing of you this season!"
Olivia looked charming. She was also kind to Claude. But she entirely declined to embrace her mother's dark view of the Duke's disappearance. On the other hand, she was inconveniently inquisitive about his looks and personality, and Claude had to say many words for his cousin before he could get in one for himself. However, he did at length contrive to speak of his new volume of poems. It was just out. He was having a copy of the exceedingly limited large-paper edition specially bound in vellum for Olivia's acceptance. Olivia seemed pleased, and apart from his anxiety Claude had not felt so happy for weeks. They were allowed to talk to each other until the rooms began to fill.
It was a very good Wednesday; but then the season was at its height. The gathering comprised the usual measure of interesting and interested persons, and the former had made their names upon as many different fields as ever. Claude had a chat with his friend, Edmund Stubbs, a young man with an unhealthy skin and a vague reputation for immense cleverness. They spoke of the poems. Stubbs expressed a wish to see the large-paper edition, which was not yet for sale, as did Ivor Llewellyn, the impressionist artist, who was responsible for the "decorations" in most volumes of contemporary minor verse, Claude's included. Claude was injudicious enough to invite both men to his rooms that night. The Impressionist was the most remarkable-looking of all Lady Caroline's guests. He wore a curled fringe and a flowing tie, and pince-nez attached to his person by a broad black ribbon. His pale face was prematurely drawn, and he showed his gums in a deathly grin at the many hard things which Stubbs muttered at the expense of all present whom he knew by sight. Claude had a high opinion of both these men, but for once he was scarcely in tune for their talk, which was ever at a sort of artistic-intellectual concert-pitch. The Duke was to be forgotten in the society of Olivia only. Claude therefore edged away, trod on the skirts of a titled divorcée, got jammed between an Irish member and a composer of comic songs, and was finally engaged in conversation by the