Vampires vs. Werewolves – Ultimate Collection. Редьярд Джозеф Киплинг
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"Oh, Charles! you know not the feeling of horror that will come across you when you do. You have no idea of how the warm blood will seem to curdle in your veins, and how you will be paralysed in every limb."
"Did you feel so?"
"I did."
"I will endeavour to make head against such feelings. The love of Flora shall enable me to vanquish them. Think you it will come again to-morrow?"
"I can have no thought the one way or the other."
"It may. We must arrange among us all, Henry, some plan of watching which, without completely prostrating our health and strength, will always provide that one shall be up all night and on the alert."
"It must be done."
"Flora ought to sleep with the consciousness now that she has ever at hand some intrepid and well-armed protector, who is not only himself prepared to defend her, but who can in a moment give an alarm to us all, in case of necessity requiring it."
"It would be a dreadful capture to make to seize a vampyre," said Henry.
"Not at all; it would be a very desirable one. Being a corpse revivified, it is capable of complete destruction, so as to render it no longer a scourge to any one."
"Charles, Charles, are you jesting with me, or do you really give any credence to the story?"
"My dear friend, I always make it a rule to take things at their worst, and then I cannot be disappointed. I am content to reason upon this matter as if the fact of the existence of a vampyre were thoroughly established, and then to think upon what is best to be done about it."
"You are right."
"If it should turn out then that there is an error in the fact, well and good—we are all the better off; but if otherwise, we are prepared, and armed at all points."
"Let it be so, then. It strikes me, Charles, that you will be the coolest and the calmest among us all on this emergency; but the hour now waxes late, I will get them to prepare a chamber for you, and at least to-night, after what has occurred already, I should think we can be under no apprehension."
"Probably not. But, Henry, if you would allow me to sleep in that room where the portrait hangs of him whom you suppose to be the vampyre, I should prefer it."
"Prefer it!"
"Yes; I am not one who courts danger for danger's sake, but I would rather occupy that room, to see if the vampyre, who perhaps has a partiality for it, will pay me a visit."
"As you please, Charles. You can have the apartment. It is in the same state as when occupied by Flora. Nothing has been, I believe, removed from it."
"You will let me, then, while I remain here, call it my room?"
"Assuredly."
This arrangement was accordingly made to the surprise of all the household, not one of whom would, indeed, have slept, or attempted to sleep there for any amount of reward. But Charles Holland had his own reasons for preferring that chamber, and he was conducted to it in the course of half an hour by Henry, who looked around it with a shudder, as he bade his young friend good night.
CHAPTER XII.
CHARLES HOLLAND'S SAD FEELINGS.—THE PORTRAIT.—THE OCCURRENCE OF THE NIGHT AT THE HALL.
Charles Holland wished to be alone, if ever any human being had wished fervently to be so. His thoughts were most fearfully oppressive.
The communication that had been made to him by Henry Bannerworth, had about it too many strange, confirmatory circumstances to enable him to treat it, in his own mind, with the disrespect that some mere freak of a distracted and weak imagination would, most probably, have received from him.
He had found Flora in a state of excitement which could arise only from some such terrible cause as had been mentioned by her brother, and then he was, from an occurrence which certainly never could have entered into his calculations, asked to forego the bright dream of happiness which he had held so long and so rapturously to his heart.
How truly he found that the course of true love ran not smooth; and yet how little would any one have suspected that from such a cause as that which now oppressed his mind, any obstruction would arise.
Flora might have been fickle and false; he might have seen some other fairer face, which might have enchained his fancy, and woven for him a new heart's chain; death might have stepped between him and the realization of his fondest hopes; loss of fortune might have made the love cruel which would have yoked to its distresses a young and beautiful girl, reared in the lap of luxury, and who was not, even by those who loved her, suffered to feel, even in later years, any of the pinching necessities of the family.
All these things were possible—some of them were probable; and yet none of them had occurred. She loved him still; and he, although he had looked on many a fair face, and basked in the sunny smiles of beauty, had never for a moment forgotten her faith, or lost his devotion to his own dear English girl.
Fortune he had enough for both; death had not even threatened to rob him of the prize of such a noble and faithful heart which he had won. But a horrible superstition had arisen, which seemed to place at once an impassable abyss between them, and to say to him, in a voice of thundering denunciation—
"Charles Holland, will you have a vampyre for your bride?"
The thought was terrific. He paced the gloomy chamber to and fro with rapid strides, until the idea came across his mind that by so doing he might not only be proclaiming to his kind entertainers how much he was mentally distracted, but he likewise might be seriously distracting them.
The moment this occurred to him he sat down, and was profoundly still for some time. He then glanced at the light which had been given to him, and he found himself almost unconsciously engaged in a mental calculation as to how long it would last him in the night.
Half ashamed, then, of such terrors, as such a consideration would seem to indicate, he was on the point of hastily extinguishing it, when he happened to cast his eyes on the now mysterious and highly interesting portrait in the panel.
The picture, as a picture, was well done, whether it was a correct likeness or not of the party whom it represented. It was one of those kind of portraits that seem so life-like, that, as you look at them, they seem to return your gaze fully, and even to follow you with their eyes from place to place.
By candle-light such an effect is more likely to become striking and remarkable than by daylight; and now, as Charles Holland shaded his own eyes from the light, so as to cast its full radiance upon the portrait, he felt wonderfully interested in its life-like appearance.
"Here is true skill," he said; "such as I have not before seen. How strangely this likeness of a man whom I never saw seems to gaze upon me."
Unconsciously, too, he aided the effect, which he justly enough called life-like, by a slight movement of the candle, such as any one not blessed with nerves of iron would be sure to make, and such a movement made the face look as if it was inspired with vitality.
Charles remained looking at the portrait for a considerable period of time. He found a kind of fascination in it which prevented him from drawing his eyes away from it. It was not fear which induced him to continue gazing on it, but the circumstance that it was a likeness of the man who, after death, was supposed to have borrowed so new and so hideous an existence, combined with its artistic merits, chained