Mr. Jack Hamlin's Mediation. Bret Harte
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It's killing you; it ain't fair on you, nor on Rylands either.”
“No,” she said quickly, “it ain't fair on HIM. I know it, I know it isn't, I know it isn't,” she repeated, “only”—She stopped.
“Only what?” said Jack impatiently.
She did not speak. After a pause she picked up the rolling-pin from the table and began absently rolling it down her lap to her knee, as if pressing out the stained silk skirt. “Only,” she stammered, slowly rolling the pin handles in her open palms, “I—I can't leave Josh.”
“Why can't you?” said Jack quickly.
“Because—because—I,” she went on, with a quivering lip, working the rolling-pin heavily down her knee as if she were crushing her answer out of it—“because—I—love him!”
There was a pause, a dash of rain against the window, and another dash from her eyes upon her hands, the rolling-pin, and the skirts she had gathered up hastily, as she cried, “O Jack! Jack! I never loved anybody like him! I never knew what love was! I never knew a man like him before! There never WAS one before!”
To this large, comprehensive, and passionate statement Mr. Jack Hamlin made no reply. An audacity so supreme had conquered his. He walked to the window, looked out upon the dark, rain-filmed pane that, however, reflected no equal change in his own dark eyes, and then returned and walked round the kitchen table. When he was at her back, without looking at her, he reached out his hand, took her passive one that lay on the table in his, grasped it heartily for a single moment, laid it gently down, and returned around the table, where he again confronted her cheerfully face to face.
“You'll make the riffle yet,” he said quietly. “Just now I don't see what I could do, or where I could chip in your little game; but if I DO, or you do, count me in and let me know. You know where to write—my old address at Sacramento.” He walked to the corner, took up his still wet serape, threw it over his shoulders, and picked up his broad-brimmed riding-hat.
“You're not going, Jack?” she said hesitatingly, as she rubbed her wet eyes into a consciousness of his movements. “You'll wait to see HIM? He'll be here in an hour.”
“I've been here too long already,” said Jack. “And the less you say about my calling, even accidentally, the better. Nobody will believe it—YOU didn't yourself. In fact, unless you see how I can help you, the sooner you consider us all dead and buried, the sooner your luck will change. Tell your girl I've found my own horse so much better that I have pushed on with him, and give her that.”
He threw a gold coin on the table.
“But your horse is still lame,” she said wonderingly. “What will you do in this storm?”
“Get into the cover of the next wood and camp out. I've done it before.”
“But, Jack!”
He suddenly made a slight gesture of warning. His quick ear had caught the approach of footsteps along the wet gravel outside. A mischievous light slid into his dark eyes as he coolly moved backward to the door and, holding it open, said, in a remarkably clear and distinct voice:—
“Yes, as you say, society is becoming very mixed and frivolous everywhere, and you'd scarcely know San Francisco now. So delighted, however, to have made your acquaintance, and regret my business prevents my waiting to see your good husband. So odd that I should have known your Aunt Jemima! But, as you say, the world is very small, after all. I shall tell the deacon how well you are looking—in spite of the kitchen smoke in your eyes. Good-by! A thousand thanks for your hospitality.”
And Jack, bowing profoundly to the ground, backed out upon Jane, the hired man, and the expressman, treading, I grieve to say, with some deliberation upon the toes of the two latter, in order, possibly, that in their momentary pain and discomposure they might not scan too closely the face of this ingenious gentleman, as he melted into the night and the storm.
Jane entered, with a slight toss of her head.
“Here's your expressman—ef you're wantin' him NOW.”
Mrs. Rylands was too preoccupied to notice her handmaiden's significant emphasis, as she indicated a fresh-looking, bashful young fellow, whose confusion was evidently heightened by the unexpected egress of Mr. Hamlin, and the point-blank presence of the handsome Mrs. Rylands.
“Oh, certainly,” said Mrs. Rylands quickly. “So kind of him to oblige us. Give him the order, Jane, please.”
She turned to escape from the kitchen and these new intruders, when her eye fell upon the coin left by Mr. Hamlin. “The gentleman wished you to take that for your trouble, Jane,” she said hastily, pointing to it, and passed out.
Jane cast a withering look after her retreating skirts, and picking the coin from the table, turned to the hired man. “Run to the stable after that dandified young feller, Dick, and hand that back to him. Ye kin say that Jane Mackinnon don't run arrants fur money, nor play gooseberry to other folks fur fun.”
PART II
Mr. Joshua Rylands had, according to the vocabulary of his class, “found grace” at the age of sixteen, while still in the spiritual state of “original sin” and the political one of Missouri. He had not indeed found it by persistent youthful seeking or spiritual insight, but somewhat violently and turbulently at a camp-meeting. A village boy, naturally gentle and impressible, with an original character—limited, however, in education and experience—he had, after his first rustic debauch with some vulgar companions, fallen upon the camp-meeting in reckless audacity; and instead of being handed over to the district constable, was taken in and placed upon “the anxious bench,” “rastled with,” and exhorted by a strong revivalist preacher, “convicted of sin,” and—converted! It is doubtful if the shame of a public arrest and legal punishment would have impressed his youthful spirit as much as did this spiritual examination and trial, in which he himself became accuser. Howbeit, its effect, though punitive, was also exemplary. He at once cast off his evil companions; remaining faithful to his conversion, in spite of their later “backslidings.” When, after the Western fashion, the time came for him to forsake his father's farm and seek a new “quarter section” on some more remote frontier, he carried into that secluded, lonely, half-monkish celibacy of pioneer life—which has been the foundation of so much strong Western character—more than the usual religious feeling. At once industrious and adventurous, he lived by “the Word,” as he called it, and Nature as he knew it—tempted by none of the vices or sentiments of civilization. When he finally joined the Californian emigration, it was not as a gold-seeker, but as a discoverer of new agricultural fields; if the hardship was as great and the rewards fewer, he nevertheless knew that he retained his safer isolation and independence of spirit. Vice and civilization were to him synonymous terms; it was the natural condition of the worldly and unregenerate. Such was the man who chanced to meet “Nell Montgomery, the Pearl of the Variety Stage,” on the Sacramento boat, in one of his forced visits to civilization. Without knowing her in her profession, her frank exposition of herself did not startle him; he recognized it, accepted it, and strove to convert it. And as long as this daughter of Folly forsook her evil ways for him, it was a triumph in which there was no shame, and might be proclaimed from the housetop. When his neighbors thought differently, and avoided them, he saw no inconsistency in bringing his wife's old friends to divert her: she might in time convert THEM. He had no more fear of her returning to their ways than he had of himself “backsliding.” Narrow as was his creed, he had none of the harshness nor pessimism of the bigot. With the keenest self-scrutiny, his credulity regarding others was touching.
The storm was still raging when he alighted that evening from the up coach at the trail nearest his house. Although incumbered with a heavy carpet-bag, he started resignedly on his two-mile tramp without begrudging the neighborly act of his wife which