Essential Novelists - Hamlin Garland. Garland Hamlin
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with delight. "Ally man left," "Chassay by your pardners," "Dozy-do" were some of the phrases he used as he played Honest John and Haste to the Wedding. At times he sang his calls in high nasal chant, "First lady lead to the right, deedle, deedle dum-dum— gent foller after—dally-deedle-do-do—three hands round"—and everybody laughed with frank enjoyment of his words and action.
It was a joy to watch him "start the set." With fiddle under his chin he took his seat in a big chair on the kitchen table in order to command the floor. "Farm on, farm on!" he called disgustedly. "Lively now!" and then, when all the couples were in position, with one mighty No. 14 boot uplifted, with bow laid to strings he snarled, "Already—GELANG!" and with a thundering crash his foot came down, "Honors TEW your pardners—right and left FOUR!" And the dance was on!
I suspect his fiddlin' was not even "middlin'," but he beat time fairly well and kept the dancers somewhere near to rhythm, and so when his ragged old cap went round he often got a handful of quarters for his toil. He always ate two suppers, one at the beginning of the party and another at the end. He had a high respect for the skill of my Uncle David and was grateful to him and other better musicians for their non-interference with his professional engagements.
The school-house which was to be the center of our social life stood on the bare prairie about a mile to the southwest and like thousands of other similar buildings in the west, had not a leaf to shade it in summer nor a branch to break the winds of savage winter. "There's been a good deal of talk about setting out a wind-break," neighbor Button explained to us, "but nothing has as yet been done." It was merely a square pine box painted a glaring white on the outside and a desolate drab within; at least drab was the original color, but the benches were mainly so greasy and hacked that original intentions were obscured. It had two doors on the eastern end and three windows on each side.
A long square stove (standing on slender legs in a puddle of bricks), a wooden chair, and a rude table in one corner, for the use of the teacher, completed the movable furniture. The walls were roughly plastered and the windows had no curtains.
It was a barren temple of the arts even to the residents of Dry Run, and Harriet and I, stealing across the prairie one Sunday morning to look in, came away vaguely depressed. We were fond of school and never missed a day if we could help it, but this neighborhood center seemed small and bleak and poor.
With what fear, what excitement we approached the door on that first day, I can only faintly indicate. All the scholars were strange to me except Albert and Cyrus Button, and I was prepared for rough treatment. However, the experience was not so harsh as I had feared. True, Rangely Field did throw me down and wash my face in snow, and Jack Sweet tripped me up once or twice, but I bore these indignities with such grace and could command, and soon made a place for myself among the boys.
Burton Babcock was my seat-mate, and at once became my chum. You will hear much of him in this chronicle. He was two years older than I and though pale and slim was unusually swift and strong for his age. He was a silent lad, curiously timid in his classes and not at ease with his teachers.
I cannot recover much of that first winter of school. It was not an experience to remember for its charm. Not one line of grace, not one touch of color relieved the room's bare walls or softened its harsh windows. Perhaps this very barrenness gave to the poetry in our readers an appeal that seems magical, certainly it threw over the faces of Frances Babcock and Mary Abbie Gammons a lovelier halo.—They were "the big girls" of the school, that is to say, they were seventeen or eighteen years old,—and Frances was the special terror of the teacher, a pale and studious pigeon-toed young man who was preparing for college.
In spite of the cold, the boys played open air games all winter. "Dog and Deer," "Dare Gool" and "Fox and Geese" were our favorite diversions, and the wonder is that we did not all die of pneumonia, for we battled so furiously during each recess that we often came in wet with perspiration and coughing so hard that for several minutes recitations were quite impossible.—But we were a hardy lot and none of us seemed the worse for our colds.
There was not much chivalry in the school—quite the contrary, for it was dominated by two or three big rough boys and the rest of us took our tone from them. To protect a girl, to shield her from remark or indignity required a good deal of bravery and few of us were strong enough to do it. Girls were foolish, ridiculous creatures, set apart to be laughed at or preyed upon at will. To shame them was a great joke.—How far I shared in these barbarities I cannot say but that I did share in them I know, for I had very little to do with my sister Harriet after crossing the school-house yard. She kept to her tribe as I to mine.
This winter was made memorable also by a "revival" which came over the district with sudden fury. It began late in the winter—fortunately, for it ended all dancing and merry-making for the time. It silenced Daddy Fairbanks' fiddle and subdued my mother's glorious voice to a wail. A cloud of puritanical gloom settled upon almost every household. Youth and love became furtive and hypocritic.
The evangelist, one of the old-fashioned shouting, hysterical, ungrammatical, gasping sort, took charge of the services, and in his exhortations phrases descriptive of lakes of burning brimstone and ages of endless torment abounded. Some of the figures of speech and violent gestures of the man still linger in my mind, but I will not set them down on paper. They are too dreadful to perpetuate. At times he roared with such power that he could have been heard for half a mile.
And yet we went, night by night, mother, father, Jessie, all of us. It was our theater. Some of the roughest characters in the neighborhood rose and professed repentance, for a season, even old Barton, the profanest man in the township, experienced a "change of heart."
We all enjoyed the singing, and joined most lustily in the tunes. Even little Jessie learned to sing Heavenly Wings, There is a Fountain filled with Blood, and Old Hundred.
As I peer back into that crowded little schoolroom, smothering hot and reeking with lamp smoke, and recall the half-lit, familiar faces of the congregation, it all has the quality of a vision, something experienced in another world. The preacher, leaping, sweating, roaring till the windows rattle, the mothers with sleeping babes in their arms, the sweet, strained faces of the girls, the immobile wondering men, are spectral shadows, figures encountered in the phantasmagoria of disordered sleep.
X
The Homestead on the Knoll
Spring came to us that year with such sudden beauty, such sweet significance after our long and depressing winter, that it seemed a release from prison, and when at the close of a warm day in March we heard, pulsing down through the golden haze of sunset, the mellow boom, boom, boom of the prairie cock our hearts quickened, for this, we were told, was the certain sign of spring.
Day by day the call of this gay herald of spring was taken up by others until at last the whole horizon was ringing with a sunrise symphony of exultant song. "Boom, boom, boom!" called the roosters; "cutta, cutta, wha-whoop-squaw, squawk!" answered the hens as they fluttered and danced on the ridges—and mingled with their jocund hymn we heard at last the slender, wistful piping of the prairie lark.
With the coming of spring my duties as a teamster returned. My father put me in charge of a harrow, and with old Doll and Queen—quiet and faithful span—I drove upon the field which I had plowed the previous October, there to plod to and fro behind my drag, while in the sky above my head and around me on the mellowing soil the life of the season, thickened.
Aided by my team I was able to study at close range the prairie roosters as they assembled for their parade. They had regular "stamping grounds" on certain ridges, Where the soil was beaten smooth by the pressure of their restless feet. I often passed within a few yards of them.—I can see them now, the cocks leaping and strutting, with trailing wings and down-thrust heads, displaying their bulbous orange-colored neck ornaments while the hens flutter and squawk in silly delight. All the charm and mystery of that prairie world comes back to me, and I ache with an illogical desire to recover it and hold it, and preserve it in some form for my children.—It seems an injustice that they should miss it, and yet it is