Love Stories. Mary Roberts Rinehart

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Love Stories - Mary Roberts Rinehart


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the door of his room, said "Cheer-o," came in, helped himself to a cigarette, gave a professional glance at Twenty-two's toes, which were all that was un-plastered of the leg, and departing threw back over his shoulder his sole conversational effort:

      "Hell of a mess, isn't it?"

      Twenty-two took up again gloomily the book he was reading, which was on Diseases of the Horse, from the hospital library. He was in the midst of Glanders.

      He had, during most of that day, been making up his mind to let his family know where he was. He did not think they cared, particularly. He had no illusions about that. But there was something about Jane Brown which made him feel like doing the decent thing. It annoyed him frightfully, but there it was. She was so eminently the sort of person who believed in doing the decent thing.

      So, about seven o'clock, he had sent the orderly out for stamps and paper. He imagined that Jane Brown would not think writing home on hospital stationery a good way to break bad news. But the orderly had stopped for a chat at the engine house, and had ended by playing a game of dominoes. When, at ten o'clock, he had returned to the hospital entrance, the richer by a quarter and a glass of beer, he had found a strange policeman on the hospital steps, and the doors locked.

      The quarantine was on.

      Now there are different sorts of quarantines. There is the sort where a trained nurse and the patient are shut up in a room and bath, and the family only opens the door and peers in. And there is the sort where the front door has a placard on it, and the family goes in and out the back way, and takes a street-car to the office, the same as usual. And there is the hospital quarantine, which is the real thing, because hospitals are expected to do things thoroughly.

      So our hospital was closed up as tight as a jar of preserves. There were policemen at all the doors, quite suddenly. They locked the doors and put the keys in their pockets, and from that time on they opened them only to pass things in, such as newspapers or milk or groceries or the braver members of the Staff. But not to let anything out—except the Staff. Supposedly Staffs do not carry germs.

      And, indeed, even the Staff was not keen about entering. It thought of a lot of things it ought to do about visiting time, and prescribed considerably over the telephone.

      At first there was a great deal of confusion, because quite a number of people had been out on various errands when it happened. And they came back, and protested to the office that they had only their uniforms on under their coats, and three dollars; or their slippers and no hats. Or that they would sue the city. One or two of them got quite desperate and tried to crawl up the fire-escape, but failed.

      This is of interest chiefly because it profoundly affected Jane Brown. Miss McAdoo, her ward nurse, had debated whether to wash her hair that evening, or to take a walk. She had decided on the walk, and was therefore shut out, along with the Junior Medical, the kitchen cat, the Superintendent's mother-in-law and six other nurses.

      The next morning the First Assistant gave Jane Brown charge of H ward.

      "It's very irregular," she said. "I don't exactly know—you have only one bad case, haven't you?"

      "Only Johnny."

      The First Assistant absent-mindedly ran a finger over the top of a table, and examined it for dust.

      "Of course," she said, "it's a great chance for you. Show that you can handle this ward, and you are practically safe."

      Jane Brown drew a long breath and stood up very straight. Then she ran her eye over the ward. There was something vaguely reminiscent of Miss McAdoo in her glance.

      Twenty-two made three brief excursions back along the corridor that first day of the quarantine. But Jane Brown was extremely professional and very busy. There was an air of discipline over the ward. Let a man but so much as turn over in bed and show an inch of blanket, and she pounced on the bed and reduced it to the most horrible neatness. All the beds looked as if they had been made up with a carpenter's square.

      On the third trip, however, Jane Brown was writing at the table. Twenty-two wheeled himself into the doorway and eyed her with disapproval.

      "What do you mean by sitting down?" he demanded sarcastically. "Don't you know that now you are in charge you ought to keep moving?"

      To which she replied, absently:

      "Three buttered toasts, two dry toasts, six soft boiled eggs, and twelve soups." She was working on the diet slips.

      Then she smiled at him. They were quite old friends already. It is curious about love and friendship and all those kindred emotions. They do not grow nearly so fast when people are together as when they are apart. It is an actual fact that the growth of many an intimacy is checked by meetings. Because when people are apart it is what they are that counts, and when they are together it is what they do and say and look like. Many a beautiful affair has been ruined because, just as it was going along well, the principals met again.

      However, all this merely means that Twenty-two and Jane Brown were infinitely closer friends than four or five meetings really indicates.

      The ward was very quiet on this late afternoon call of his save for Johnny's heavy breathing. There is a quiet hour in a hospital, between afternoon temperatures and the ringing of the bell which means that the suppers for the wards are on their way—a quiet hour when over the long rows of beds broods the peace of the ending day.

      It is a melancholy hour, too, because from the streets comes faintly the echo of feet hurrying home, the eager trot of a horse bound stableward. To those in the eddy that is the ward comes at this time a certain heaviness of spirit. Poor thing though home may have been, they long for it.

      In H ward that late afternoon there was a wave of homesickness in the air, and on the part of those men who were up and about, who shuffled up and down the ward in flapping carpet slippers, an inclination to mutiny.

      "How did they take it?" Twenty-two inquired. She puckered her eyebrows.

      "They don't like it," she confessed. "Some of them were about ready to go home and it—Tony!" she called sharply.

      For Tony, who had been cunningly standing by the window leading to a fire-escape, had flung the window up and was giving unmistakable signs of climbing out and returning to the other man's wife.

      "Tony!" she called, and ran. Tony scrambled up on the sill. A sort of titter ran over the ward and Tony, now on the platform outside, waved a derisive hand through the window.

      "Good-bye, mees!" he said, and—disappeared.

      It was not a very dramatic thing, after all. It is chiefly significant for its effect on Twenty-two, who was obliged to sit frozen with horror and cursing his broken leg, while Jane Brown raced a brown little Italian down the fire-escape and caught him at the foot of it. Tony took a look around. The courtyard gates were closed and a policeman sat outside on a camp-stool reading the newspaper. Tony smiled sheepishly and surrendered.

      Some seconds later Tony and Jane Brown appeared on the platform outside. Jane Brown had Tony by the ear, and she stopped long enough outside to exchange the ear for his shoulder, by which she shook him, vigorously.

      Twenty-two turned his chair around and wheeled himself back to his room. He was filled with a cold rage—because she might have fallen on the fire-escape and been killed; because he had not been able to help her; because she was there, looking after the derelicts of life, when the world was beautiful outside, and she was young; because to her he was just Twenty-two and nothing more.

      He had seen her exactly six times.

      Jane Brown gave the ward a little talk that night before the night nurse reported. She stood in the centre of the long room, beside the tulips, and said that she was going to be alone there, and that she would have to put the situation up to their sense of honour. If they tried to escape, they would hurt her. Also they would surely be caught and brought back. And, because she believed in a combination of faith and deeds, she took three nails and the linen-room flatiron, and nailed shut the window onto the fire-escape.


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