The Dark Flower. John Galsworthy
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V
What did he know of women, that should make him understand? At his public school he had seen none to speak to; at Oxford, only this one. At home in the holidays, not any, save his sister Cicely. The two hobbies of their guardian, fishing, and the antiquities of his native county, rendered him averse to society; so that his little Devonshire manor-house, with its black oak panels and its wild stone-walled park along the river-side was, from year's end to year's end, innocent of all petticoats, save those of Cicely and old Miss Tring, the governess. Then, too, the boy was shy. No, there was nothing in his past, of not yet quite nineteen years, to go by. He was not of those youths who are always thinking of conquests. The very idea of conquest seemed to him vulgar, mean, horrid. There must be many signs indeed before it would come into his head that a woman was in love with him, especially the one to whom he looked up, and thought so beautiful. For before all beauty he was humble, inclined to think himself a clod. It was the part of life which was always unconsciously sacred, and to be approached trembling. The more he admired, the more tremulous and diffident he became. And so, after his one wild moment, when she plucked those sweet-scented blossoms and dropped them over him, he felt abashed; and walking home beside her he was quieter than ever, awkward to the depths of his soul.
If there were confusion in his heart which had been innocent of trouble, what must there have been in hers, that for so long had secretly desired the dawning of that confusion? And she, too, was very silent.
Passing a church with open door in the outskirts of the village, she said:
“Don't wait for me—I want to go in here a little.”
In the empty twilight within, one figure, a countrywoman in her black shawl, was kneeling—marvellously still. He would have liked to stay. That kneeling figure, the smile of the sunlight filtering through into the half darkness! He lingered long enough to see Anna, too, go down on her knees in the stillness. Was she praying? Again he had the turbulent feeling with which he had watched her pluck those flowers. She looked so splendid kneeling there! It was caddish to feel like that, when she was praying, and he turned quickly away into the road. But that sharp, sweet stinging sensation did not leave him. He shut his eyes to get rid of her image—and instantly she became ten times more visible, his feeling ten times stronger. He mounted to the hotel; there on the terrace was his tutor. And oddly enough, the sight of him at that moment was no more embarrassing than if it had been the hotel concierge. Stormer did not somehow seem to count; did not seem to want you to count him. Besides, he was so old—nearly fifty!
The man who was so old was posed in a characteristic attitude—hands in the pockets of his Norfolk jacket, one shoulder slightly raised, head just a little on one side, as if preparing to quiz something. He spoke as Lennan came up, smiling—but not with his eyes.
“Well, young man, and what have you done with my wife?”
“Left her in a church, sir.”
“Ah! She will do that! Has she run you off your legs? No? Then let's walk and talk a little.”
To be thus pacing up and down and talking with her husband seemed quite natural, did not even interfere with those new sensations, did not in the least increase his shame for having them. He only wondered a little how she could have married him—but so little! Quite far and academic was his wonder—like his wonder in old days how his sister could care to play with dolls. If he had any other feeling, it was just a longing to get away and go down the hill again to the church. It seemed cold and lonely after all that long day with her—as if he had left himself up there, walking along hour after hour, or lying out in the sun beside her. What was old Stormer talking about? The difference between the Greek and Roman views of honour. Always in the past—seemed to think the present was bad form. And he said:
“We met some English Grundys, sir, on the mountain.”
“Ah, yes! Any particular brand?”
“Some advanced, and some not; but all the same, I think, really.”
“I see. Grundys, I think you said?”
“Yes, sir, from this hotel. It was Mrs. Stormer's name for them. They were so very superior.”
“Quite.”
There was something unusual in the tone of that little word. And the boy stared—for the first time there seemed a real man standing there. Then the blood rushed up into his cheeks, for there she was! Would she come up to them? How splendid she was looking, burnt by the sun, and walking as if just starting! But she passed into the hotel without turning her head their way. Had he offended, hurt her? He made an excuse, and got away to his room.
In the window from which that same morning he had watched the mountains lying out like lions in the dim light, he stood again, and gazed at the sun dropping over the high horizon. What had happened to him? He felt so different, so utterly different. It was another world. And the most strange feeling came on him, as of the flowers falling again all over his face and neck and hands, the tickling of their soft-fringed edges, the stinging sweetness of their scent. And he seemed to hear her voice saying: “Feel!” and to feel her heart once more beating under his hand.
VI
Alone with that black-shawled figure in the silent church, Anna did not pray. Resting there on her knees, she experienced only the sore sensation of revolt. Why had Fate flung this feeling into her heart, lighted up her life suddenly, if God refused her its enjoyment? Some of the mountain pinks remained clinging to her belt, and the scent of them, crushed against her, warred with the faint odour of age and incense. While they were there, with their enticement and their memories, prayer would never come. But did she want to pray? Did she desire the mood of that poor soul in her black shawl, who had not moved by one hair's breadth since she had been watching her, who seemed resting her humble self so utterly, letting life lift from her, feeling the relief of nothingness? Ah, yes! what would it be to have a life so toilsome, so little exciting from day to day and hour to hour, that just to kneel there in wistful stupor was the greatest pleasure one could know? It was beautiful to see her, but it was sad. And there came over Anna a longing to go up to her neighbour and say: “Tell me your troubles; we are both women.” She had lost a son, perhaps, some love—or perhaps not really love, only some illusion. Ah! Love. … Why should any spirit yearn, why should any body, full of strength and joy, wither slowly away for want of love? Was there not enough in this great world for her, Anna, to have a little? She would not harm him, for she would know when he had had enough of her; she would surely have the pride and grace then to let him go. For, of course, he would get tired of her. At her age she could never hope to hold a boy more than a few years—months, perhaps. But would she ever hold him at all? Youth was so hard—it had no heart! And then the memory of his eyes came back—gazing up, troubled, almost wild—when she had dropped on him those flowers. That memory filled her with a sort of delirium. One look from her then, one touch, and he would have clasped her to him. She was sure of it, yet scarcely dared to believe what meant so much. And suddenly the torment that she must go through, whatever happened, seemed to her too brutal and undeserved! She rose. Just one gleam of sunlight was still slanting through the doorway; it failed by a yard or so to reach the kneeling countrywoman, and Anna watched. Would it steal on and touch her, or would the sun pass down behind the mountains, and it fade away? Unconscious of that issue, the black-shawled figure knelt, never moving. And the beam crept on. “If it touches her, then he will love me, if only for an hour; if it fades out too soon—” And the beam crept on. That shadowy path of light, with its dancing dust-motes, was it indeed charged with Fate—indeed the augury of Love or Darkness? And, slowly moving, it mounted, the sun sinking; it rose above that bent head, hovered in a golden mist, passed—and suddenly was gone.
Unsteadily, seeing nothing plain, Anna walked out of the church. Why she passed her husband and the boy on the terrace without a look she could not quite have said—perhaps because the tortured does not salute her torturers. When she reached her room she felt deadly tired, and lying down on her bed, almost at once fell asleep.
She was wakened by a sound, and, recognizing the delicate 'rat-tat' of her husband's knock, did not answer, indifferent whether he came in or