The Blood of the Arena. Vicente Blasco Ibanez
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loud protestations to his wife and her mother. The swordsman was an ungrateful fellow—the history of all who rise suddenly. And he had worked so hard for Juan! With what firmness had he argued with the managers when the bullock-fight was arranged for him. And now that he was a maestro he had as a manager a gentleman he had met only a short time ago; one Don José who was not one of the family but one for whom Gallardo showed esteem on account of his prestige as an old connoisseur.
"And he will be sorry for it," he ended, adding, "A man has only one family and where will he find such loving care as we have given him ever since he was little? He is the loser. With me he would flourish like Roger de—"
He interrupted himself, swallowing the famous name for fear of the jokes of the banderilleros and amateurs who frequented the house and who had no respect for the historical object of the leather-worker's adoration.
Gallardo, with the generosity of a victor, gave some satisfaction to his brother-in-law by putting him in charge of the house he was having built, with carte blanche as to expenses. The swordsman, overcome by the ease with which money came into his hands, was willing to let his brother-in-law rob him, thus compensating him for not having been chosen as manager.
The torero was to realize his desire of building a house for his mother. She, poor woman, who had spent her life scrubbing floors for the rich, should have her beautiful courtyard with marble pavements, with tiled wainscot, and rooms with furniture like those of the gentry, with servants, yes, many servants to wait upon her. He also felt united by a traditional affection to the ward where his childish poverty had slipped from him. He rejoiced to outshine the very people who had employed his mother as a servant and to give a handful of pesetas, in moments of need, to those who had taken shoes to his father or who had given him a crumb in those sorrowful days. He bought several old houses, one of them the same in whose portal the cobbler had worked. He had them torn down and began to build an edifice that was to have white walls with green painted grilles, a vestibule lined with tiles, and a barred gate of delicately wrought iron through which should be seen the courtyard with its fountain in the centre and its marble columns, between which should hang gilded cages with chattering birds.
Antonio's satisfaction at having full license in the direction and profit of the works was diminished somewhat by terrible news,—Gallardo had a sweetheart! He was travelling now in mid-summer, running over Spain from one plaza to another, making famous sword-thrusts and receiving applause; but almost daily he sent a letter to a certain girl in the ward and in the short respites between wandering from one corrida to another abandoned his companions and took the train to spend the night in Seville, courting her.
"Have you seen?" shouted the leather-worker, scandalized at what was taking place "in the bosom of the home" before the very eyes of his wife and mother-in-law. "A sweetheart! without saying a word to the family, which is the only thing worth while in the whole world! The Señor wants to marry. Without doubt he is tired of us. What a shameless fellow!"
Encarnación approved these assertions with rude grimaces of her strong, fierce face, content to be able to express herself thus against the brother who filled her with envy by his good fortune. Yes, he had ever been a shameless fellow.
But the mother protested. "No, indeed! I know the girl and her poor mother was a chum of mine in the Factory. She is as pure as nuggets of gold, trim, good, fine-looking. I have already told Juan that it would please me and the sooner the better."
She was an orphan, living with an aunt and uncle who kept a little grocery store in the ward. Her father, an old-time dealer in brandies, had left her two houses on the outskirts of Macarena.
"A little thing," said Señora Angustias, "but the girl doesn't come empty-handed. She brings something of her own. And as for clothes—Josú! you ought to see her little hands of gold; how she embroiders the clothes, how she is preparing her trousseau."
Gallardo vaguely recollected having played with her when they were children near the portal where the cobbler worked while the two mothers chatted. She was a sprightly creature, thin and dark, with eyes of a gypsy—the pupils black and sharply rounded like drops of ink, the corneas bluish white and the corners a pallid rose-hue. In their races she was as agile as a boy and her legs looked like reeds; her hair hung about her head in thick rebellious locks twisting like black snakes. Then she had dropped out of his sight and he did not meet her until many years afterward when he was a novillero, and had begun to make a name.
It was one Corpus Christi day—one of the few feasts when the women, shut up in the house through Oriental laziness, go out upon the streets like Moorish women at liberty, wearing mantillas of silk lace and carnations on their breasts. Gallardo saw a young girl, tall, slender, and at the same time strongly built, the waist confined in handsome firm curves with all the vigor of youth. Her face, of a rice-like pallor, colored on seeing the bull-fighter; her great luminous eyes hid themselves beneath their long lashes.
"That girl knows me," said Gallardo to himself. "She must have seen me in the ring."
And when, after having followed her and her aunt, he heard that it was Carmen, the companion of his infancy, he was astonished and confused by the marvellous transformation from the dark thin girl of the past. They became sweethearts and all the neighbors discussed their affair, seeing in them a new honor for the neighborhood.
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