Poems with Power to Strengthen the Soul. Various
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href="#ulink_d53339fd-98b2-5131-860f-c8dc072be0e4">INDEX TO TITLES
INDEX TO FIRST LINES IN APPENDIX
PREFACE
This is not like other collections of religious verse; still less is it a hymnal. The present volume is directed to a very specific and wholly practical end, the production of high personal character; and only those poems which have an immediate bearing in this direction have been admitted. We know of no other book published which has followed this special line. There are fine hymnals, deservedly dear to the Church, but they are necessarily devoted in large measure to institutional and theological subjects, are adapted to the wants of the general congregation and to purposes of song; while many poetical productions that touch the heart the closest are for that very reason unsuited to the hymnal. There are many anthologies and plentiful volumes of religious poetry, but not one coming within our ken has been made up as this has been. We have sought far and wide, through many libraries, carefully conning hundreds of books and glancing through hundreds more, to find just those lines which would have the most tonic and stimulating effect in the direction of holier, nobler living. We have coveted verses whose influence would be directly on daily life and would help to form the very best habits of thought and conduct, which would have intrinsic spiritual value and elevating power; those whose immediate tendency would be to make people better, toughening their moral fibre and helping them heavenward; those which they could hardly read attentively without feeling an impulse toward the things which are pure and true and honorable and lovely and of good report, things virtuous and praiseworthy.
It is surprising to one who has not made the search how very many poets there are whose voluminous and popular works yield nothing, or scarcely anything, of this sort. We have looked carefully through many scores of volumes of poetry without finding a line that could be of the slightest use in this collection. They were taken up altogether with other topics. They contained many pretty conceits, pleasant descriptions, lovely or lively narrations—these in abundance, but words that would send the spirit heavenward, or even earthward with any added love for humanity, not one. On the other hand, in papers and periodicals, even in books, are great multitudes of verses, unexceptionable in sentiment and helpful in influence, which bear so little of the true poetic afflatus, are so careless in construction or so faulty in diction, so imperfect in rhyme or rhythm, so much mingled with colloquialisms or so hopelessly commonplace in thought, as to be unworthy of a permanent place in a book like this. They would not bear reading many times. They would offend a properly educated taste. They would not so capture the ear as to linger on the memory with compelling persistence, nor strike the intellect as an exceptional presentation of important truth. The combination of fine form and deep or inspiring thought is by no means common, but, when found, very precious. We will not claim that this has been secured in all the poems here presented. Not all will approve our choice in all respects. There is nothing in which tastes more differ than in matters of this kind. And we will admit that in some cases we have let in—because of the important truth which they so well voiced—stanzas not fully up to the mark in point of poetic merit. Where it has not been possible to get the two desirable things together, as it has not always, we have been more solicitous for the sentiment that would benefit than for mere prettiness or perfection of form. Helpfulness has been the test oftener than a high literary standard. The labored workmanship of the vessel has not weighed so much with us as its perfect fitness to convey the water of life wherewith the thirsty soul of man has been or may be refreshed. If poets are properly judged, as has been alleged, by the frame of mind they induce, then some who have not gained great literary fame may still hold up their heads and claim a worthy crown.
Some poems fully within the scope of the book—like Longfellow's "Psalm of Life"—have been omitted because of their exceeding commonness and their accessibility. Many hymns of very high value—like "Jesus, Lover of my soul," "My faith looks up to thee," "Nearer, my God, to thee," "When all thy mercies, O my God," "How firm a foundation"—have also been omitted because they are found in all the hymnals, and to include them would unduly swell the size of the book. A few others, although similarly familiar, like "Jesus, I my cross have taken," and "God moves in a mysterious way," have been inserted from a feeling that even yet their depth and richness are not properly appreciated and that they can never be sufficiently pondered. A few poems we have been unable to procure permission to use; but in nearly all cases we have met with most generous treatment from both authors and publishers owning copyrights, and we take this occasion to express our hearty thanks for the kindness afforded in the following instances:
Houghton, Mifflin & Company, for the use of the poems and stanzas here found from Henry Wadsworth Longfellow, James Russell Lowell, John Greenleaf Whittier, Ralph Waldo Emerson, Oliver Wendell Holmes, Edward Rowland Sill, Celia Thaxter, Caroline Atherton Mason, Edna Dean Proctor, Edmund Clarence Stedman, John Burroughs, John Hay, William Dean Howells, Harriet Beecher Stowe, Lucy Larcom, Margaret E. Sangster, Francis Bret Harte, James Freeman Clarke, Samuel Longfellow, Samuel Johnson, Christopher Pearse Cranch, Thomas Wentworth Higginson, Elizabeth Stuart Phelps and John Vance Cheney.
Little, Brown & Company, for poems by Helen Hunt Jackson, Louise Chandler Moulton, William Rounseville Alger, "Susan Coolidge" [Sarah Chauncey Woolsey], and John White Chadwick.
Lothrop, Lee & Shepard Company, for poems by Sam Walter Foss.
D. Appleton & Company, for poems by William Cullen Bryant.
T. Y. Crowell & Company, for poems by Sarah Knowles Bolton.
Charles Scribner's Sons, for poems by Josiah Gilbert Holland.
The Century Company, for poems by Richard Watson Gilder.
The Bobbs-Merrill Company, for poems by James Whitcomb Riley.
Harper & Brothers, for poems by Edward Sandford Martin.
Small, Maynard & Co., for poems by Charlotte Perkins Gilman.
The Rev. D. C. Knowles, for poems by Frederic Lawrence Knowles, especially from "Love Triumphant," published by Dana, Estes & Company.
The Rev. Frederic Rowland Marvin, for poems from his "Flowers of Song from Many Lands."
Professor Amos R. Wells, for poems from his "Just to Help."
Mr. Nixon Waterman, for poems from "In Merry Mood," published by Forbes & Co., of Chicago.
The selections from the above American authors are used by special arrangements with the firms mentioned, who are the only authorized publishers of their works. Many other poems used have been found in papers or other places which gave no indication of the original source. In spite of much effort to trace these things it is quite likely we have failed in some cases to give due credit or obtain the usual permission; and we hope that if such omissions, due to ignorance or inadvertence, are noticed they will be pardoned. Many unknown writers have left behind them some things of value, but their names have become detached from them or perhaps never were appended. Many volumes consulted have been long out of print.
We are glad to record our large indebtedness to the custodians of the Boston, Cambridge, Malden, Natick, Brookline, Jamaica Plain, Somerville, and Newton Public Libraries, the Boston Athenæum, the Congregational Library, the General Theological Library, and the Library of Harvard College, for free access to their treasures.
By far the greater part of the contents are from British and other foreign authors, such as William Wordsworth, Alfred Tennyson, Robert Browning, Elizabeth Barrett Browning, Dinah Maria Mulock Craik, Mrs. S. F. Adams, Anna Letitia Barbauld, Mrs. Charles, Frances Ridley Havergal, Anna Letitia Waring, Jean Ingelow, Adelaide Anne Procter, Mme. Guyon, Theodore Monod, Matthew Arnold, Edwin Arnold, William Shakespeare, John Milton, George Gordon Byron, Robert Burns, William Cowper, George Herbert, Robert Herrick, Francis