John Muir: Wilderness Essays, Environmental Studies, Memoirs & Letters (Illustrated Edition). John Muir
Читать онлайн книгу.
while the pines anchored in the fissures of the rocks are so dwarfed and shorn by storm-winds you may walk over the tops of them as if on a shaggy rug. The scene was one of the most desolate in tone I ever beheld. But the darkest scriptures of the mountains are illumined with bright passages of Nature's eternal love and they never fail to manifest themselves when one is alone. I made my bed in a nook of the pine thicket where the branches were pressed and crinkled overhead like a roof, and bent down on the sides. These are the best bed-chambers the Sierra affords, snug as squirrel-nests, well-ventilated, full of spicy odors, and with plenty of wind-played needles to sing one asleep. I little expected company in such a place, but creeping in through a low opening I found five or six small birds nestling among the tassels. The night wind begins to blow soon after dark, at first only a gentle breathing, but increasing toward midnight to a gale in strength, that fell on my leafy roof in rugged surges like a cascade, while the waterfall sang in chorus, filling the old ice-fountain with its solemn roar, and seeming to increase in power as the night advanced--fit voice for such a landscape. How glorious a greeting the sun gives the mountains! To behold this alone is worth the pains of any excursion a thousand times over. The highest peaks bum like islands in a sea of liquid shade. Then the lower peaks and spires catch the glow, and the long lances of light streaming through many a notch and pass, fall thick on the frosty meadows. The whole mountain world awakes. Frozen rills begin to flow. The marmots come out of their nests beneath the boulders and climb sunny rocks to bask. The lakes seen from every ridge-top shimmer with white spangles like the glossy needles of the low tasselled pines. The rocks, too, seem responsive to the vital sun-heat, rock-crystals and snow-crystals throbbing alike. Thrilled and exhilarated one strides onward in the crisp bracing air as if never more to feel fatigue, limbs moving without effort, every sense unfolding and alert like the thawing flowers to take part in the new day harmony.
All along your course thus far, excepting while crossing the canyons, the landscapes are open and expansive. On your left the purple plains of Mono repose dreamy and warm. On your right and in front, the near Alps spring keenly into the thin sky with more and more impressive sublimity.
But these larger views are at length lost. Rugged spurs and moraines and huge projecting buttresses begin to shut you in, until arriving at the summit of the dividing ridge between the head waters of Rush Creek and the northmost tributaries of the San Joaquin, a picture of pure wildness is disclosed, far surpassing every other you have yet seen.
There, immediately in front, looms the majestic mass of Mt. Ritter, with a glacier swooping down its face nearly to your feet, then curving, westward and pouring its frozen flood into a blue-green lake whose shores are bound with precipices of crystalline snow, while a deep chasm drawn between the divide and the glacier separates the sublime picture from everything else. Only the one huge mountain in sight, the one glacier, and one lake; the whole veiled with one blue shadow--rock, ice, and water, without a single leaf. After gazing spell-bound you begin instinctively to scrutinize every notch and gorge and weathered buttress of the mountain with reference to making the ascent. The entire front above the glacier appears as one tremendous precipice, slightly receding at the top and bristling with comparatively short spires and pinnacles set above one another in formidable array. Massive lichen-stained battlements stand forward, here and there hacked at the top with angular notches and separated by frosty gullies and recesses that have been veiled in shadow ever since their creation, while to right and left, far as the eye can reach, are huge crumbling buttresses offering no invitation to the climber. The head of the glacier sends up a few fingerlike branches through couloirs, but these are too steep and short to be available, and numerous narrow-throated gullies down which stones and snow are avalanched seem hopelessly steep, besides being interrupted by vertical cliffs past which no side way is visible. The whole is rendered still more terribly forbidding by the chill shadow, and the gloomy blackness of the rocks, and the dead silence relieved only by the murmur of small rills among the crevasses of the glacier, and ever and anon the rattling report of falling stones. Nevertheless the mountain may be climbed from this side, but only tried mountaineers should think of making the attempt.
Near the eastern extremity of the glacier you may discover the mouth of an avalanche gully, whose general course lies oblique to the plane of the front, and the metamorphic slates of which the mountain is built are cut by cleavage planes in such a way that they weather off in angular blocks, giving rise to irregular steps that greatly facilitate climbing on the steepest places. Thus you make your way into a wilderness of crumbling spires and battlements built together in bewildering combinations, and glazed in many places with a thin coating of ice, which must be removed from your steps; while so steep is the entire ascent one would inevitably fall to the glacier in case a single slip should be made.
Towards the summit the face of the mountain is still more savagely hacked and torn. It is a maze of yawning chasms and gullies, in the angles of which rise beetling crags and piles of detached boulders, made ready, apparently, to be launched below. The climbing is, however, less dangerous here, and after hours of strained, nerve-trying climbing, you at length stand on the topmost crag, out of the shadow in the blessed light. How truly glorious the landscape circled this noble summit! Giant mountains, innumerable valleys, glaciers, and meadows, rivers and lakes, with the dark blue sky bent tenderly over them all.
Looking southward along the axis of the range, the eye is first caught by a row of exceedingly sharp and slender spires, which rise openly to a height of about a thousand feet from a series of short glaciers that lean back against their bases, their fantastic sculpture and the unrelieved sharpness with which they spring out of the ice rendering them peculiarly wild and striking. These are the Minarets. Beyond them you behold the highest mountains of the range, their snowy summits crowded together in lavish abundance, peak beyond peak, aspiring higher, and higher as they sweep on southward, until the culminating point is reached in Mount Whitney near the head of the Kern River, at an elevation of nearly 15,000 feet above the level of the sea.
Westward the general flank of the range is seen flowing grandly away in smooth undulations, a sea of grey granite waves, dotted with lakes and meadows, and fluted with stupendous canyons that grow steadily deeper as they recede in the distance.
Below this grey region lie the dark forests, broken here and there by upswelling ridges and domes; and yet beyond is a yellow, hazy belt marking the broad plain of the San Joaquin, bounded on its farther side by the blue mountains of the coast. Turning now to the northward, there in the immediate foreground is the Sierra Crown, with Cathedral Peak a few degrees to the left, the grey, massive form of Mammoth Mountain to the right, 13,000 feet high, and Mounts Ord, Gibbs, Dana, Conness, Tower Peak, Castle Peak, and Silver Mountain, stretching away in the distance, with a host of noble companions that are as yet nameless.
To the eastward the whole region seems a land of pure desolation covered with beautiful light. The hot volcanic basin of Mono, with its lake fourteen miles long, Owens Valley, and the wide table land at its head dotted with craters, and the Inyo Mountains; these are spread map-like beneath you, with many of the short ranges of the Great Basin passing and overlapping each other and fading on the glowing horizon.
At a distance of less than 3,000 feet below the summit you see the tributaries of the San Joaquin and Owens Rivers bursting forth from their sure fountains of ice, while a little to the north of here are found the highest affluents of the Tuolumne and Merced. Thus the fountain heads of four of the principal rivers of California are seen to lie within a radius of four or five miles.
Lakes, the eyes of the wilderness, are seen gleaming in every direction round, or square, or oval like very mirrors; others narrow and sinuous, drawn close about the peaks like silver girdles; the highest reflecting only rock and snow and sky. But neither these nor the glaciers, nor yet the brown bits of meadow and moorland that occur here and there, are large enough to make any marked impression upon the mighty host of peaks. The eye roves around the vast expanse rejoicing in so grand a freedom, yet returns again and again to the fountain mountains. Perhaps some one of the multitude excites special attention, some gigantic castle with turret and battlement, or gothic cathedral more lavishly spired than any ever chiselled by art. But generally, when looking for the first time from an all-embracing standpoint like this, the inexperienced observer is oppressed by the incomprehensible grandeur of the peaks crowded about him, and it is only after they have been studied long and lovingly that their far-reaching harmonies