Masterpieces of Mystery in Four Volumes: Mystic-Humorous Stories. Various
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My parents were surprised at my apparent want of progress in my medical studies (I had not attended one lecture since my arrival in the city), and the expenses of my mad pursuit had been so great as to embarrass me very seriously.
I was in this frame of mind one day, experimenting in my laboratory on a small diamond—that stone, from its great refracting power, having always occupied my attention more than any other—when a young Frenchman, who lived on the floor above me, and who was in the habit of occasionally visiting me, entered the room.
I think that Jules Simon was a Jew. He had many traits of the Hebrew character: a love of jewelry, of dress, and of good living. There was something mysterious about him. He always had something to sell, and yet went into excellent society. When I say sell, I should perhaps have said peddle; for his operations were generally confined to the disposal of single articles—a picture, for instance, or a rare carving in ivory, or a pair of duelling-pistols, or the dress of a Mexican caballero. When I was first furnishing my rooms, he paid me a visit, which ended in my purchasing an antique silver lamp, which he assured me was a Cellini—it was handsome enough even for that, and some other knickknacks for my sitting-room. Why Simon should pursue this petty trade I never could imagine. He apparently had plenty of money, and had the entrée of the best houses in the city—taking care, however, I suppose, to drive no bargains within the enchanted circle of the Upper Ten. I came at length to the conclusion that this peddling was but a mask to cover some greater object, and even went so far as to believe my young acquaintance to be implicated in the slave-trade. That, however, was none of my affair.
On the present occasion, Simon entered my room in a state of considerable excitement.
"Ah! mon ami!" he cried, before I could even offer him the ordinary salutation, "it has occurred to me to be the witness of the most astonishing things in the world. I promenade myself to the house of Madame——. How does the little animal—le renard—name himself in the Latin?"
"Vulvas," I answered.
"Ah! yes—Vulvas. I promenade myself to the house of Madame Vulvas."
"The spirit medium?"
"Yes, the great medium. Great heavens! what a woman! I write on a slip of paper many of questions concerning affairs the most secret—affairs that conceal themselves in the abysses of my heart the most profound; and behold! by example! what occurs? This devil of a woman makes me replies the most truthful to all of them. She talks to me of things that I do not love to talk of to myself. What am I to think? I am fixed to the earth!"
"Am I to understand you, M. Simon, that this Mrs. Vulvas replied to questions secretly written by you, which questions related to events known only to yourself?"
"Ah! more than that, more than that," he answered, with an air of some alarm. "She related to me things—But," he added, after a pause, and suddenly changing his manner, "why occupy ourselves with these follies? It was all the biology, without doubt. It goes without saying that it has not my credence.—But why are we here, mon ami? It has occurred to me to discover the most beautiful thing as you can imagine—a vase with green lizards on it, composed by the great Bernard Palissy. It is in my apartment; let us mount. I go to show it to you."
I followed Simon mechanically; but my thoughts were far from Palissy and his enamelled ware, although I, like him, was seeking in the dark a great discovery. This casual mention of the spiritualist, Madame Vulpes, set me on a new track. What if this spiritualism should be really a great fact? What if, through communication with more subtile organisms than my own, I could reach at a single bound the goal, which perhaps a life of agonizing mental toil would never enable me to attain?
While purchasing the Palissy vase from my friend Simon, I was mentally arranging a visit to Madame Vulpes.
III
THE SPIRIT OF LEEUWENHOEK
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