The Light of the Star. Garland Hamlin

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The Light of the Star - Garland Hamlin


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neat and very far from the meretricious glitter of The Baroness. He was glad of this; he would have disliked her in négligée, no matter how "artistic."

      Her greeting was frank and unstudied. "I'm glad you've come. There are oceans of things to talk over."

      "There was nothing else for me to do but come," he replied, with a meaning light in his eyes. "Your letter was a command."

      "I'm sorry it takes a command to bring you to breakfast with us. True, this is not the breakfast to be given in your honor—that will come later."

      "It would be safer to have it before the play is produced," he replied, grimly.

      Helen turned to her brother. "Hugh, we have in Mr. Douglass a man not sanguine of the success of his play. What does that argue?"

      "A big hit!" he promptly replied.

      The servants came and went deftly, and Douglass quite lost sight of the fact that the breakfast-room was high in a tower-like hotel, for Helen's long engagement in the city had enabled her to make herself exceedingly comfortable even amid the hectic color and insistent gilt of the Hotel Embric. The apartment not only received the sun, a royal privilege in New York, but it was gay with flowers, both potted and in vases, and the walls were decorated with drawings of her own choosing. Only the furniture remained uncompromisingly of the hotel tone.

      "I did intend to refurnish, but mother, who retains a little of her old Scotch training, talked me out of it," Helen explained, in answer to a query. "Is there anything more hopelessly 'handsome' and shining than these chairs? There's so little to find fault with, and so little to really admire."

      "They're like a ready-made suit—unobjectionable, but not fit."

      "They have no soul. How could they have? They were made by machines for undistinguished millions." She broke off this discussion. "I am eager for a run through the park. Won't you go? Hugh is my engineer. Reckless as he looks, I find him quite reliable as a tinker, and you know the auto is still in the tinkery stage."

      "I have a feeling that it is still in the dangerous stage," he said. "But I will go." He said this in a tone of desperation which amused them all very much.

      It was impossible for him to remain glum in the midst of the good cheer of that luxurious little breakfast with the promise of a ride in the park in prospect. A few moments later a young girl, Miss Fanny Cummings, came in with a young man who looked like an actor, but was, in fact, Hugh's college-mate and "advance man" for Helen, and together they went down to the auto-car.

      There was a well-defined sense of luxury in being in Helen Merival's party. The attendants in the hotel were so genuinely eager to serve her, and the carefully considered comfort of everything she possessed was very attractive to a man like George Douglass, son of a village doctor, who had toiled from childhood to earn every dollar he spent. To ride in such swift and shining state with any one would have had extraordinary interest, and to sit beside Helen in the comparative privacy of the rear seat put a boyish glow of romance into his heart. Her buoyant and sunny spirit reacted on his moody and supersensitive nature till his face shone with pleasure. He forgot his bitter letter of the night before, and for the moment work and worry were driven from his world. He entered upon a dreamland—the city of menace disappeared.

      The avenue was gay with promenaders and thick with carriages. Other autos met them with cordial clamor of gongs, and now and then some driver more lawless than Hugh dashed past them in reckless race towards the park. The playwright had never seen so many of New York's glittering carriages, and the growing arrogance of its wealth took on a new aspect from his newly acquired viewpoint. Here were rapidly centring the great leaders of art, of music, of finance. Here the social climbers were clustering, eager to be great in a city of greatness. Here the chief ones in literature and the drama must come as to a market-place, and with this thought came a mighty uplift. "Surely success is now mine," he thought, exultantly, "for here I sit the favored dramatist of this wondrous woman."

      There was little connected conversation—only short volleys of jests as they whizzed along the splendid drives of the park—but Douglass needed little more than Helen's shining face to put him at peace with all the world. Each moment increased their intimacy.

      He told her of his stern old father, a country doctor in the West, of the way in which his brother and sisters were scattered from North to South, and how he came to set his face Eastward while all the others went West.

      "How handsome he is," thought Helen.

      "How beautiful you are," his glances said in answer, and both grew young beneath the touch of love.

      When they were once more in the hotel Helen cried out:

      "There! Isn't your brain washed clear of all doubts? Come, let's to work at the play."

      He looked down at her with eyes whose glow made her eyelids fall in maidenly defence. "I am capable of anything you ask," he said, with quiet power.

      After a long and spirited discussion of the last act she said: "Well, now, we'll put it in rehearsal as soon as you feel that it is ready. I believe in doing a part while the spell of its newness is on me. I shall put this on in place of the revival of Rachel Endicott." She rose on the wave of her enthusiasm. "I feel the part taking hold of me. I will make Lillian's Duty the greatest success of my life, and the lion's share of both honor and money shall be yours."

      He left the hotel quite as exalted as he had been previously depressed. The pleasure of sitting by her side for four blessed hours enriched him to the point of being sorry for all the rest of the world. The Prince of Wales had been denied an introduction to her, he had read; therefore the Prince was poor.

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