The Dead Command. Vicente Blasco Ibanez
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of blood in the defense of Christian kingdoms and the Catholic faith by enlisting some of its scions in the holy Order of the Knights of Malta. The second sons of the house of Febrer, at the very moment of receiving the water of baptism, had the eight-pointed white cross, symbolizing the eight beatitudes, sewed to their swaddling-bands, and on reaching manhood they became captains of galleys of the warlike Order, and ended their days as opulent knights commanders of Malta recounting their deeds of prowess to the children of their nieces, being tended in their illnesses and having their wounds dressed by the slave women with whom they lived despite their vows of chastity. Renowned monarchs passing through Majorca would leave their sumptuous quarters in the Almudaina to visit the Febrers in their palace. Some members of this great family had been admirals in the king's armada; others governors of far distant lands; some slept the eternal sleep in the Cathedral of La Valette beside other illustrious Majorcans, and Jaime had done homage at their tombs during one of his visits to Malta.
La Lonja, the graceful Gothic structure near the sea at Palma, had been for centuries a feudal possession of his forefathers. Everything was for the Febrers which was flung upon the mole from the high-forecastled galleons, from Oriental cocas with their massive hulls, from fragile lighters, lateen-sailed settees, flat-bottomed tafureas, and other vessels of the epoch; and in the great columnar hall of La Lonja, near the Solomonic pillars which disappeared within the shadows of the vaulted ceilings, his ancestors in regal majesty used to receive voyagers from the Orient who came clad in wide breeches and red fezzes; Genoese and Provençals wearing capes with monkish hoods; and the valiant native captains of the island covered with their red Catalonian helmets. Venetian merchants sent their Majorcan friends ebony furniture delicately inlaid with ivory and lapis lazuli, or enormous, heavy plate-glass mirrors with bevelled edges. Seafarers returning from Africa brought ostrich feathers and tusks of ivory; and these treasures and countless others added to the decoration of the halls, perfumed by mysterious essences, the gifts of Asiatic correspondents.
For centuries the Febrers had been intermediaries between the Orient and the Occident, making of Majorca a depository for exotic products which their ships afterward scattered throughout Spain, France, and Holland. Riches flowed in fabulous abundance to the house. On some occasions the Febrers had made loans to their sovereigns, but this did not prevent Jaime, the last of the family, after losing in the Casino the night before everything which he possessed—some hundreds of pesetas—from borrowing money for a journey to Valldemosa on the following morning from Toni Clapés, the smuggler, a rough fellow of keen intelligence, the most faithful and disinterested of his friends.
While Jaime stood combing his hair he intently studied his image in an antique mirror, cracked and dimmed. Thirty-six! He could not complain of his looks. He was ugly, but it was a grandiose ugliness, to adopt the expression of a woman who had exercised a peculiar influence over his life. This ugliness had yielded him some satisfactory adventures. Miss Mary Gordon, a blonde-haired idealist, daughter of the governor of an English archipelago in Oceanica, traveling through Europe accompanied only by a maid, had met him one summer in a hotel at Munich. She it was who first became impressed, and it was she who took the first steps. According to the young lady, the Spaniard was the living picture of Wagner in his youth. Smiling at the pleasant memory, Febrer contemplated the prominent brow which seemed to oppress his imperious, small, ironic eyes. His nose was sharp and aquiline, the nose common to all the Febrers, those daring birds of prey who haunted the solitudes of the sea. His mouth was scornful and receding, his lips and chin prominent and covered by the soft growth of the beard and mustache, thin and fine.
Ah, delicious Miss Mary! Their happy pilgrimage through Europe had lasted almost a year. She was madly enamored on account of his resemblance to a genius, and wished to marry him; she told him of the governor's millions, mingling her romantic enthusiasm with the practical tendencies of her race; but Febrer ran away at last, before the English woman should in her turn leave him for some orchestra director or other Who might be an even more striking double of her idol.
Ah, women!... Jaime straightened his figure which was manly, though the shoulders bent somewhat from his excessive stature. It had been some time since he had taken interest in women. A few gray hairs in his beard, a slight wrinkling around the eyes, revealed the fatigues of a life which, as he said, had whirled "at full speed." But even so he was popular, and it was love that should lift him out of his pressing situation.
Having finished his toilette he left the dormitory. He crossed a vast salon lighted by the sunshine filtering through shutters in the windows. The floor lay in shadow and the walls shone like a brilliant garden, covered as they were by interminable tapestries with figures of heroic size. They represented mythological and biblical scenes; arrogant dames with full pink flesh standing before red and green warriors; imposing colonnades; palaces hung with garlands; scimitars aloft, heads strewed over the ground, troops of big-bellied horses with one foot lifted; a whole world of ancient legends, but with colors fresh and vernal, despite their centuries, bordered with apples and foliage.
As Febrer passed through the stately hall he glanced ironically at these treasures, the inheritance from his ancestors. Not one of them was his! For more than a year these tapestries, and also those in the dormitory, and throughout the house, had been the property of certain usurers of Palma who had chosen to leave them hanging in their places. They were awaiting the chance visit of some wealthy collector who would pay more royally believing them to be purchased direct from their owner. Jaime was only their custodian, in danger of imprisonment should he prove false to his trust.
Reaching the center of the salon, he turned aside, impelled by habit, but seeing nothing to obstruct his passage, he burst into a laugh. A month ago a choice Italian marble table which the famous knight commander, Don Priamo Febrer, had brought back from one of his privateering expeditions had still stood here. Neither was there anything for him to stumble against farther on; the enormous hammered silver brazier resting on a support of the same metal, upheld by a circular row of cupids, Febrer had also converted into cash, selling it by weight! The brazier reminded him of a gold chain presented by the Emperor Charles V to one of his ancestors which he had sold in Madrid years ago, also by weight, with the addition of two ounces of gold on account of its artistic finish and its antiquity. Afterward he had heard a vague rumor that the chain had been re-sold in Paris for a hundred thousand francs. Ah, poverty! Gentlemen could no longer exist in these times!
His gaze was drawn by the glitter of some enormous writing desks of Venetian workmanship, mounted upon antique tables sustained by lions. They seemed to have been made for giants; their innumerable deep drawers were inlaid in bright colors with representations of mythological scenes. They were four magnificent museum pieces, a feeble reminder of the ancient splendors of the house. Neither did these belong to him. They had shared the fate of the tapestries, and were here awaiting a purchaser. Febrer was merely the concierge of his own house. The Italian and Spanish paintings hanging on the walls of two adjoining rooms, the handsomely carved antique furniture, its silk upholstery now threadbare and torn, also belonged to his creditors—in fact, whatever there had been of value in his venerable heritage!
He passed into the reception hall, a cold, spacious room with elevated ceiling, in the center of the palace, which connected with the stairway. The years had tinged the white walls with the creamy shade of ivory. One must throw his head well back to see the black paneling of the ceiling. Casements near the cornice together with the lower windows lighted this immense, austere apartment. The furnishings were few and of romantic severity; broad armchairs with seats and backs of leather studded with nails; oak tables with twisted legs; dark chests with iron locks showing against upholstery of moth-eaten green cloth. The yellowish-white walls were only visible, as a sort of grill-work, between rows of canvases, many of them unframed. There were hundreds of paintings, all badly done, and yet interesting pictures painted for the perpetuation of the glories of the family, executed by old Italian and Spanish artists who chanced to be passing through Majorca. A traditional charm seemed to emanate from the portraits. Here was the history of the Mediterranean, traced by crude and ingenuous brushes; sea fights between galleys, assaults upon fortresses, naval battles enveloped in smoke. Above the clouds floated the pennants of the ships and rose the tower-like poops with flags bearing the Maltese cross or the crescents crinkling from the rail. Men were fighting on the decks of the ships or in small boats which floated near; the sea, reddened by blood