The Mystery of Witchcraft - History, Mythology & Art. William Godwin

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The Mystery of Witchcraft - History, Mythology & Art - William Godwin


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tried and condemned by the Parliament of Paris.119

      In France, and still more in Italy, there is reason for believing that many of the convicts were not without the real guilt of toxicological practices; and they might sometimes properly deserve the opprobrium of the old venefici. The formal trial and sentence to death of La Maréchale de l'Ancre in 1617 was perhaps more political than superstitious, but witchcraft was introduced as one of the gravest accusations. Her preponderance in the councils of Marie de Medici and of Louis XIII. originated in the natural fascination of royal but inferior minds. Two years afterwards occurred a bonâ fide prosecution on a large scale. A commission was appointed by the Parliament of Bordeaux to inquire into the causes and circumstances of the prevalence of witchcraft in the Pyrenean districts. Espaignol, president of the local parliament, with the better known councillor, Pierre de l'Ancre, who has left a record ('Tableau de l'Inconstance des Mauvais Anges et Démons, où il est amplement traité des Sorciers et Démons: Paris'), was placed at the head of the commission. How the district of Labourt was so infested with the tribe, that of thirty thousand inhabitants hardly a family existed but was infected with sorcery, is explained by the barren, sterile, mountainous aspect of the neighbourhood of that part of the Pyrenees: the men were engaged in the business of fishermen, and the women left alone were exposed to the tempter. The priests too were as ignorant and wicked as the people; their relations with the lonely wives and daughters being more intimate than proper. Young and handsome women, some mere girls, form the greater proportion of the accused. As many as forty a day appeared at the bar of the commissioners, and at least two hundred were hanged or burned.

      Evidence of the appearance of the devil was various and contradictory. Some at the Domdaniel, the place of assemblage, had a vision of a hideous wild he-goat upon a large gilded throne; others of a man twisted and disfigured by Tartarean torture; of a gentleman in black with a sword, booted and spurred; to others he seemed as some shapeless indistinct object, as that of the trunk of a tree, or some huge rock or stone. They proceeded to their meetings riding on spits, pitchforks, broom-sticks: being entertained on their arrival in the approved style, and indulging in the usual licence. Deputies from witchdom attended from all parts, even from Scotland. When reproached by some of his slaves for failing to come to the rescue in the torture-chamber or at the stake, their lord replied by causing illusory fires to be lit, bidding the doubters walk through the harmless flames, promising not more inconvenience in the bonfires of their persecutors. Lycanthropic criminals were also brought up who had prowled about and devastated the sheepfolds. Espaignol and De l'Ancre were provided with two professional Matthew Hopkinses: one a surgeon for examining the 'marks' (generally here discovered in the left eye, like a frog's foot) in the men and older women; the other a girl of seventeen, for the younger of her sex. Many of the priests were executed; several made their escape from the country. Besides the work before mentioned, De l'Ancre published a treatise under the title of 'L'Incrédulité et Mescréance du Sortilége pleinement convaincue,' 1622. The expiration of the term of the Bordeaux commission brought the proceedings to a close, and fortunately saved a number of the condemned.

      In Spain, the land of Torquemada and Ximenes, which had long ago fanatically expelled the Jews and recently its old Moorish conquerors from its soil, the unceasing activity of the Inquisition during 140 years must have extorted innumerable confessions and proofs of diabolic conspiracies and heresy. Antonio Llorente, the historian of the Inquisition, to whose rare opportunities of obtaining information we are indebted for some instructive revelations, has exposed a large number of the previously silent and dark transactions of the Holy Office. But the demonological ideas of the Southern Church and people are profusely displayed in the copious dramatic literature of the Spaniards, whose theatre was at one time nearly as popular, if not as influential, as the Church.


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