The Best Short Stories of 1915, and the Yearbook of the American Short Story. Various

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The Best Short Stories of 1915, and the Yearbook of the American Short Story - Various


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I got to know the answer to that question sooner than I had expected. You see, I went up to the Whitneys’ often, in the afternoon, or for dinner, or in the evening, and I talked to Mrs. Whitney a great deal; although sometimes I just sat and smoked and listened to her play the piano. She played beautifully. It was a treat to a man who hadn’t heard music for two years. There was a little thing of Grieg’s—a spring song, or something of the sort—and you’ve no idea how quaint and sad and appealing it was, and incongruous, with all its freshness and murmuring about water-falls and pine-trees, there, in those hot, breathless Arizona nights. Mrs. Whitney didn’t talk much; she wasn’t what you’d call a particularly communicative woman, but bit by bit I pieced together something continuous. It seems that she had run away with Whitney ten years before—Oh, yes! Henry Martin! That had been a schoolgirl affair. Nothing serious, you understand. But the Whitney matter had been different. She was greatly in love with him. And the family had disapproved. Some rich, stuffy Boston people, I gathered. But she had made up her mind and taken matters in her own hands. That was her way—a clean-cut sort of person—like a gold-and-white arrow; and now she was going to stick by her choice no matter what happened; owed it to Whitney. There was the quirk in her brain; we all have a quirk somewhere, and that was hers. She felt that she had ruined his career; he had been a brilliant young engineer, but her family had kicked up the devil of a row, and, as they were powerful enough, and nasty enough, had more or less hounded him out of the East. Of course, personally, I never thought he showed any of the essentials of brilliancy, but that’s neither here nor there; she did, and she was satisfied that she owed him all she had. I suppose, too, there was some trace of a Puritan conscience back of it, some inherent feeling about divorce; and there was pride as well, a desire not to let that disgusting family of hers know into what ways her idol had fallen. Anyway, she was adamant—oh, yes, I made no bones about it, I up and asked her one night why she didn’t get rid of the hound. So there she was, that white-and-gold woman, with her love of music, and her love of books, and her love of fine things, and her gentleness, and that sort of fiery, suppressed Northern blood, shut up on top of an Arizona dump with a beast that got drunk every night and twice a day on Sunday. It was worse even than that. One night—we were sitting out on the veranda—her scarf slipped, and I saw a scar on her arm, near her shoulder.” Hardy stopped abruptly and began to roll a little pellet of bread between his thumb and his forefinger; then his tense expression faded and he sat back in his chair.

      “Let me have another cigarette,” he said to Jarrick. “No. Wait a minute! I’ll order some.”

      He called a waiter and gave his instructions. “You see,” he continued, “when you run across as few nice women as I do that sort of thing is more than ordinarily disturbing. And then I suppose it was the setting, and her loneliness, and everything. Anyway, I stayed on, I got to be a little bit ashamed of myself. I was afraid that Mrs. Whitney would think me prompted by mere curiosity or a desire to meddle, so after a while I gave out that I was prospecting that part of Arizona, and in the mornings I would take a horse and ride out into the desert. I loved it, too; it was so big and spacious and silent and hot. One day I met Whitney on the edge of town. He was sober, as he always was when he had to be; he was a masterful brute, in his way. He stopped me and asked if I had found anything, and when I laughed he didn’t laugh back. ‘There’s gold here,’ he said. ‘Lots of gold. Did you ever hear the story of the Ten Strike Mine? Well, it’s over there.’ He swept with his arm the line of distant hills to the north. ‘The crazy Dutchman that found it staggered into Almuda, ten miles down the valley, just before he died; and his pockets were bulging with samples—pure gold, almost. Yes, by thunder! And that’s the last they ever heard of it. Lots of men have tried—lots of men. Some day I’ll go myself, surer than shooting.’ And he let his hands drop to his sides and stared silently toward the north, a queer, dreamy anger in his eyes. I’ve seen lots of mining men, lots of prospectors, in my time, and it didn’t take me long to size up that look of his. ‘Aha, my friend!’ I said to myself. ‘So you’ve got another vice, have you! It isn’t only rum that’s got a hold on you!’ And I turned my horse into the town.

      “But our conversation seemed to have stirred to the surface something in Whitney’s brain that had been at work there a long time, for after that he would never let me alone about his Ten Strike Mine and the mountains that hid it. ‘Over there!’ he would say, and point to the north. From the porch of his bungalow the sleeping hills were plainly visible above the shimmering desert. He would chew on the end of a cigar and consider. ‘It isn’t very far, you know. Two days—maybe three. All we need’s water. No water there—at least, none found. All those fellows who’ve prospected are fools. I’m an expert; so are you. I tell you, Hardy, let’s do it! A couple of little old pack-mules! Eh? How about it? Next week? I can get off. God, I’d like money!’ And he would subside into a sullen silence. At first I laughed at him; but I can tell you that sort of thing gets on your nerves sooner or later and either makes you bolt it or else go. At the end of two weeks I actually found myself considering the fool thing seriously. Of course, I didn’t want to discover a lost gold-mine, that is, unless I just happened to stumble over it; I wanted to keep away from such things; they’re bad; they get into a man’s blood like drugs; but I’ve always had a hankering for a new country, and those hills, shining in the heat, were compelling—very compelling. Besides, I reflected, a trip like that might help to straighten Whitney up a little. I hadn’t much hope, to be sure, but drowning men clutch at straws. It’s curious what sophistry you use to convince yourself, isn’t it? And then—something happened that for two weeks occupied all my mind.”

      Hardy paused, considered for a moment the glowing end of his cigarette, and finally looked up gravely; there was a slight hesitation, almost an embarrassment, in his manner. “I don’t exactly know how to put it,” he began. “I don’t want you chaps to imagine anything wrong; it was all very nebulous and indefinite, you understand—Mrs. Whitney was a wonderful woman. I wouldn’t mention the matter at all if it wasn’t necessary for the point of my story; in fact, it is the point of my story. But there was a man there—one of the young engineers—and quite suddenly I discovered that he was in love with Mrs. Whitney, and I think—I never could be quite sure, but I think she was in love with him. It must have been one of those sudden things, a storm out of a clear sky, deluging two people before they were aware. I imagine it was brought to the surface by the chap’s illness. He had been out riding on the desert and had got off to look at something, and a rattlesnake had struck him—a big, dust-dirty thing—on the wrist, and, very faint, he had galloped back to the Whitneys’. And what do you suppose she had done—Mrs. Whitney, that is? Flung herself down on him and sucked the wound! Yes, without a moment’s hesitation, her gold hair all about his hand and her white dress in the dirt. Of course, it was a foolish thing to do, and not in the least the right way to treat a wound, but she had risked her life to do it; a slight cut on her lip—you understand; a tiny, ragged place. Afterward, she had cut the wound crosswise, so, and had put on a ligature, and then had got the man into the house some way and nursed him until he was quite himself again. I dare say he had been in love with her a long while without knowing it, but that clinched matters. Those things come overpoweringly and take a man, down in places like that—semitropical and lonely and lawless, with long, empty days and moonlit nights. Perhaps he told Mrs. Whitney; he never got very far, I am sure. She was a wonderful woman—but she loved him, I think. You can tell those things, you know; a gesture, an unavoidable look, a silence.

      “Anyway, I saw what had happened and I was sorry, and for a fortnight I hung around, loath to go, but hating myself all the while for not doing so. And every day Whitney would come at me with his insane scheme. ‘Over there! It isn’t very far. Two days—maybe three. How about it? Eh?’ and then that tense sweep of the arm to the north. I don’t know what it was, weariness, disgust, irritation of the whole sorry plan of things, but finally, and to my own astonishment, I found myself consenting, and within two days Whitney had his crazy pack outfit ready, and on the morning of the third day we set out. Mrs. Whitney had said nothing when we unfolded our intentions to her, nor did she say anything when we departed, but stood on the porch of the bungalow, her hand up to her throat, and watched us out of sight. I wondered what she was thinking about. The Voodoos—that was the name of the mountains we were heading for—had killed a good many men in their time.”

      Hardy


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