The Greatest Works of Gene Stratton-Porter. Stratton-Porter Gene
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the finest stones and lakes, and they've jaunting-cars. I don't know just exactly what they are, but Ireland has all there are, anyway. They've a lot of great actors, and a few singers, and there never was a sweeter poet than one of theirs. You should hear my father recite 'Dear Harp of My Country.' He does it this way.”
The Angel arose, made an elaborate old-time bow, and holding up the banjo, recited in clipping feet and meter, with rhythmic swing and a touch of brogue that was simply irresistible:
“Dear harp of my country” (The Angel ardently clasped the banjo),
“In darkness I found thee” (She held it to the light),
“The cold chain of silence had hung o'er thee long” (She muted the strings with her rosy palm);
“Then proudly, my own Irish harp, I unbound thee” (She threw up her head and swept a ringing harmony);
“And gave all thy chords to light, freedom, and song” (She crashed into the notes of the accompaniment she had been playing for Freckles).
“That's what you want to be thinking of!” she cried. “Not darkness, and lonesomeness, and sadness, but 'light, freedom, and song.' I can't begin to think offhand of all the big, splendid things an Irishman has to be proud of; but whatever they are, they are all yours, and you are a part of them. I just despise that 'saddest-when-I-sing' business. You can sing! Now you go over there and do it! Ireland has had her statesmen, warriors, actors, and poets; now you be her voice! You stand right out there before the cathedral door, and I'm going to come down the aisle playing that accompaniment, and when I stop in front of you—you sing!”
The Angel's face wore an unusual flush. Her eyes were flashing and she was palpitating with earnestness.
She parted the bushes and disappeared. Freckles, straight and tense, stood waiting. Presently, before he saw she was there, she was coming down the aisle toward him, playing compellingly, and rifts of light were touching her with golden glory. Freckles stood as if transfixed.
The cathedral was majestically beautiful, from arched dome of frescoed gold, green, and blue in never-ending shades and harmonies, to the mosaic aisle she trod, richly inlaid in choicest colors, and gigantic pillars that were God's handiwork fashioned and perfected through ages of sunshine and rain. But the fair young face and divinely molded form of the Angel were His most perfect work of all. Never had she appeared so surpassingly beautiful. She was smiling encouragingly now, and as she came toward him, she struck the chords full and strong.
The heart of poor Freckles almost burst with dull pain and his great love for her. In his desire to fulfill her expectations he forgot everything else, and when she reached his initial chord he was ready. He literally burst forth:
“Three little leaves of Irish green,
United on one stem,
Love, truth, and valor do they mean,
They form a magic gem.”
The Angel's eyes widened curiously and her lips parted. A deep color swept into her cheeks. She had intended to arouse him. She had more than succeeded. She was too young to know that in the effort to rouse a man, women frequently kindle fires that they neither can quench nor control. Freckles was looking over her head now and singing that song, as it never had been sung before, for her alone; and instead of her helping him, as she had intended, he was carrying her with him on the waves of his voice, away, away into another world. When he struck into the chorus, wide-eyed and panting, she was swaying toward him and playing with all her might.
“Oh, do you love? Oh, say you love
You love the shamrock green!”
At the last note, Freckles' voice ceased and he looked at the Angel. He had given his best and his all. He fell on his knees and folded his arms across his breast. The Angel, as if magnetized, walked straight down the aisle to him, and running her fingers into the crisp masses of his red hair, tilted his head back and laid her lips on his forehead.
Then she stepped back and faced him. “Good boy!” she said, in a voice that wavered from the throbbing of her shaken heart. “Dear boy! I knew you could do it! I knew it was in you! Freckles, when you go into the world, if you can face a big audience and sing like that, just once, you will be immortal, and anything you want will be yours.”
“Anything!” gasped Freckles.
“Anything,” said the Angel.
Freckles arose, muttered something, and catching up his old bucket, plunged into the swamp blindly on a pretence of bringing water. The Angel walked slowly across the study, sat on the rustic bench, and, through narrowed lids, intently studied the tip of her shoe.
On the trail the Bird Woman wheeled to McLean with a dumbfounded look.
“God!” muttered he.
At last the Bird Woman spoke.
“Do you think the Angel knew she did that?” she asked softly.
“No,” said McLean; “I do not. But the poor boy knew it. Heaven help him!”
The Bird Woman stared across the gently waving swale. “I don't see how I am going to blame her,” she said at last. “It's so exactly what I would have done myself.”
“Say the remainder,” demanded McLean hoarsely. “Do him justice.”
“He was born a gentleman,” conceded the Bird Woman. “He took no advantage. He never even offered to touch her. Whatever that kiss meant to him, he recognized that it was the loving impulse of a child under stress of strong emotion. He was fine and manly as any man ever could have been.”
McLean lifted his hat. “Thank you,” he said simply, and parted the bushes for her to enter Freckles' room.
It was her first visit. Before she left she sent for her cameras and made studies of each side of it and of the cathedral. She was entranced with the delicate beauty of the place, while her eyes kept following Freckles as if she could not believe that it could be his conception and work.
That was a happy day. The Bird Woman had brought a lunch, and they spread it, with Freckles' dinner, on the study floor and sat, resting and enjoying themselves. But the Angel put her banjo into its case, silently gathered her music, and no one mentioned the concert.
The Bird Woman left McLean and the Angel to clear away the lunch, and with Freckles examined the walls of his room and told him all she knew about his shrubs and flowers. She analyzed a cardinal-flower and showed him what he had wanted to know all summer—why the bees buzzed ineffectually around it while the humming-birds found in it an ever-ready feast. Some of his specimens were so rare that she was unfamiliar with them, and with the flower book between them they knelt, studying the different varieties. She wandered the length of the cathedral aisle with him, and it was at her suggestion that he lighted his altar with a row of flaming foxfire.
As Freckles came to the cabin from his long day at the swamp he saw Mrs. Chicken sweeping to the south and wondered where she was going. He stepped into the bright, cosy little kitchen, and as he reached down the wash-basin he asked Mrs. Duncan a question.
“Mother Duncan, do kisses wash off?”
So warm a wave swept her heart that a half-flush mantled her face. She straightened her shoulders and glanced at her hands tenderly.
“Lord, na! Freckles,” she cried. “At least, the anes ye get from people ye love dinna. They dinna stay on the outside. They strike in until they find the center of your heart and make their stopping-place there, and naething can take them from ye—I doubt if even death——Na, lad, ye can be reet sure kisses dinna wash off!”
Freckles set the basin down and muttered as he plunged his hot, tired face into the water, “I needn't be afraid to be washing, then, for that one struck in.”
CHAPTER XI
Wherein the Butterflies Go on a Spree and Freckles Informs the Bird Woman