Shapes of Clay. Ambrose Bierce

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Shapes of Clay - Ambrose Bierce


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Wells Fargo's, where he subsequent was bust

       By Sandy, as regards both bank and crust?

       "I wonder was you here when Casey shot

       James King o' William? And did you attend

       The neck-tie dance ensuin'? I did not, But j'ined the rush to Go Creek with my friend Ed'ard McGowan; for we was resolved In sech diversions not to be involved. "Maybe I knowed you; seems to me I've seed Your face afore. I don't forget a face, But names I disremember—I'm that breed Of owls. I'm talking some'at into space An' maybe my remarks is too derned free, Seein' yer name is unbeknown to me. "Ther' was a time, I reckon, when I knowed Nigh onto every dern galoot in town. That was as late as '50. Now she's growed Surprisin'! Yes, me an' my pardner, Brown, Was wide acquainted. If ther' was a cuss We didn't know, the cause was—he knowed us. "Maybe you had that claim adjoinin' mine Up thar in Calaveras. Was it you To which Long Mary took a mighty shine, An' throwed squar' off on Jake the Kangaroo? I guess if she could see ye now she'd take Her chance o' happiness along o' Jake. "You ain't so purty now as you was then: Yer eyes is nothin' but two prospect holes, An' women which are hitched to better men Would hardly for sech glances damn their souls, As Lengthie did. By G——! I hope it's you, For" (kicks the skull) "I'm Jake the Kangaroo."

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      I stood upon a hill. The setting sun

       Was crimson with a curse and a portent,

       And scarce his angry ray lit up the land

       That lay below, whose lurid gloom appeared

       Freaked with a moving mist, which, reeking up

       From dim tarns hateful with some horrid ban,

       Took shapes forbidden and without a name.

       Gigantic night-birds, rising from the reeds

       With cries discordant, startled all the air,

       And bodiless voices babbled in the gloom—

       The ghosts of blasphemies long ages stilled,

       And shrieks of women, and men's curses. All

       These visible shapes, and sounds no mortal ear

       Had ever heard, some spiritual sense

       Interpreted, though brokenly; for I

       Was haunted by a consciousness of crime,

       Some giant guilt, but whose I knew not. All

       These things malign, by sight and sound revealed,

       Were sin-begotten; that I knew—no more—

       And that but dimly, as in dreadful dreams

       The sleepy senses babble to the brain

       Imperfect witness. As I stood a voice,

       But whence it came I knew not, cried aloud

       Some words to me in a forgotten tongue,

       Yet straight I knew me for a ghost forlorn,

       Returned from the illimited inane.

       Again, but in a language that I knew,

       As in reply to something which in me

       Had shaped itself a thought, but found no words,

       It spake from the dread mystery about:

       "Immortal shadow of a mortal soul

       That perished with eternity, attend.

       What thou beholdest is as void as thou:

       The shadow of a poet's dream—himself

       As thou, his soul as thine, long dead,

       But not like thine outlasted by its shade.

       His dreams alone survive eternity

       As pictures in the unsubstantial void.

       Excepting thee and me (and we because

       The poet wove us in his thought) remains

       Of nature and the universe no part

       Or vestige but the poet's dreams. This dread,

       Unspeakable land about thy feet, with all

       Its desolation and its terrors—lo!

       'T is but a phantom world. So long ago

       That God and all the angels since have died

       That poet lived—yourself long dead—his mind

       Filled with the light of a prophetic fire,

       And standing by the Western sea, above

       The youngest, fairest city in the world,

       Named in another tongue than his for one

       Ensainted, saw its populous domain

       Plague-smitten with a nameless shame. For there

       Red-handed murder rioted; and there

       The people gathered gold, nor cared to loose

       The assassin's fingers from the victim's throat,

       But said, each in his vile pursuit engrossed:

       'Am I my brother's keeper? Let the Law

       Look to the matter.' But the Law did not.

       And there, O pitiful! the babe was slain

       Within its mother's breast and the same grave

       Held babe and mother; and the people smiled,

       Still gathering gold, and said: 'The Law, the Law,'

       Then the great poet, touched upon the lips

       With a live coal from Truth's high altar, raised

       His arms to heaven and sang a song of doom—

       Sang of the time to be, when God should lean

       Indignant from the Throne and lift his hand,

       And that foul city be no more!—a tale,

       A dream, a desolation and a curse!

       No vestige of its glory should survive

       In fact or memory: its people dead,

       Its site forgotten, and its very name

       Disputed."

       "Was the prophecy fulfilled?"

       The sullen disc of the declining sun

       Was crimson with a curse and a portent,

       And scarce his angry ray lit up the land

       That lay below, whose lurid gloom appeared

       Freaked with a moving mist, which, reeking up

       From dim tarns hateful with a horrid ban,

       Took shapes forbidden and without a name.

       Gigantic night-birds, rising from the reeds

       With cries discordant, startled all the air,

       And bodiless voices babbled in the gloom.

       But not to me came any voice again;

       And, covering my face with thin, dead hands,

       I wept, and woke, and cried aloud to God!

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      That land full surely hastens to its end

       Where public sycophants in homage bend

      


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