The Secret Glory. Arthur Machen

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The Secret Glory - Arthur Machen


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to be bothered with the troubles and responsibilities of a big House. But there was room and to spare in the Old Grange, so he took three boys besides his nephew. These three were waiting with a grin of anticipation, since the nature of Meyrick's interview with "old Horbury" was not dubious. But Ambrose strolled in with a "Hallo, you fellows!" and sat down in his place as if nothing had happened. This was intolerable.

      "I say, Meyrick," began Pelly, a beefy boy with a red face, "you have been blubbing! Feel like writing home about it? Oh! I forgot. This is your home, isn't it? How many cuts? I didn't hear you howl."

      The boy took no notice. He was getting out his books as if no one had spoken.

      "Can't you answer?" went on the beefy one. "How many cuts, you young sneak?"

      "Go to hell!"

      The whole three stared aghast for a moment; they thought Meyrick must have gone mad. Only one, Bates the observant, began to chuckle quietly to himself, for he did not like Pelly. He who was always beefy became beefier; his eyes bulged out with fury.

      "I'll give it you," he said and made for Ambrose, who was turning over the leaves of the Latin dictionary. Ambrose did not wait for the assault; he rose also and met Pelly half-way with a furious blow, well planted on the nose. Pelly took a back somersault and fell with a crash to the floor, where he lay for a moment half stunned. He rose staggering and looked about him with a pathetic, bewildered air; for, indeed, a great part of his little world had crumbled about his ears. He stood in the middle of the room, wondering what it meant, whether it was true indeed that Meyrick was no longer of any use for a little quiet fun. A horrible and incredible transmutation had, apparently, been effected in the funk of old. Pelly gazed wildly about him as he tried to staunch the blood that poured over his mouth.

      "Foul blow!" ventured Rawson, a lean lad who liked to twist the arms of very little boys till they shrieked for mercy. The full inwardness of the incident had not penetrated to his brain; he saw without believing, in the manner of the materialist who denies the marvellous even when it is before his eyes.

      "Foul blow, young Meyrick!"

      The quiet student had gone back to his place and was again handling his dictionary. It was a hard, compact volume, rebound in strong boards, and the edge of these boards caught the unfortunate Rawson full across the eyes with extraordinary force. He put his face in his hands and blubbered quietly and dismally, rocking to and fro in his seat, hardly hearing the fluent stream of curses with which the quiet student inquired whether the blow he had just had was good enough for him.

      Meyrick picked up his dictionary with a volley of remarks which would have done credit to an old-fashioned stage-manager at the last dress rehearsal before production.

      "Hark at him," said Pelly feebly, almost reverently. "Hark at him." But poor Rawson, rocking to and fro, his head between his hands, went on blubbering softly and spoke no word.

      Meyrick had never been an unobservant lad; he had simply made a discovery that evening that in Rome certain Roman customs must be adopted. The wise Bates went on doing his copy of Latin verse, chuckling gently to himself. Bates was a cynic. He despised all the customs and manners of the place most heartily and took the most curious care to observe them. He might have been the inventor and patentee of rocker, if one judged him by the fervour with which he played it. He entered his name for every possible event at the sports, and jumped the jumps and threw the hammer and ran the races as if his life depended on it. Once Mr. Horbury had accidentally over-head Bates saying something about "the honour of the House" which went to his heart. As for cricket, Bates played as if his sole ambition was to become a first-class professional. And he chuckled as he did his Latin verses, which he wrote (to the awe of other boys) "as if he were writing a letter"—that is, without making a rough copy. For Bates had got the "hang" of the whole system from rocker to Latin verse, and his copies were much admired. He grinned that evening, partly at the transmutation of Meyrick and partly at the line he was jotting down:

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