Don Quixote. Miguel Cervantes
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her beauty superhuman, since all the impossible and fanciful attributes of beauty which the poets apply to their ladies are verified in her; for her hairs are gold, her forehead Elysian fields, her eyebrows rainbows, her eyes suns, her cheeks roses, her lips coral, her teeth pearls, her neck alabaster, her bosom marble, her hands ivory, her fairness snow, and what modesty conceals from sight such, I think and imagine, as rational reflection can only extol, not compare."
"We should like to know her lineage, race, and ancestry," said Vivaldo.
To which Don Quixote replied, "She is not of the ancient Roman Curtii, Caii, or Scipios, nor of the modern Colonnas or Orsini, nor of the Moncadas or Requesenes of Catalonia, nor yet of the Rebellas or Villanovas of Valencia; Palafoxes, Nuzas, Rocabertis, Corellas, Lunas, Alagones, Urreas, Foces, or Gurreas of Aragon; Cerdas, Manriques, Mendozas, or Guzmans of Castile; Alencastros, Pallas, or Meneses of Portugal; but she is of those of El Toboso of La Mancha, a lineage that though modern, may furnish a source of gentle blood for the most illustrious families of the ages that are to come, and this let none dispute with me save on the condition that Zerbino placed at the foot of the trophy of Orlando's arms, saying,
'These let none move Who dareth not his might with Roland prove.'"
"Although mine is of the Cachopins of Laredo," said the traveller, "I will not venture to compare it with that of El Toboso of La Mancha, though, to tell the truth, no such surname has until now ever reached my ears."
"What!" said Don Quixote, "has that never reached them?"
The rest of the party went along listening with great attention to the conversation of the pair, and even the very goatherds and shepherds perceived how exceedingly out of his wits our Don Quixote was. Sancho Panza alone thought that what his master said was the truth, knowing who he was and having known him from his birth; and all that he felt any difficulty in believing was that about the fair Dulcinea del Toboso, because neither any such name nor any such princess had ever come to his knowledge though he lived so close to El Toboso. They were going along conversing in this way, when they saw descending a gap between two high mountains some twenty shepherds, all clad in sheepskins of black wool, and crowned with garlands which, as afterwards appeared, were, some of them of yew, some of cypress. Six of the number were carrying a bier covered with a great variety of flowers and branches, on seeing which one of the goatherds said, "Those who come there are the bearers of Chrysostom's body, and the foot of that mountain is the place where he ordered them to bury him." They therefore made haste to reach the spot, and did so by the time those who came had laid the bier upon the ground, and four of them with sharp pickaxes were digging a grave by the side of a hard rock. They greeted each other courteously, and then Don Quixote and those who accompanied him turned to examine the bier, and on it, covered with flowers, they saw a dead body in the dress of a shepherd, to all appearance of one thirty years of age, and showing even in death that in life he had been of comely features and gallant bearing. Around him on the bier itself were laid some books, and several papers open and folded; and those who were looking on as well as those who were opening the grave and all the others who were there preserved a strange silence, until one of those who had borne the body said to another, "Observe carefully, Ambrosia if this is the place Chrysostom spoke of, since you are anxious that what he directed in his will should be so strictly complied with."
"This is the place," answered Ambrosia "for in it many a time did my poor friend tell me the story of his hard fortune. Here it was, he told me, that he saw for the first time that mortal enemy of the human race, and here, too, for the first time he declared to her his passion, as honourable as it was devoted, and here it was that at last Marcela ended by scorning and rejecting him so as to bring the tragedy of his wretched life to a close; here, in memory of misfortunes so great, he desired to be laid in the bowels of eternal oblivion." Then turning to Don Quixote and the travellers he went on to say, "That body, sirs, on which you are looking with compassionate eyes, was the abode of a soul on which Heaven bestowed a vast share of its riches. That is the body of Chrysostom, who was unrivalled in wit, unequalled in courtesy, unapproached in gentle bearing, a phoenix in friendship, generous without limit, grave without arrogance, gay without vulgarity, and, in short, first in all that constitutes goodness and second to none in all that makes up misfortune. He loved deeply, he was hated; he adored, he was scorned; he wooed a wild beast, he pleaded with marble, he pursued the wind, he cried to the wilderness, he served ingratitude, and for reward was made the prey of death in the mid-course of life, cut short by a shepherdess whom he sought to immortalise in the memory of man, as these papers which you see could fully prove, had he not commanded me to consign them to the fire after having consigned his body to the earth."
"You would deal with them more harshly and cruelly than their owner himself," said Vivaldo, "for it is neither right nor proper to do the will of one who enjoins what is wholly unreasonable; it would not have been reasonable in Augustus Caesar had he permitted the directions left by the divine Mantuan in his will to be carried into effect. So that, Senor Ambrosia while you consign your friend's body to the earth, you should not consign his writings to oblivion, for if he gave the order in bitterness of heart, it is not right that you should irrationally obey it. On the contrary, by granting life to those papers, let the cruelty of Marcela live for ever, to serve as a warning in ages to come to all men to shun and avoid falling into like danger; or I and all of us who have come here know already the story of this your love-stricken and heart-broken friend, and we know, too, your friendship, and the cause of his death, and the directions he gave at the close of his life; from which sad story may be gathered how great was the cruelty of Marcela, the love of Chrysostom, and the loyalty of your friendship, together with the end awaiting those who pursue rashly the path that insane passion opens to their eyes. Last night we learned the death of Chrysostom and that he was to be buried here, and out of curiosity and pity we left our direct road and resolved to come and see with our eyes that which when heard of had so moved our compassion, and in consideration of that compassion and our desire to prove it if we might by condolence, we beg of you, excellent Ambrosia, or at least I on my own account entreat you, that instead of burning those papers you allow me to carry away some of them."
And without waiting for the shepherd's answer, he stretched out his hand and took up some of those that were nearest to him; seeing which Ambrosio said, "Out of courtesy, senor, I will grant your request as to those you have taken, but it is idle to expect me to abstain from burning the remainder."
Vivaldo, who was eager to see what the papers contained, opened one of them at once, and saw that its title was "Lay of Despair."
Ambrosio hearing it said, "That is the last paper the unhappy man wrote; and that you may see, senor, to what an end his misfortunes brought him, read it so that you may be heard, for you will have time enough for that while we are waiting for the grave to be dug."
"I will do so very willingly," said Vivaldo; and as all the bystanders were equally eager they gathered round him, and he, reading in a loud voice, found that it ran as follows.
Chapter 14
Wherein are inserted the despairing verses of the dead shepherd, together with other incidents not looked for
{verse
THE LAY OF CHRYSOSTOM
Since thou dost in thy cruelty desire
The ruthless rigour of thy tyranny
From tongue to tongue, from land to land proclaimed,
The very Hell will I constrain to lend
This stricken breast of mine deep notes of woe
To serve my need of fitting utterance.
And as I strive to body forth the tale
Of all I suffer, all that thou hast done,
Forth shall the dread voice roll, and bear along
Shreds from my vitals torn for greater pain.
Then listen, not to dulcet harmony,
But to a discord wrung by mad despair
Out of this bosom's depths of bitterness,
To