Essential Novelists - Hamlin Garland. Garland Hamlin
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human life?
Too old to bind grain in the harvest field, he was occasionally intrusted with the task of driving the reaper or the mower—and generally forgot to oil the bearings. His absent-mindedness was a source of laughter among his sons and sons-in-law. I've heard Frank say: "Dad would stop in the midst of a swath to announce the end of the world." He seldom remembered to put on a hat even in the blazing sun of July and his daughters had to keep an eye on him to be sure he had his vest on right-side out.
Grandmother was cheerful in the midst of her toil and discomfort, for what other mother had such a family of noble boys and handsome girls? They all loved her, that she knew, and she was perfectly willing to sacrifice her comfort to promote theirs. Occasionally Samantha or Rachel remonstrated with her for working so hard, but she only put their protests aside and sent them back to their callers, for when the McClintock girls were at home, the horses of their suitors tied before the gate would have mounted a small troop of cavalry.
It was well that this pioneer wife was rich in children, for she had little else. I do not suppose she ever knew what it was to have a comfortable well-aired bedroom, even in childbirth. She was practical and a good manager, and she needed to be, for her husband was as weirdly unworldly as a farmer could be. He was indeed a sad husbandman. Only the splendid abundance of the soil and the manual skill of his sons, united to the good management of his wife, kept his family fed and clothed. "What is the use of laying up a store of goods against the early destruction of the world?" he argued.
He was bitterly opposed to secret societies, for some reason which I never fully understood, and the only fury I ever knew him to express was directed against these "dens of iniquity."
Nearly all his neighbors, like those in our coulee, were native American as their names indicated. The Dudleys, Elwells, and Griswolds came from Connecticut, the McIldowneys and McKinleys from New York and Ohio, the Baileys and Garlands from Maine. Buoyant, vital, confident, these sons of the border bent to the work of breaking sod and building fence quite in the spirit of sportsmen.
They were always racing in those days, rejoicing in their abounding vigor. With them reaping was a game, husking corn a test of endurance and skill, threshing a "bee." It was a Dudley against a McClintock, a Gilfillan against a Garland, and my father's laughing descriptions of the barn-raisings, harvestings and railsplittings of the valley filled my mind with vivid pictures of manly deeds. Every phase of farm work was carried on by hand. Strength and skill counted high and I had good reason for my idolatry of David and William. With the hearts of woodsmen and fists of sailors they were precisely the type to appeal to the imagination of a boy. Hunters, athletes, skilled horsemen—everything they did was to me heroic.
Frank, smallest of all these sons of Hugh, was not what an observer would call puny. He weighed nearly one hundred and eighty pounds and never met his match except in his brothers. William could outlift him, David could out-run him and outleap him, but he was more agile than either—was indeed a skilled acrobat.
His muscles were prodigious. The calves of his legs would not go into his top boots, and I have heard my father say that once when the "tumbling" in the little country "show" seemed not to his liking, Frank sprang over the ropes into the arena and went around the ring in a series of professional flip-flaps, to the unrestrained delight of the spectators. I did not witness this performance, I am sorry to say, but I have seen him do somersaults and turn cart-wheels in the door-yard just from the pure joy of living. He could have been a professional acrobat—and he came near to being a professional ball-player.
He was always smiling, but his temper was fickle. Anybody could get a fight out of Frank McClintock at any time, simply by expressing a desire for it. To call him a liar was equivalent to contracting a doctor's bill. He loved hunting, as did all his brothers, but was too excitable to be a highly successful shot—whereas William and David were veritable Leather-stockings in their mastery of the heavy, old-fashioned rifle. David was especially dreaded at the turkey shoots of the county.
William was over six feet in height, weighed two hundred and forty pounds, and stood "straight as an Injun." He was one of the most formidable men of the valley—even at fifty as I first recollect him, he walked with a quick lift of his foot like that of a young Chippewa. To me he was a huge gentle black bear, but I firmly believed he could whip any man in the world—even Uncle David—if he wanted to. I never expected to see him fight, for I could not imagine anybody foolish enough to invite his wrath.
Such a man did develop, but not until William was over sixty, gray-haired and ill, and even then it took two strong men to engage him fully, and when it was all over (the contest filled but a few seconds), one assailant could not be found, and the other had to call in a doctor to piece him together again.
William did not have a mark—his troubles began when he went home to his quaint little old wife. In some strange way she divined that he had been fighting, and soon drew the story from him. "William McClintock," said she severely, "hain't you old enough to keep your temper and not go brawling around like that and at a school meeting too!"
William hung his head. "Well, I dunno!—I suppose my dyspepsy has made me kind o' irritable," he said by way of apology.
My father was the historian of most of these exploits on the part of his brothers-in-law, for he loved to exalt their physical prowess at the same time that he deplored their lack of enterprise and system. Certain of their traits he understood well. Others he was never able to comprehend, and I am not sure that they ever quite understood themselves.
A deep vein of poetry, of sub-conscious celtic sadness, ran through them all. It was associated with their love of music and was wordless. Only hints of this endowment came out now and again, and to the day of his death my father continued to express perplexity, and a kind of irritation at the curious combination of bitterness and sweetness, sloth and tremendous energy, slovenliness and exaltation which made Hugh McClintock and his sons the jest and the admiration of those who knew them best.
Undoubtedly to the Elwells and Dudleys, as to most of their definite, practical, orderly and successful New England neighbors, my uncles were merely a good-natured, easy-going lot of "fiddlers," but to me as I grew old enough to understand them, they became a group of potential poets, bards and dreamers, inarticulate and moody. They fell easily into somber silence. Even Frank, the most boisterous and outspoken of them all, could be thrown into sudden melancholy by a melody, a line of poetry or a beautiful landscape.
The reason for this praise of their quality, if the reason needs to be stated, lies in my feeling of definite indebtedness to them. They furnished much of the charm and poetic suggestion of my childhood. Most of what I have in the way of feeling for music, for rhythm, I derive from my mother's side of the house, for it was almost entirely Celt in every characteristic. She herself was a wordless poet, a sensitive singer of sad romantic songs.
Father was by nature an orator and a lover of the drama. So far as I am aware, he never read a poem if he could help it, and yet he responded instantly to music, and was instinctively courtly in manner. His mind was clear, positive and definite, and his utterances fluent. Orderly, resolute and thorough in all that he did, he despised William McClintock's easy-going habits of husbandry, and found David's lack of "push," of business enterprise, deeply irritating. And yet he loved them both and respected my mother for defending them.
To me, in those days, the shortcomings of the McClintocks did not appear particularly heinous. All our neighbors were living in log houses and frame shanties built beside the brooks, or set close against the hillsides, and William's small unpainted dwelling seemed a natural feature of the landscape, but as the years passed and other and more enterprising settlers built big barns, and shining white houses, the gray and leaning stables, sagging gates and roofs of my uncle's farm, became a reproach even in my eyes, so that when I visited it for the last time just before our removal to Iowa, I, too, was a little ashamed of it. Its disorder did not diminish my regard for the owner, but I wished he would clean out the stable and prop up the wagon-shed.
My grandmother's death came soon after our second visit to the homestead. I have no personal memory of the event, but I heard Uncle David describe it. The setting of the final scene in the drama was humble. The girls were washing clothes