The Mystery of Witchcraft - History, Mythology & Art. William Godwin

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The Mystery of Witchcraft - History, Mythology & Art - William Godwin


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prompters said. It does not appear that the children ever left their beds, at the time they reported they had been to Blockula. Their parents watched them with fearful anxiety. At a certain time of the night the children were seized with a strange shuddering, their limbs were agitated, and their skins covered with a profuse perspiration. When they came to themselves, they related that they had been to Blockula, and the strange things they had seen, similar to what had already been described by the women. Three hundred children of various ages are said to have been seized with this epidemic.

      The whole town of Mohra became subject to the infection, and were overcome with the deepest affliction. They consulted together, and drew up a petition to the royal council at Stockholm, intreating that they would discover some remedy, and that the government would interpose its authority to put an end to a calamity to which otherwise they could find no limit. The king of Sweden was at that time Charles the Eleventh, father of Charles the Twelfth, and was only fourteen years of age. His council in their wisdom deputed two commissioners to Mohra, and furnished them with powers to examine witnesses, and to take whatever proceedings they might judge necessary to put an end to so unspeakable a calamity.

      This is certainly a very deplorable scene, and is made the more so by the previous character which history has impressed on us, of the simplicity, integrity, and generous love of liberty of the Dalecarlians. For the children and their parents we can feel nothing but unmingled pity. The case of the witches is different. That three hundred children should have been made the victims of this imaginary witchcraft is doubtless a grievous calamity. And that a number of women should have been found so depraved and so barbarous, as by their incessant suggestions to have practised on the minds of these children, so as to have robbed them of sober sense, to have frightened them into fits and disease, and made them believe the most odious impossibilities, argued a most degenerate character, and well merited severe reprobation, but not death. Add to which, many of these women may be believed innocent, otherwise a great majority of those who were executed, would not have died protesting their entire freedom from what was imputed to them. Some of the parents no doubt, from folly and ill judgment, aided the alienation of mind in their children which they afterwards so deeply deplored, and gratified their senseless aversion to the old women, when they were themselves in many cases more the real authors of the evil than those who suffered.

      Witchcraft in New England.

      As a story of witchcraft, without any poetry in it, without any thing to amuse the imagination, or interest the fancy, but hard, prosy, and accompanied with all that is wretched, pitiful and withering, perhaps the well known story of the New England witchcraft surpasses every thing else upon record. The New Englanders were at this time, towards the close of the seventeenth century, rigorous Calvinists, with long sermons and tedious monotonous prayers, with hell before them for ever on one side, and a tyrannical, sour and austere God on the other, jealous of an arbitrary sovereignty, who hath “mercy on whom he will have mercy, and whom he will he hardeneth.” These men, with long and melancholy faces, with a drawling and sanctified tone, and a carriage that would “at once make the most severely disposed merry, and the most cheerful spectators sad,” constituted nearly the entire population of the province of Massachuset’s Bay.

      The prosecutions for witchcraft continued with little intermission principally at Salem, during the greater part of the year 1692. The accusations were of the most vulgar and contemptible sort, invisible pinchings and blows, fits, with the blastings and mortality of cattle, and wains stuck fast in the ground, or losing their wheels. A conspicuous feature in nearly the whole of these stories was what they named the “spectral sight;” in other words, that the profligate accusers first feigned for the most part the injuries they received, and next saw the figures and action of the persons who inflicted them, when they were invisible to every one else. Hence the miserable prosecutors gained the power of gratifying the wantonness of their malice, by pretending that they suffered by the hand of any one whose name first presented itself, or against whom they bore an ill will. The persons so charged, though unseen by any but the accuser, and who in their corporal presence were at a distance of miles, and were doubtless wholly unconscious of the mischief that was hatching against them, were immediately taken up, and cast into prison. And what was more monstrous and incredible, there stood at the bar the prisoner on trial for his life, while the witnesses were permitted to swear that his spectre had haunted them, and afflicted them with all manner of injuries. That the poor prosecuted wretch stood astonished at what was alleged against him, was utterly overwhelmed with the charges, and knew not what to answer, was all of it interpreted as so many presumptions of his guilt. Ignorant as they were, they were unhappy and unskilful in their defence; and, if they spoke of the devil, as was but natural, it was instantly caught at as a proof how familiar they were with the fiend that had seduced them to their damnation.

      The first specimen of this sort of accusation in the present instance was given by one Paris, minister of a church at Salem, in the end of the year 1691, who had two daughters, one nine years old, the other eleven, that were afflicted with fits and convulsions. The first person fixed on as the mysterious author of what was seen, was Tituba, a female slave in the family, and she was harassed by her master into a confession of unlawful practices and spells. The girls then fixed on Sarah Good, a female known to be the victim of a morbid melancholy, and Osborne, a poor man that had for a considerable time been bed-rid, as persons whose spectres had perpetually haunted and tormented them: and Good was twelve months after hanged on this accusation.

      A person, who was one of the first to fall under the imputation, was one George Burroughs, also a minister of Salem. He had, it seems, buried two wives, both of whom the busy gossips said he had used ill in their life-time, and consequently, it was whispered, had murdered them. This man was accustomed foolishly to vaunt that he knew what people said of him in his absence; and this was brought as a proof that he dealt with the devil. Two women, who were witnesses against him, interrupted their testimony with exclaiming that they saw the ghosts of the murdered wives present (who had promised them they would come), though no one else in the court saw them; and this was taken in evidence. Burroughs conducted himself in a very injudicious way on his trial; but, when he came to be hanged, made so impressive a speech on the ladder, with fervent protestations of innocence, as melted many of the spectators into tears.

      The nature of accusations of this sort is ever found to operate like an epidemic. Fits and convulsions are communicated from one subject to another. The “spectral sight,” as it was called, is obviously a theme for the vanity of ignorance. “Love of fame,” as the poet teaches, is an “universal passion.” Fame is placed indeed on a height beyond the hope of ordinary mortals. But in occasional instances it is brought unexpectedly within the reach of persons of the coarsest mould; and many times they will be apt to seize it with proportionable avidity. When too such things are talked of, when the devil and spirits of hell are made familiar conversation, when stories of this sort are among the daily news, and one person and another, who had a little before nothing extraordinary about them, become subjects of wonder, these topics enter into the thoughts of many,


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