The Greatest Murder Mysteries - G.A. Henty Edition. G. A. Henty

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The Greatest Murder Mysteries  - G.A. Henty Edition - G. A. Henty


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almost hid the house from view, with its square stiff aspect when one did get a glimpse of it, and with its small windows, each furnished with muslin curtains of an extreme whiteness and primness of arrangement, and through which no face was ever seen to glance out,—certainly it could be nothing but a girls' school.

      On the door in the wall were two brass plates, the one inscribed in stiff Roman characters "Grendon House;" the other "The Misses Pilgrim," in a running flourishing handwriting. I remember after we had driven up to the door, and were waiting for the bell to be answered, wondering whether the Misses Pilgrim wrote at all like that, and if so, what their character would be likely to be. In the door, by the side of the plate, was a small grating, or grille, through which a cautious survey could be made of any applicant for admission within those sacred precincts.

      On passing through the door, and entering the inclosure, one found oneself in a small, irregular piece of ground, dignified by the name of the garden, although, from its appearance, it would be supposed that this was a mere pleasantry; but it was not so. Indeed, no such thing as a pleasantry ever was or could be attempted about anything connected with "Grendon House." Certain it is that nothing in the way of a flower was ever acclimatized there. The gloom and frigidity of the place would have been far too much for any flower known in temperate climates to have supported.

      I remember, indeed, Constance Biglow, who had a brother who had just started on an Arctic expedition, lamented that she had forgotten to ask him to bring home some of the plants from those regions, as an appropriate present for the Misses Pilgrim, for their garden. I know at the time we considered it to be a very good, although a dreadfully disrespectful, joke towards those ladies.

      In spring, indeed, a few crocuses (Miss Pilgrim spoke of them as croci) ventured to come up and show their heads, but they soon faded away again in such an uncongenial atmosphere. The only thing which really flourished there was the box edging to the borders, which grew luxuriantly, and added somehow to the funereal aspect of the place. It was no wonder nothing grew there, for the house, and the high walls, and the trees within them, completely shaded it, and cut it off from all light and air. Round the so-called flower-beds the gravel path was wider, and was dignified by the name of the carriage drive, though how any coachman was to have turned a carriage in that little confined space, even had he got through the impassable gate, was, and probably ever will remain, a mystery.

      Behind the house was the playground, a good-sized triangular-shaped gravelled yard, for Grendon House was situated at the junction of two roads, and the house itself stood across the base of the triangle they formed. This playground was several times larger than the garden, and was indeed quite extensive enough for such games as we indulged in. It was, of course, surrounded by the high wall, with its belt of trees, underneath which was a narrow strip of border, divided into regular portions; and here the girls were permitted to prove the correctness of the axiom, that plants will not live without light or air.

      So much for the exterior; inside, if the sensation of gloom and propriety which pervaded the very atmosphere could have been got rid of, it would have been really a fine house.

      The hall, which was very large, extended up to the top of the house; from it, on the ground floor, led off the dining and schoolrooms, large, well-proportioned rooms, but very cold and bare-looking, especially the former; for the schoolroom walls were nearly covered with maps of different countries, some rolled up and out of use, others hanging down open; beside them hung genealogized trees of the various monarchies of Europe; while in the corner was a large stand with a black board for drawing diagrams in chalk. Nothing else in either of them but bare walls, and equally bare forms and tables.

      There was another little room opening from the great hall: this was the cloak-room, where the girls put on their bonnets and shawls before going out for their walks. It was here that, when they were able to slip out from the schoolroom, they would meet to talk in English for a change, and interchange those little confidences about nothing in which school-girls delight. This room looked into the garden; and to prevent the possibility of any one who might be—which nobody ever was—wandering there, looking in at the window, white silver paper, with coloured flowers under it, was stuck on to the glass, something in the manner of decalcomanie, only that extraordinary and difficult name was not at that time invented.

      Upstairs was the drawing-room. It was here that the Misses Pilgrim received visitors to the girls, and here that the lady professors, who came twice a week to teach music, imparted lessons in singing and on the pianoforte to the pupils.

      This room was a model of propriety and frigidity—if there be such a word, for no other will describe the effect produced. The curtains were of white muslin, so stiff and carefully arranged that they might have been cut out of marble. The chairs were of some light wood, with gilding on them, and so extremely fragile, that it was only with the greatest caution and care that any one could venture to sit down upon them; there were couches too, here and there, but these as seats were altogether out of the question, being so covered with Berlin work of every kind, and antimacassars of such stiffness and intricacy of pattern, that no one would ever have thought of assuming a sitting position even upon the extreme edge of them.

      The room was literally crowded with tables of every imaginable shape and form, generally on twisted legs, and looking as if a breath would upset them. On these tables were placed works of art and industry of every description. Vases of wax flowers and fruit, Berlin wool mats of every colour and pattern, inkstands of various shapes and sizes, books of engravings, stuffed birds under glass shades; in short, knicknacks of every sort and kind, and on a great majority of them were inscribed, "Presented to Miss Pilgrim, or Miss Isabella Pilgrim, by her attached pupils on her birth-day;" or, "Presented to the Misses Pilgrim by their attached pupil so-and-so on the occasion of her leaving school."

      Through all this it was next to impossible to move without the greatest risk of bringing some of the little fragile tables down with a crash, and visitors would generally, after a vague glance of perplexity round, drop, or rather lower themselves carefully, into one of the little minikin chairs, as near as possible to the door.

      So chilling was the effect of this room, so overwhelming its atmosphere of propriety, that many fathers and brothers who have come up from the country to see their daughters or sisters after a long absence, men with big voices and hearty manner, have felt so constrained and overpowered by it, that in place of taking them into their arms with a loud-sounding kiss, they have been known to hold out their hand in a most formal manner and to inquire almost in a whisper as to their state of health. In this drawing-room the elder girls used to practise, and if any visitor was shown up there the proper form to be observed was to rise from the music-stool, walk to the door, and then, making a deep curtsey, to leave the room—a performance not unfrequently completely astounding any one strange to the ceremonies inculcated at young ladies' schools as being suitable to occasions like this.

      It will be judged from all this that "Grendon House" was a model academy, and indeed it was. The only wonder is that it did not turn us all into the stiffest pieces of prim propriety possible; but somehow it did not; for I think, on looking back, that a merrier and more lively set of girls it would be difficult to have found, and yet we most certainly had not much to be merry about. "All work and no play makes Jack a dull boy." It may be so, but it decidedly did not have that effect upon Jack's sisters. We certainly did work very hard. I suppose it was necessary in order to cram all the accomplishments girls are expected to know into our heads; but however it was, I am quite sure that in those two years I was at school, I worked more hours and steadier at them, than Harry ever did in four; he allows it himself, and I am sure it is generally the case, that girls work infinitely harder than their brothers, and certainly have no amusement or recreation at all in proportion. I suppose it is all right, but yet I do think that if we worked a good deal less, and played a great deal more, we should know quite as much, and be far more healthy and natural than we are.

      However, I am not writing an essay, or I should have a great deal more to say on this point; as it is I must leave it for abler hands, and go back to my story.

      When we first caught sight of Grendon House our spirits fell many degrees, and when we entered its solemn portals we felt terribly awed and uncomfortable. We were, of course, shown up into that dreadful drawing-room, and I think papa was as much affected


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