Celtic Mythology: History of Celts, Religion, Archeological Finds, Legends & Myths. T. W. Rolleston
Читать онлайн книгу.Celtic Mythology: History of Celts, Religion, Archeological Finds, Legends & Myths - T. W. Rolleston
The festival would become a commemoration of all such victims, but when the custom itself had ceased it would be associated with one particular personage, the corn-goddess regarded as a mortal.
This would be the case where the victim was a woman, but where a male was slain, the analogy of the slaying of the divine king or his succedaneum would lead to the festivals being regarded as commemorative of a king, e.g. Garman. This agrees with the statement that observance of the festival produced plenty; non-observance, dearth. The victims were slain to obtain plenty, and the festival would also commemorate those who had died for this good cause, while it would also appease their ghosts should these be angry at their violent deaths. Certain of the dead were thus commemorated at Lugnasad, a festival of fertility. Both the corn-spirit or divinity slain in the reaping of the corn, and the human victims, were appeased by its observance.496 The legend of Carman makes her hostile to the corn—a curious way of regarding a corn-goddess. But we have already seen that gods of fertility were sometimes thought of as causing blight, and in folk-belief the corn-spirit is occasionally believed to be dangerous. Such inversions occur wherever revolutions in religion take place.
The great commemoration of the dead was held on Samhain eve, a festival intended to aid the dying powers of vegetation, whose life, however, was still manifested in evergreen shrubs, in the mistletoe, in the sheaf of corn from last harvest—the abode of the corn-spirit.497 Probably, also, human representatives of the vegetation or corn-spirit were slain, and this may have suggested the belief in the presence of their ghosts at this festival. Or the festival being held at the time of the death of vegetation, the dead would naturally be commemorated then. Or, as in Scandinavia, they may have been held to have an influence on fertility, as an extension of the belief that certain slain persons represented spirits of fertility, or because trees and plants growing on the barrows of the dead were thought to be tenanted by their spirits.498 In Scandinavia, the dead were associated with female spirits or fylgjur, identified with the disir, a kind of earth-goddesses, living in hollow hills.499 The nearest Celtic analogy to these is the Matres, goddesses of fertility. Bede says that Christmas eve was called Modranicht, "Mothers' Night,"500 and as many of the rites of Samhain were transferred to Yule, the former date of Modranicht may have been Samhain, just as the Scandinavian Disablot, held in November, was a festival of the disir and of the dead.501 It has been seen that the Celtic Earth-god was lord of the dead, and that he probably took the place of an Earth-goddess or goddesses, to whom the Matres certainly correspond. Hence the connection of the dead with female Earth-spirits would be explained. Mother Earth had received the dead before her place was taken by the Celtic Dispater. Hence the time of Earth's decay was the season when the dead, her children, would be commemorated. Whatever be the reason, Celts, Teutons, and others have commemorated the dead at the beginning of winter, which was the beginning of a new year, while a similar festival of the dead at New Year is held in many other lands.
Both in Ireland and in Brittany, on November eve food is laid out for the dead who come to visit the houses and to warm themselves at the fire in the stillness of the night, and in Brittany a huge log burns on the hearth. We have here returned to the cult of the dead at the hearth.502 Possibly the Yule log was once a log burned on the hearth—the place of the family ghosts—at Samhain, when new fire was kindled in each house. On it libations were poured, which would then have been meant for the dead. The Yule log and the log of the Breton peasants would thus be the domestic aspect of the fire ritual, which had its public aspect in the Samhain bonfires.
All this has been in part affected by the Christian feast of All Souls. Dr. Frazer thinks that the feast of All Saints (November 1st) was intended to take the place of the pagan cult of the dead. As it failed to do this, All Souls, a festival of all the dead, was added on November 2nd.503 To some extent, but not entirely, it has neutralised the pagan rites, for the old ideas connected with Samhain still survive here and there. It is also to be noted that in some cases the friendly aspect of the dead has been lost sight of, and, like the síd-folk, they are popularly connected with evil powers which are in the ascendant on Samhain eve.
480. Silius Italicus, v. 652; Lucan, i. 447. Cf. p. 241, infra.
481. Ammian. Marcell. xv. 10. 7; Joyce, SH i. 45.
482. Bulliot, Fouilles du Mont Beuvray, Autun, 1899, i. 76, 396.
483. Le Braz, ii. 67; Sauvé, Folk-lore des Hautes Vosges, 295; Bérenger-Féraud, Superstitions et Survivances, i. 11.
484. Hearn, Aryan Household, 43 f.; Bérenger-Féraud, i. 33; Rev. des Trad. i. 142; Carmichael, ii. 329; Cosquin, Trad. Pop. de la Lorraine, i. 82.
485. Kennedy, 126. The mischievous brownie who overturns furniture and smashes crockery is an exact reproduction of the Poltergeist.
486. Dechelette, Rev. Arch. xxxiii, (1898), 63, 245, 252.
487. Cicero, De Leg. ii. 22.
488. Dechelette, 256; Reinach, BF 189.
489. Dechelette, 257-258. In another instance the ram is marked with crosses like those engraved on images of the underworld god with the hammer.
490. Kennedy, 187.
491. Lady Wilde, 118; Curtin, Tales, 54.
492. Le Braz, i. 229; Gregor, 21; Cambry, Voyage dans le Finistère, i. 229.
493. Le Braz, ii. 47; Folk-Lore, iv. 357; MacCulloch, Misty Isle of Skye, 254; Sébillot, i. 235-236.
494. Names of places associated with the great festivals are also those of the chief pagan cemeteries, Tara, Carman, Taillti, etc. (O'Curry, MC ii. 523).
495. Rennes Dindsenchas, RC xv. 313-314.
496. Cf. Frazer, Adonis, 134.
497. Cf. Chambers, Mediæval Stage, i. 250, 253.