Frontier Stories. Bret Harte
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Don't go back on your promise about lettin' up on the tramps, and being a little more high-toned. And don't you give 'em so much. It's true I sent you hats twice. I clean forgot all about the first; but I wouldn't have given a ten-dollar hat to a nigger woman who had a sick baby because I had an extra hat. I'd have let that baby slide. I forgot to ask whether the skirt is worn separately; I must see that dressmaker sharp about it; but I think you'll want something on besides a jacket and skirt; at least, it looks like it up here. I don't think you could manage a piano down there without the old man knowing it, and raisin' the devil generally. I promised you I'd let up on him. Mind you keep all your promises to me. I'm glad you're gettin' on with the six-shooter; tin cans are good at fifteen yards, but try it on suthin' that moves! I forgot to say that I am on the track of your big brother. It's a three years' old track, and he was in Arizona. The friend who told me didn't expatiate much on what he did there, but I reckon they had a high old time. If he's above the earth I'll find him, you bet. The yerba buena and the southern wood came all right—they smelt like you. Say, Flip, do you remember the last—the very last—thing that happened when you said 'good-by' on the trail? Don't let me ever find out that you've let anybody else kiss"—
But here the virtuous indignation of the Postmaster found vent in an oath. He threw the letter away. He retained of it only two facts—Flip had a brother who was missing; she had a lover present in the flesh.
How much of the substance of this and previous letters Flip had confided to her father I cannot say. If she suppressed anything it was probably that which affected Lance's secret alone, and it was doubtful how much of that she herself knew. In her own affairs she was frank without being communicative, and never lost her shy obstinacy even with her father. Governing the old man as completely as she did, she appeared most embarrassed when she was most dominant; she had her own way without lifting her voice or her eyes; she seemed oppressed by mauvaise honte when she was most triumphant; she would end a discussion with a shy murmur addressed to herself, or a single gesture of self-consciousness.
The disclosure of her strange relations with an unknown man, and the exchange of presents and confidences, seemed to suddenly awake Fairley to a vague, uneasy sense of some unfulfilled duties as a parent. The first effect of this on his weak nature was a peevish antagonism to the cause of it. He had long, fretful monologues on the vanity of diamond-making, if accompanied with "pestering" by "interlopers;" on the wickedness of concealment and conspiracy, and their effects on charcoal-burning; on the nurturing of spies and "adders" in the family circle, and on the seditiousness of dark and mysterious councils in which a gray-haired father was left out. It was true that a word or look from Flip generally brought these monologues to an inglorious and abrupt termination, but they were none the less lugubrious as long as they lasted. In time they were succeeded by an affectation of contrite apology and self-depreciation. "Don't go out o' the way to ask the old man," he would say, referring to the quantity of bacon to be ordered; "it's nat'ral a young gal should have her own advisers." The state of the flour-barrel would also produce a like self-abasement. "Unless ye're already in correspondence about more flour, ye might take the opinion o' the first tramp ye meet ez to whether Santa Cruz Mills is a good brand, but don't ask the old man." If Flip was in conversation with the butcher, Fairley would obtrusively retire with the hope "he wasn't intrudin' on their secrets."
These phases of her father's weakness were not frequent enough to excite her alarm, but she could not help noticing they were accompanied with a seriousness unusual to him. He began to be tremulously watchful of her, returning often from work at an earlier hour, and lingering by the cabin in the morning. He brought absurd and useless presents for her, and presented them with a nervous anxiety, poorly concealed by an assumption of careless, paternal generosity. "Suthin' I picked up at the Crossin' for ye to-day," he would say, airily, and retire to watch the effect of a pair of shoes two sizes too large, or a fur cap in September. He would have hired a cheap parlor organ for her, but for the apparently unexpected revelation that she couldn't play. He had received the news of a clue to his long-lost son without emotion, but lately he seemed to look upon it as a foregone conclusion, and one that necessarily solved the question of companionship for Flip. "In course, when you've got your own flesh and blood with ye, ye can't go foolin' around with strangers." These autumnal blossoms of affection, I fear, came too late for any effect upon Flip, precociously matured by her father's indifference and selfishness. But she was good-humored, and, seeing him seriously concerned, gave him more of her time, even visited him in the sacred seclusion of the "diamond pit," and listened with far-off eyes to his fitful indictment of all things outside his grimy laboratory. Much of this patient indifference came with a capricious change in her own habits; she no longer indulged in the rehearsal of dress, she packed away her most treasured garments, and her leafy boudoir knew her no more. She sometimes walked on the hillside, and often followed the trail she had taken with Lance when she led him to the ranch. She once or twice extended her walk to the spot where she had parted from him, and as often came shyly away, her eyes downcast and her face warm with color. Perhaps because these experiences and some mysterious instinct of maturing womanhood had left a story in her eyes, which her two adorers, the Postmaster and the butcher, read with passion, she became famous without knowing it. Extravagant stories of her fascinations brought strangers into the valley. The effect upon her father may be imagined. Lance could not have desired a more effective guardian than he proved to be in this emergency. Those who had been told of this hidden pearl were surprised to find it so jealously protected.
CHAPTER V.
The long, parched summer had drawn to its dusty close. Much of it was already blown abroad and dissipated on trail and turnpike, or crackled in harsh, unelastic fibres on hillside and meadow. Some of it had disappeared in the palpable smoke by day and fiery crests by night of burning forests. The besieging fogs on the Coast Range daily thinned their hosts, and at last vanished. The wind changed from northwest to southwest. The salt breath of the sea was on the summit. And then one day the staring, unchanged sky was faintly touched with remote mysterious clouds, and grew tremulous in expression. The next morning dawned upon a newer face in the heavens, on changed woods, on altered outlines, on vanished crests, on forgotten distances. It was raining!
Four weeks of this change, with broken spaces of sunlight and intense blue aerial islands, and then a storm set in. All day the summit pines and redwoods rocked in the blast. At times the onset of the rain seemed to be held back by the fury of the gale, or was visibly seen in sharp waves on the hillside. Unknown and concealed watercourses suddenly overflowed the trails, pools became lakes and brooks rivers. Hidden from the storm, the sylvan silence of sheltered valleys was broken by the impetuous rush of waters; even the tiny streamlet that traversed Flip's retreat in the Gin and Ginger Woods became a cascade.
The storm drove Fairley from his couch early. The falling of a large tree across the trail, and the sudden overflow of a small stream beside it, hastened his steps.
But he was doomed to encounter what was to him a more disagreeable object—a human figure. By the bedraggled drapery that flapped and fluttered in the wind, by the long, unkempt hair that hid the face and eyes, and by the grotesquely misplaced bonnet, the old man recognized one of his old trespassers—an Indian squaw.
"Clear out 'er that! Come, make tracks, will ye?" the old man screamed; but here the wind stopped his voice, and drove him against a hazel-bush.
"Me heap sick," answered the squaw, shivering through her muddy shawl.
"I'll make ye a heap sicker if ye don't vamose the ranch," continued Fairley, advancing.
"Me wantee Wangee girl. Wangee girl give me heap grub," said the squaw, without moving.
"You bet your life," groaned the old man to himself. Nevertheless an idea struck him. "Ye ain't brought no presents, hev ye?" he asked cautiously. "Ye ain't got no pooty things for poor Wangee girl?" he continued insinuatingly.
"Me got heap cache nuts and berries," said the squaw.
"Oh,