The Wheat Princess. Jean Webster
Читать онлайн книгу.
been listening in a half-indifferent fashion to the strictures on the niece, but in response to the implied criticism of the uncle he shook his head emphatically.
‘Howard Copley is no more implicated in the deal than I am,’ he declared. ‘He and his brother have had nothing to do with each other for the last ten years. His philanthropy is honest, and his money is as clean as any fortune can be.’
The statement was not challenged. Sybert was known to be Howard Copley’s friend, and he further carried the reputation of being a warm partizan on the one or two subjects which engaged his enthusiasm—on those which did not engage it he was nonchalant to a degree for a rising diplomat.
The two—Sybert and the consul-general—with a nod to the group presently drifted onward toward the door. The secretary was bent upon departure at the earliest possible opportunity. Teas were a part of the official routine of his life, but by the simple device of coming late and leaving early he escaped as much of their irksomeness as possible. Aside from being secretary of the Embassy, Sybert was a nephew of the ambassador, and it was the latter calling which he found the more onerous burden of the two. His Excellency had formed a troublesome habit of shifting social burdens to the unwilling shoulders of the younger man.
They paused at Mrs. Copley’s elbow with outstretched hands, and were received with a flattering show of cordiality from the aunt, though with but a fleeting nod from the niece; she was, patently, too interested in her officers to have much attention left.
‘Where is your husband?’ Sybert asked.
The lady raised her eyebrows in a picturesque gesture.
‘Beggars,’ she sighed. ‘Something has happened to the beggars again.’ Mr. Copley’s latest philanthropic venture had been the ‘Anti-Begging Society.’ Bread-tickets had been introduced, the beggars were being hunted down and given work, and as a result Copley’s name was cursed from end to end of Rome.
The men smilingly murmured their commiserations.
‘And what are you two diplomats doing here?’ Mrs. Copley asked. ‘I thought that Mr. Dessart invited only artists to his teas.’
Sybert’s gloomy air, as he eyed the door, reflected the question. It was Melville who answered:
‘Oh, we are admirers of art, even if we are not practitioners. Besides, Mr. Dessart and I are old friends. We used to know each other in Pittsburg when he was a boy and I was a good deal younger than I am now.’
His gaze rested for a moment upon their host, who formed one of the hilarious group about Miss Copley. He was an eminently picturesque young fellow, fitted with the usual artist attributes—a velveteen jacket, a flowing necktie, and rather long light-brown hair which constantly got into his eyes, causing him to shake his head impatiently as he talked. He had an open, frank face, humorous blue eyes and the inestimable, eager air of being in love with life.
The conversation showing signs of becoming general, the officers, with visible reluctance, made their bows and gave place to the new-comers. The girl now found time to extend a cordial hand to Melville, while to the secretary she tossed a markedly careless, ‘Good afternoon, Mr. Sybert.’ If Miss Marcia’s offhand manner conveyed something a trifle stronger than indifference, so Sybert’s half-amused smile as he talked to her suggested that her unkindness failed to hurt; that she was too young to count.
‘And what is this I hear about your moving out to a villa for the spring?’ he inquired, turning to Mrs. Copley.
‘Yes, we are thinking of it, but it is not decided yet.’
‘We still have Uncle Howard to deal with,’ added the girl. ‘He was the first one who suggested a villa, but now that exactly the right one presents itself, we very much suspect him of trying to back out.’
‘That will never do, Miss Marcia,’ said Melville. ‘You must hold him to his word.’
‘We are going out to-morrow to inspect it, and if Aunt Katherine and I are pleased——’ She broke off with a graceful gesture which intimated much.
Sybert laughed. ‘Poor Uncle Howard!’ he murmured.
The arrival of fresh guests called their host away, and Mrs. Copley and Melville, turning aside to greet some friends, left Miss Copley for the moment to a tête à tête with Sybert. He maintained his side of the conversation in a half-perfunctory fashion, while the girl allowed a slight touch of hostility to creep beneath her animation.
‘And where is the villa to be, Miss Marcia—at Frascati, I suppose?’
‘Farther away than Frascati; at Castel Vivalanti.’
‘Castel Vivalanti!’
‘Up in the Sabine hills between Palestrina and Tivoli.’
‘Oh, I know where it is; I have a vivid recollection of climbing the hill on a very hot day. I was merely exclaiming at the locality; it’s rather remote, isn’t it?’
‘Its remoteness is the best thing about it. Our object in moving into the hills is to escape from visitors, and if we go no farther than Frascati we shan’t do much escaping.’
This to the family’s most frequent visitor was scarcely a hospitable speech, and a smile of amusement crept to the corners of Sybert’s mouth.
Apparently just becoming aware of the content of her speech, she added with slightly exaggerated sweetness: ‘Of course I don’t mean you, Mr. Sybert. You come so often that I regard you as a member of the household.’
The secretary apparently had it on his tongue to retort, but, thinking better of it, he maintained a discreet silence, while their host approached with the new arrivals—a lady whose name Miss Copley did not catch, but who was presented with the explanatory remark, ‘she writes,’ and several young men who, she judged by their neckties, were artists also. The talk turned on the villa again, and Miss Copley was called upon for a description.
‘I haven’t seen it myself,’ she returned; ‘but from the steward’s account it is the most complete villa in Italy. It has a laurel walk and an ilex grove, balconies, fountains, a marble terrace, a view, and even a ghost.’
‘A ghost?’ queried Dessart. ‘But I thought they were extinct—that the railroads and tourists had driven them all back to the grave.’
‘Not the ghost of the “Bad Prince”; we rent him with the place—and the most picturesque ghost you ever dreamed of! He hoarded his wheat while the peasants were starving, and they murdered him two hundred years ago.’ She repeated the story, mimicking in inimitable fashion the gestures and broken English of Prince Vivalanti’s steward.
A somewhat startled silence hung over the close of the recital, while her auditors glanced at each other in secret amazement. The question uppermost in their minds was whether it was ignorance or mere bravado that had tempted her into repeating just that particular tale. It was a subject which Miss Copley might have been expected to avoid. Laurence Sybert alone was aware that she did not know what a dangerous topic she was venturing on, and he received the performance with an appreciative laugh.
‘A very picturesque story, Miss Copley. The old fellow got what he deserved.’
Marcia Copley assented with a smiling gesture, and the woman who wrote skilfully bridged over a second pause.
‘You were complaining the other day, Mr. Dessart, that the foreigners are making the Italians too modern. Why do you not catch the ghost? He is surely a true antique.’
‘But I am not an impressionist,’ he pleaded.
‘Who is saying anything against impressionists?’ a young man asked in somewhat halting English as he paused beside the group.
‘No one,’ said Dessart; ‘I was merely disclaiming all knowledge of them and their ways. Miss Copley, allow me to present Monsieur Benoit, the last Prix de Rome—he is the man to paint your ghost. He’s