The Lightning Conductor Discovers America. C. N. Williamson

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The Lightning Conductor Discovers America - C. N. Williamson


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didn't expect to find anybody but Larry, did you?" I asked.

      "I expected to find servants."

      "Good heavens! aren't there any?" I gasped.

      "No. Wait till I tell you what happened. There's a porter's lodge, of course, but the gate was closed when we got there and nobody came to open it. Fortunately it was only shut, not locked. We drove in. It's a ripping place, my child. This can't be compared with it. Yet there's an air of neglect over everything. That didn't surprise me much. But when I rang the bell a dozen times without getting an answer it began to seem like a bad dream. I got tired of admiring the doorway, though it's a beauty, and you'll be mad about it; so I decided to investigate elsewhere. I tried my luck at two side entrances and then at the back. Not a sound. Not even the mew of a cat. Palace of the Sleeping Beauty! Not to be discouraged, I wandered along till I found the stables—fine big ones, and a huge garage. Locked up and silent as the grave. Farther on I discovered a gardener's house: door fastened, blinds down. I went back and told our chauffeur: Jekyll, his name is. He knew no more about Mr. Moore's affairs than we—only what he'd read in the papers; but he proposed running on to the village, and making an errand at the post-office: thought they'd be sure to be up in everything there. He bought stamps, and asked questions while he waited for change. It seems that Moore hasn't been at Kidd's Pines for a week, and yesterday there was a servants' strike. They stampeded in a body; hadn't been paid for months, but hung on hoping for the best till after the bankruptcy. Then as Moore lay low they decided the game was up."

      "What a homecoming for Patsey!" I moaned. "How are we to tell her?"

      "You won't have to, dear," she said. Which paid us out for talking at the tops of our voices in front of a long French window which I had opened. She was standing in it.

      My bones turned to water, and Jack looked as if he'd been shot for treason. But there it was. She knew! And she behaved like a heroine. She wasn't even pale, as she had been when Ed Caspian broke things gently to her.

      "Please don't mind," she went on, turning from me to Jack. "I didn't mean to eavesdrop at first, but when I heard what you were talking about I thought it would be no harm to listen. It would save your telling me afterward. I don't feel one bit worse than I did. Rats leave sinking ships, don't they? I always thought it stupid of them, because they might have to swim miles with waves mountains high. I shan't desert the ship! You've both been angels to me, but now I know that Larry isn't at Kidd's Pines just oversleeping himself. I want to go there at once to wait for him. Think, if he came home sad and tired after all his troubles, to find the house shut up like you found it, Captain Winston! Would you be so very kind as to let your chauffeur drive me home at once?"

      "We can all three go over directly after luncheon," I suggested.

      Can you picture to yourself, Mercédes, an American beauty rose suddenly transforming itself into an obstinate mule? You'd say it couldn't be done. But it can. I realized on the instant that unless I sent for wild horses to tear her to pieces, Patsey would start for Kidd's Pines within the next ten minutes, chauffeur or no chauffeur. To ask her mildly how she expected to get in would have been a waste of breath. The frail young creature was quite capable of breaking the beautiful door down with a mallet if no easier way offered!

      My eyes and Jack's met. Without a word he rang, and sent word to Jekyll that he must be ready to start out again immediately. Doubtless poor Cousin John's well-regulated clockwork servants thought we'd lost our heads, for luncheon had already been put back for Jack's return, and now here we were proposing to go off without it! Yet no, not exactly without it. What could be taken with us we took in a basket: for man must eat and woman must at least nibble.

      While I'd been giving hasty but apologetic orders, Pat had darted away in search of Angéle, who might, she imagined, be useful in a servantless house. I don't know how much Angéle had heard or understood, but when she appeared with fire in her eye and crumbs on her lip, I thought she looked dangerous.

      We didn't say much on the way to Kidd's Pines; but inside the gates, though my heart was oppressed, I broke into admiring exclamations. My dear, there's nothing lovelier in Italy or in England! I group those two countries together in my comparison because Kidd's Pines has salient features which suggest both. The general effect of the lawns and gardens round the exquisite old house is English, or would be, if they were better kept. The tall drooping elm trees and occasional willows are vaguely English, too: but the grove of umbrella pine trees crowding darkly together on a promontory like a band of conspirators might be etched against the sky at some seaside château of Posilippo. I'm beginning to find out that this combined English-ness and Italian-ness is characteristic of Long Island, where I am even a greater stranger than Patricia Moore. And yet the most winning charm, the charm which seems to link all other charms together, is the American-ness of everything—oh, an utterly different American-ness from what most people mean when they say "how American that is!" I do wish I could explain clearly; but to explain a thing so delicate, so illusive, would be like taking a soap-bubble in your hand to demonstrate that it was round. It's an effect of imagination and climate: imagination which gave graceful lightness and simplicity to Georgian models; climate which has played Puck-tricks with elms and other stately trees of England, turning them into fairy trees while leaving the family resemblance. Why, there's something different even about the paint on those dear old frame houses in the country over here! In no other part of the world, not even in Italy, where colour is so important, could there be a yellow like the yellow paint on the ancient shingled house-front at Kidd's Pines. I suppose the white window-facings and doorway and pillars, and the green blinds, and the frame of cathedral elms, partly account for the indescribable sweetness of that yellow. I can't liken it to anything but primroses in a forest, seen in the level, secret light of sunrise.

      My ecstasies cheered Patsey a little, and I emitted some of them in French, for the benefit of Angéle, who looked about as appreciative as a Mexican horned toad.

      We got into the house easily enough, by sacrificing a window-pane in the kitchen and then undoing the catch. A sweet kitchen it was, or ought to have been if the servants hadn't avenged their wrongs by leaving a lot of dishes and dish towels unwashed. We wandered about, Patsey pretending to remember this or that, and really half paralyzed with fright lest she should find that Larry had committed suicide in one of the beautiful shut-up rooms. No such horror awaited us, however, and greatly relieved in our inmost minds, we came to rest in the dining-room, where Angéle was unpacking our luncheon with her hands and poisoning it with her glances.

      There were chicken salad and heavenly rolls, pickles which made me feel a child again (a thoroughly American child), chocolate layer-cake, and various other things that thrilled me with pride of the United States. While Jack and I (starved) were trying not to eat too much for sympathetic friendship, and Pat was trying to eat enough to please us, we heard a door slam in the distance. We started like burglars caught at a stolen feast. It couldn't be Angéle, because she was darkening the room with her presence. It couldn't be—but it was!

      "Larry!" cried Pat, springing up, and making a dash for the door which she happened to face. We others turned to face it also, and saw coming in a delightful boy as happy as Pan—much happier than Pan would be in modern clothes.

      "She must be mistaken," I thought. "This can't be a grown girl's father. It can't be a father of anything! Impossible it should be a ruined bankrupt. It must be some younger brother of Larry's who looks like him."

      But no! "Hello, girlie!" the tall lad exclaimed, and held out his arms. Patsey rushed into them, and was clasped. She buried her head on the boy's shoulder, and he looked at us over the top of her head, smiling. I assure you I never saw a more engaging smile, not even Pat's own—or Peter Storm's. Theirs are quite different. Pat's is childlike and winningly ignorant of life; the Stormy Petrel's is full of unexpected gleams of humour, which lighten those mysterious eyes of an Italian prince. This youth's smile at us over his weeping daughter's hat was pagan—the joyous, carefree smile of Pan.

      He patted the girl's back. "Awfully sorry I couldn't meet you," he said, in a gay and charming voice, which contradicted a statement that he could be sorry about anything: the sort of voice which you know means a light singing tenor. "I've


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