The Collected Works of Hilaire Belloc. Hilaire Belloc

Читать онлайн книгу.

The Collected Works of Hilaire Belloc - Hilaire  Belloc


Скачать книгу
that all the scheme was a cheat; or like what those must feel at the approach of death who say there is nothing in death but an end and no transition. I knew what had fallen upon the original soul of the place. I feared to find, and I found, nothing but stones.

      I stood considering the city and the vast building and especially the immensity of the tower.

      Even from a long way off it had made a pivot for all we saw; here closer by it appalled the senses. Save perhaps once at Beauvais, I had never known such a magic of great height and darkness.

SUCH A MAGIC OF GREAT HEIGHT AND DARKNESS

      SUCH A MAGIC OF GREAT HEIGHT AND DARKNESS

      It was as though a shaft of influence had risen enormous above the shrine: the last of all the emanations which the sacred city cast outwards just as its sanctity died. That tower was yet new when the commissioners came riding in, guarded by terror all around them, to destroy, perhaps to burn, the poor materials of worship in the great choir below: it was the last thing in England which the true Gothic spirit made. It signifies the history of the three centuries during which Canterbury drew towards it all Europe. But it stands quite silent and emptied of every meaning, tragic and blind against the changing life of the sky and those activities of light that never fail or die as do all things intimate and our own, even religions. I received its silence for an hour, but without comfort and without response. It seemed only an awful and fitting terminal to that long way I had come. It sounded the note of all my road—the droning voice of extreme, incalculable age.

      As I had so fixed the date of this journey, the hour and the day were the day and hour of the murder. The weather was the weather of the same day seven hundred and twenty-nine years before: a clear cold air, a clean sky, and a little wind. I went into the church and stood at the edge of the north transept, where the archbishop fell, and where a few Norman stones lend a material basis for the resurrection of the past. It was almost dark. … I had hoped in such an exact coincidence to see the gigantic figure, huge in its winter swaddling, watching the door from the cloister, watching it unbarred at his command. I had thought to discover the hard large face in profile, still caught by the last light from the round southern windows and gazing fixedly; the choir beyond at their alternate nasal chaunt; the clamour; the battering of oak; the jangle of arms, and of scabbards trailing, as the troops broke in; the footfalls of the monks that fled, the sharp insults, the blows and Gilbert groaning, wounded, and à Becket dead. I listened for Mauclerc's mad boast of violence, scattering the brains on the pavement and swearing that the dead could never rise; then for the rush and flight from the profanation of a temple, and for distant voices crying outside in the streets of the city, under the sunset, 'The King's Men! The King's!'

      But there was no such vision. It seems that to an emptiness so utter not even ghosts can return.

      * * * * *

      In the inn, in the main room of it, I found my companions. A gramophone fitted with a monstrous trumpet roared out American songs, and to this sound the servants of the inn were holding a ball. Chief among them a woman of a dark and vigorous kind danced with an amazing vivacity, to the applause of her peers. With all this happiness we mingled.

The Old Road

      FOOTNOTES:


Скачать книгу