Cressy. Bret Harte
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of the dreadful books before him. Yet this very element of danger had its fascinations. Johnny Filgee, a small boy, blushed violently, and, without getting up, began hurriedly in a high key, “Tige ith got,” and then suddenly subsided into a whisper.
“Speak up, Johnny,” said the master encouragingly.
“Please, sir, it ain't anythin' he's seed—nor any real news,” said Rupert Filgee, his elder brother, rising with family concern and frowning openly upon Johnny; “it's jest his foolishness; he oughter be licked.” Finding himself unexpectedly on his feet, and apparently at the end of a long speech, he colored also, and then said hurriedly, “Jimmy Snyder—HE seed suthin'. Ask HIM!” and sat down—a recognized hero.
Every eye, including the master's, was turned on Jimmy Snyder. But that youthful observer, instantly diving his head and shoulders into his desk, remained there gurgling as if under water. Two or three nearest him endeavored with some struggling to bring him to an intelligible surface again. The master waited patiently. Johnny Filgee took advantage of the diversion to begin again in a high key, “Tige ith got thix,” and subsided.
“Come, Jimmy,” said the master, with a touch of peremptoriness. Thus adjured, Jimmy Snyder came up glowingly, and bristling with full stops and exclamation points. “Seed a black b'ar comin' outer Daves' woods,” he said excitedly. “Nigh to me ez you be. 'N big ez a hoss; 'n snarlin'! 'n snappin'!—like gosh! Kem along—ker—clump torords me. Reckoned he'd skeer me! Didn't skeer me worth a cent. I heaved a rock at him—I did now!” (in defiance of murmurs of derisive comment)—“'n he slid. Ef he'd kem up furder I'd hev up with my slate and swotted him over the snoot—bet your boots!”
The master here thought fit to interfere, and gravely point out that the habit of striking bears as large as a horse with a school-slate was equally dangerous to the slate (which was also the property of Tuolumne County) and to the striker; and that the verb “to swot” and the noun substantive “snoot” were likewise indefensible, and not to be tolerated. Thus admonished Jimmy Snyder, albeit unshaken in his faith in his own courage, sat down.
A slight pause ensued. The youthful Filgee, taking advantage of it, opened in a higher key, “Tige ith”—but the master's attention was here diverted by the searching eyes of Octavia Dean, a girl of eleven, who after the fashion of her sex preferred a personal recognition of her presence before she spoke. Succeeding in catching his eye, she threw back her long hair from her shoulders with an easy habitual gesture, rose, and with a faint accession of color said:
“Cressy McKinstry came home from Sacramento. Mrs. McKinstry told mother she's comin' back here to school.”
The master looked up with an alacrity perhaps inconsistent with his cynical austerity. Seeing the young girl curiously watching him with an expectant smile, he regretted it. Cressy McKinstry, who was sixteen years old, had been one of the pupils he had found at the school when he first came. But as he had also found that she was there in the extraordinary attitude of being “engaged” to one Seth Davis, a fellow-pupil of nineteen, and as most of the courtship was carried on freely and unceremoniously during school-hours with the full permission of the master's predecessor, the master had been obliged to point out to the parents of the devoted couple the embarrassing effects of this association on the discipline of the school. The result had been the withdrawal of the lovers, and possibly the good-will of the parents. The return of the young lady was consequently a matter of some significance. Had the master's protest been accepted, or had the engagement itself been broken off?
Either was not improbable. His momentary loss of attention was Johnny Filgee's great gain.
“Tige,” said Johnny, with sudden and alarming distinctness, “ith got thix pupths—mothly yaller.”
In the laugh which followed this long withheld announcement of an increase in the family of Johnny's yellow and disreputable setter “Tiger,” who usually accompanied him to school and howled outside, the master joined with marked distinctness. Then he said, with equally marked severity, “Books!” The little levee was ended, and school began.
It continued for two hours with short sighs, corrugations of small foreheads, the complaining cries and scratchings of slate pencils over slates, and other signs of minor anguish among the more youthful of the flock; and with more or less whisperings, movements of the lips, and unconscious soliloquy among the older pupils. The master moved slowly up and down the aisle with a word of encouragement or explanation here and there, stopping with his hands behind him to gaze abstractedly out of the windows to the wondering envy of the little ones. A faint hum, as of invisible insects, gradually pervaded the school; the more persistent droning of a large bee had become dangerously soporific. The hot breath of the pines without had invaded the doors and windows; the warped shingles and weather-boarding at times creaked and snapped under the rays of the vertical and unclouded sun. A gentle perspiration broke out like a mild epidemic in the infant class; little curls became damp, brief lashes limp, round eyes moist, and small eyelids heavy. The master himself started, and awoke out of a perilous dream of other eyes and hair to collect himself severely. For the irresolute, half-embarrassed, half-lazy figure of a man had halted doubtingly before the porch and open door. Luckily the children, who were facing the master with their backs to the entrance, did not see it.
Yet the figure was neither alarming nor unfamiliar. The master at once recognized it as Ben Dabney, otherwise known as “Uncle Ben,” a good-humored but not over-bright miner, who occupied a small cabin on an unambitious claim in the outskirts of Indian Spring. His avuncular title was evidently only an ironical tribute to his amiable incompetency and heavy good-nature, for he was still a young man with no family ties, and by reason of his singular shyness not even a visitor in the few families of the neighborhood. As the master looked up, he had an irritating recollection that Ben had been already haunting him for the last two days, alternately appearing and disappearing in his path to and from school as a more than usually reserved and bashful ghost. This, to the master's cynical mind, clearly indicated that, like most ghosts, he had something of essentially selfish import to communicate. Catching the apparition's half-appealing eye, he proceeded to exorcise it with a portentous frown and shake of the head, that caused it to timidly wane and fall away from the porch, only however to reappear and wax larger a few minutes later at one of the side windows. The infant class hailing his appearance as a heaven-sent boon, the master was obliged to walk to the door and command him sternly away, when, retreating to the fence, he mounted the uppermost rail, and drawing a knife from his pocket, cut a long splinter from the rail, and began to whittle it in patient and meditative silence. But when recess was declared, and the relieved feelings of the little flock had vent in the clearing around the schoolhouse, the few who rushed to the spot found that Uncle Ben had already disappeared. Whether the appearance of the children was too inconsistent with his ghostly mission, or whether his heart failed him at the last moment, the master could not determine. Yet, distasteful as the impending interview promised to be, the master was vaguely and irritatingly disappointed.
A few hours later, when school was being dismissed, the master found Octavia Dean lingering near his desk. Looking into the girl's mischievous eyes, he good-humoredly answered their expectation by referring to her morning's news. “I thought Miss McKinstry had been married by this time,” he said carelessly.
Octavia, swinging her satchel like a censer, as if she were performing some act of thurification over her completed tasks, replied demurely: “Oh no! dear no—not THAT.”
“So it would seem,” said the master.
“I reckon she never kalkilated to, either,” continued Octavia, slyly looking up from the corner of her lashes.
“Indeed!”
“No—she was just funning with Seth Davis—that's all.”
“Funning with him?”
“Yes, sir. Kinder foolin' him, you know.”
“Kinder foolin' him!”
For an instant the master felt it his professional duty to protest against this most unmaidenly and frivolous treatment of the matrimonial engagement, but a second glance at the significant